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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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                <text>General Collection - Demolition or Refurbishment of Social Housing? A review of the evidence</text>
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                  <text>A collection of radical ephemera, including pamphlets and journals. This collection comprises mainly anarchist materials produced the mid-2000s to the mid-2010s. The collection includes issues of the journals Shift Magazine and Turbulence, which contain important theoretical contributions on direct action in Britain, from the height of Climate Camp, through the financial crisis, through to the beginnings of the Student Movement and the anti-austerity protests that followed.</text>
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                  <text>Miscellaneous Pamphlets</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Uncontrollable' From the Iron Column</text>
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                <text>A Day Mournful and Overcast</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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              <text>Flyer looking for people to be involved in the national launch of the video activist compilation. Date crossed out and replaced with 11 September.</text>
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                <text>Undercurrents 7 is screening all over the country on Thursday 21 August 1997</text>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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                <text>Plastic Bullets  The Deadly Truth</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A name given to the resource</description>
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                <text>What is a strip search?</text>
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                <text>United Campaign Against Strip Searching</text>
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            <name>Date</name>
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                <text>Leaflet</text>
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        <name>Prison Resistance</name>
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        <name>State Monitoring</name>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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            <description>A name given to the resource</description>
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                <text>What is a strip search?</text>
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              <description>An account of the resource</description>
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                  <text>A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group.</text>
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            <name>Format</name>
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                <text>Flyer</text>
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                <text>University of London Union</text>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2017-07-21</text>
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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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                <text>Journal</text>
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            <name>Creator</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Radical America</text>
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  <item itemId="383" public="1" featured="0">
    <collection collectionId="17">
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                  <text>In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective.&#13;
&#13;
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              <text>Peter Venn (Anthony Davies)</text>
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          <description>The location of the interview</description>
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              <text> * Folder, Instructions, Photographs
* "...also associated with 'table' sculpture..." as noted by Peter Venn    8/23/2014
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&#13;
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&#13;
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&#13;
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* "Is the letter to Edwin Hemsley (don't know how I came by it) related to the Area Designated A Project? I ask this, as Eddy's name does not appear on the list of students on the project notification we received from Group A Staff dated 26th September 72. If I recall correctly, Eddy moved out of the'A' Course after the first year. Also, who took the photos of me during my period in the Area Designated A? Was it another 'A' Course student? Was it my girl friend of the time (a student on the Dip A.D Painting course at Central) or was it a member of staff? Are there photos of other students or staff participating in this project, I wonder?" As noted by Andrew Darley, 7/1/2015
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&#13;
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              <text>Eddy Hemsley conceived and was the primary organiser of this extraordinary event  a truly epic performance piece. I refused to participate as a contestant when Eddy approached me. He promptly said that in that case I should be the Tournament Judge and he instructed me to find out how to properly point score a boxing match  something I duly did, trying my best on the night to judge each fight objectively. As noted by Andrew Darley, 7/1/2015</text>
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* "Who took these photos of my work, which include one of Peter Kardia (ne Atkins) leaving my installation (box) at the end of the allotted period of time I'd allowed for him to explore it? Was it John Burke? Stan Brobyn (the technician)? John Burke was involved as my representative on this report as his completed proforma (itemised here) and his own archive (ref. AC/JB/01/1-16/A6) display. Also, I think, it is interesting to note the way in which I have begun to issue prescriptive instructions to participants in a manner which, by then, was becoming common to much 'A' Course practice." As noted by Andrew Darley, 7/1/2015.
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5282">
                <text>[Material relating to Darley's first Reports]</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
