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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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          <name>Depositor</name>
          <description/>
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              <text>Silvia Federici</text>
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          <description>The location of the interview</description>
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          <description/>
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          <name>UID</name>
          <description>Unique ID</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Press Clipping</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Adele Liskov</text>
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            <description>Date of creation of the resource.</description>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>2013-01-27</text>
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            <name>Date</name>
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                <text>1977-03-16</text>
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                <text>Tallahassee Democrat</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>WFH/SF/1#63</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Speaker misquoted on pay for sex</text>
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              <description>A name given to the resource</description>
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                  <text>Troops Out Movement</text>
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              <description>An account of the resource</description>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
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              <text>Sara Chambers</text>
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          <description/>
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              <text>Bloody Sunday</text>
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          <description>The location of the interview</description>
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              <text>Archive Room</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SC/TOM/0210</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Speakers at London meeting</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Irish Peace Initiative</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="43420">
                <text>26.01.1995</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="43421">
                <text>Press Release</text>
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            </elementTextContainer>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="43426">
                <text>27.10.2022</text>
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          </element>
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        <name>1990s</name>
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      <tag tagId="7">
        <name>Irish Struggles</name>
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        <name>Republicanism</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Troops Out Movement</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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            <elementText elementTextId="43515">
              <text>Sara Chambers</text>
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          <name>Folder</name>
          <description/>
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              <text>Bloody Sunday</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <name>Catalogued by</name>
          <description/>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="43514">
                <text>SC/TOM/0219</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Irish Peace Initiative</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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        <name>1990s</name>
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        <name>Direct Action</name>
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        <name>Environmentalism</name>
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        <name>Prison Resistance</name>
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        <name>Radical Ecology</name>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>North American Earth Liberation Prisoners Support Network </text>
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            <name>Publisher</name>
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                <text>2.05.2025</text>
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        <name>Direct Action</name>
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        <name>Environmentalism</name>
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        <name>Prison Resistance</name>
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        <name>Radical Ecology</name>
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                  <text>Reclaim The Streets &amp; Associated</text>
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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          <description>Unique ID</description>
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              <text>DK/RTS/0058</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <description>Previous identifier</description>
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          <description/>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Spokes-man fights group cycling ban</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="80255">
                <text>Richmond &amp; Twickenham Times</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2006</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>28.11.2025</text>
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        <name>2000s</name>
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        <name>Direct Action</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Murray Bookchin</text>
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            <description>An account of the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newsletter</text>
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                <text>Archive Storage Room|Ros Kane</text>
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            <description>A name given to the resource</description>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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              <text>Sara Chambers</text>
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            <description>A name given to the resource</description>
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                <text>SpyPost on Market Square in Crossmaglen</text>
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            <name>Creator</name>
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            <description>A language of the resource</description>
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&#13;
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&#13;
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&#13;
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                <text>6.09.2024</text>
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              <name>Creator</name>
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                  <text>Stefan Szczelkun</text>
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              <name>Date</name>
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                  <text>Kennington Park's ‘hidden past’ is tightly linked with radical working-class history that pivoted on the Enclosure of Kennington Common in the mid-19th century and its subsequent landscaping as a Victorian Royal Park.The key ‘hidden’ event, absent from the official narrative, is the Chartist monster rally of 10th April 1848, which happened during the European "year of revolutions". &#13;
&#13;
Stefan Szczelkun's materials, housed at MDR, present an attempt to change public perception of this public space. Stefan conducted an informal ethnographic inquiry into the park's working-class past and the recent attempts to erase it. The documents collected reflect his multidisciplinary engagement in various projects and groups active around Kennington Park in the 90s and 2000s. From slides, maps, drawings, news clippings to self-published pamphlets, Radical Southwark ephemera, RTS leaflets and Friends of Kennington Park minutes – the collected materials are a valuable resource for anyone willing to research the contested history of one of London's landmark public spaces.</text>
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              <text>includes Working Press flier; proposal for the regeneration of St. Agnes area; newspaper clippings</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <description>An account of the resource</description>
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                  <text>Given impetus by the current wave of housing struggles, the sapping of space in metropolitan environments and the visit to MDR of squatting historian Alan Moore, MayDay Rooms have gathered a small collection of materials relating to the politics of squatting and occupations. Thanks to the 56a Duplicates Committee for providing MayDay Rooms with gems such as Crowbar and Squall and for practical guides such as the Squatters Handbook. This collection also contains information on the London Street Commune of the late 60s and has lately been supplemented by the ‘Options For Dealing With Squatting’ project.</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Women's Liberation Movement</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="30795">
                  <text>Jenny Earle</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Hackney and Islington Music Workshop&#13;
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            <description>An entity responsible for making the resource available</description>
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            <description>A language of the resource</description>
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        <name>Radical Arts</name>
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