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              <elementTextContainer>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>RK/HMP/0028</text>
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        <element elementId="96">
          <name>Depositor</name>
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          <elementTextContainer>
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              <text>Ros Kane</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="153355">
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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            <name>Publisher</name>
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              <elementText elementTextId="153357">
                <text>Radical Alternatives to Prison</text>
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      <tag tagId="12">
        <name>1980s</name>
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        <name>Prison Resistance</name>
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              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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                <text>The Abolitionist, 1987, no.23</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="78716">
                <text>Radical Alternatives to Prison</text>
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                <text>1987</text>
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                <text>Journal</text>
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              <elementText elementTextId="78722">
                <text>19.11.2025</text>
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      <tag tagId="69">
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Wages for Housework (NYC)</text>
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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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            <elementText elementTextId="4099">
              <text>Silvia Federici</text>
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          <description>The location of the interview</description>
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            <description>Date of creation of the resource.</description>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="4105">
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            <description>A name given to the resource</description>
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                <text>The Activist: Wages for Housework special</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Big Flame – Internal Documents</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
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            <elementText elementTextId="7909">
              <text>Martin Yarnit</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="7916">
              <text>RL</text>
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          <name>UID</name>
          <description>Unique ID</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Comic</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="7913">
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2014-01-23</text>
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                <text>1972-12-31</text>
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                <text>Socialist Worker</text>
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            <description>A name given to the resource</description>
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                <text>The Adventures of Our Norman</text>
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              <description>An account of the resource</description>
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                  <text>Continuing with the moniker of ‘dissenting ephemera’ coined by East London Big Flame this sizeable collection of independent publications is available to be consulted in MayDay Room’s Reading Room. This collection reflects the last surge of small press activity before the rise of the internet and its various web publishing platforms. Amongst a wide variery of magazines and journals collected here can be found Here &amp; Now, Common Sense, Counter Information, Emergency, Anti-Clockwise, Communist Headache, Proletarian Gob, Lobster, Trouble &amp; Strife, Mute, Girl Frenzy and many more.&#13;
&#13;
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
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              <text>Mike Edinburgh</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Reading Room</text>
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        <element elementId="95">
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              <text>1</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>4007</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Pamphlet</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Various</text>
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            <name>Date</name>
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            <name>Publisher</name>
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                <text>Haringey Solidarity Group</text>
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            <name>Identifier</name>
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                <text>The Agitator</text>
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              <description>An account of the resource</description>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Jenny Earle</text>
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              <text>Sara Chambers</text>
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                <text>SC/IS68/0096</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Agreement</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="36648">
                <text>Irish government</text>
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            <name>Date</name>
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                <text>1998</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="36650">
                <text>Booklet</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>27.10.2022</text>
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                  <text>As part of the Unionising Workshop held at Flaxman Lodge in June 2004 a collection of materials (newsletters, leaflets, letters etc.) relating to the Artist Union (1972-1984) was gathered by Jakob Jakobsen and Anthony Davies. The Artist Union was set up to promote the role of artists in society as a force for social change (‘Art is Work’) and developed several work groups including a Women’s Workshop and an Artists in Education Workshop. The first chair of the AU was artist Mary Kelly along with Gustav Metzger as vice-chair. An initial plan to be affiliated to the TUC was later rejected. In 1974 a proposal was made to reform the Arts Council and by 1977 the AU had launched the discussion paper *Wages for Artists*? &#13;
&#13;
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                  <text>Artist Union (1972-1984)</text>
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                  <text>Various</text>
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              <text>MayDay Rooms Archive Storage Room</text>
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          <name>UID</name>
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              <text>4408</text>
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            <name>Format</name>
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              <elementText elementTextId="1876">
                <text>Poster</text>
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            <name>Creator</name>
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              <elementText elementTextId="1878">
                <text>Artists Union</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="1879">
                <text>2017-10-19</text>
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            <name>Identifier</name>
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                <text>AU/ADS/1</text>
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            <description>A name given to the resource</description>
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                <text>The aims of the Artists Union</text>
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  <item itemId="7024" public="1" featured="0">
    <collection collectionId="7">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="7">
                  <text>Miscellaneous Pamphlets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="73785">
                <text>Pamphlet</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Anthony Davies</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Aims of The Communist Party</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2113">
                  <text>Following a week long activation in July 2015 of the Schooling &amp; Culture Archive that included visits from schools and youth groups a collection of materials was assembled for the MayDay Rooms Archive. These materials include large format diagrams documenting the visits and debates, magazines, newspapers, notes, postcards, questionnaires and other materials that will feed into the process of producing a new issue of Schooling &amp; Culture.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Schooling &amp; Culture 2015</text>
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                <text>Pamphlet</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="77005">
                <text>Archive Storage Room|Olivia Chessel', u'Louise Shelley</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="77006">
                <text>The AlTURNErtive Prize 2014</text>
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                  <text>Italia Rossa</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                <elementText elementTextId="2087">
                  <text>Inspired by the fruitful of exchange of Big Flame, Midnight Notes &amp; Zeroworks with Italian political and theoretical developments, MayDay rooms has begun a small collection of Italian language materials and associated translations. These cover the Red Notes project and the early translations of Sergio Bologna and Mario Tronti in Telos Journal. We are grateful to Neinsager for dropping off some Italian language journals including an anthology of autonomist texts from 1974 and to Steve Wright for copies of America Owl and documents pertaining to the Committee Against Repression in Italy. A visit from Giovanni Rubino and Aria Spinelli in March 2015 saw the activation of this collection in the form of a group discussion with Giovanni about some facets of his solidarity-driven artistic work as a muralist at the Alfa Romeo factory and as the instigator of a collective performance at the Edison Factory in Mortedison.</text>
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                <text>Donna Demac, Phil Mattera</text>
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            <description>An account of the resource</description>
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                <text>Italia Rossa</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="76409">
                <text>Newsletter</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Steve Wright</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="76411">
                <text>The American Owl No.10</text>
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              <description>A name given to the resource</description>
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                  <text>Italia Rossa</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2087">
                  <text>Inspired by the fruitful of exchange of Big Flame, Midnight Notes &amp; Zeroworks with Italian political and theoretical developments, MayDay rooms has begun a small collection of Italian language materials and associated translations. These cover the Red Notes project and the early translations of Sergio Bologna and Mario Tronti in Telos Journal. We are grateful to Neinsager for dropping off some Italian language journals including an anthology of autonomist texts from 1974 and to Steve Wright for copies of America Owl and documents pertaining to the Committee Against Repression in Italy. A visit from Giovanni Rubino and Aria Spinelli in March 2015 saw the activation of this collection in the form of a group discussion with Giovanni about some facets of his solidarity-driven artistic work as a muralist at the Alfa Romeo factory and as the instigator of a collective performance at the Edison Factory in Mortedison.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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              <elementText elementTextId="76392">
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                  <text>Inspired by the fruitful of exchange of Big Flame, Midnight Notes &amp; Zeroworks with Italian political and theoretical developments, MayDay rooms has begun a small collection of Italian language materials and associated translations. These cover the Red Notes project and the early translations of Sergio Bologna and Mario Tronti in Telos Journal. We are grateful to Neinsager for dropping off some Italian language journals including an anthology of autonomist texts from 1974 and to Steve Wright for copies of America Owl and documents pertaining to the Committee Against Repression in Italy. A visit from Giovanni Rubino and Aria Spinelli in March 2015 saw the activation of this collection in the form of a group discussion with Giovanni about some facets of his solidarity-driven artistic work as a muralist at the Alfa Romeo factory and as the instigator of a collective performance at the Edison Factory in Mortedison.</text>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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                <text>9.06.2023</text>
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                  <text>A small collection of anarchist books and pamphlets. These mostly date from the 1960s, including a number of issues of Anarchy. Of particular interest in this collection is the pamphlet ‘The Experience of Poverty and The Poverty of Experience’ by the Bash Street Kids/International Werewolf Conspiracy, who were associated with King Mob, and Ed Dorn and Gordon Brotherstone’s translations of guerilla poems from Latin America, published in 1968.&#13;
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                <text>Newsletter</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>For Peace!</text>
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                  <text>A collection gathering materials and stories from live and historical campaigns working for peace. It includes peace groups, demilitarisation activities, anti-militarist campaigns, feminist responses to war, anti-war mobilisations, pacifist education projects and more.</text>
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          <name>UID</name>
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              <text>Kate Sharpley Library</text>
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                <text>The Anarchist Response to War and Labor Violence in 1914</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="63630">
                <text>Rebecca Edelsohn, Alexander Berkman</text>
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                <text>Kate Sharpley Library</text>
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                <text>2003</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pamphlet</text>
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                <text>2.05.2024</text>
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        <name>2000s</name>
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        <name>Anarchism</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Albert Meltzer</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Pamphlet</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Ros Kane</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Anarcho Quiz Book</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Miscellaneous Pamphlets</text>
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                <text>Archive Storage Room|Mike Ballard</text>
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            <name>Title</name>
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                <text>The Angry Brigade</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Italia Rossa</text>
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              <description>An account of the resource</description>
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                  <text>Inspired by the fruitful of exchange of Big Flame, Midnight Notes &amp; Zeroworks with Italian political and theoretical developments, MayDay rooms has begun a small collection of Italian language materials and associated translations. These cover the Red Notes project and the early translations of Sergio Bologna and Mario Tronti in Telos Journal. We are grateful to Neinsager for dropping off some Italian language journals including an anthology of autonomist texts from 1974 and to Steve Wright for copies of America Owl and documents pertaining to the Committee Against Repression in Italy. A visit from Giovanni Rubino and Aria Spinelli in March 2015 saw the activation of this collection in the form of a group discussion with Giovanni about some facets of his solidarity-driven artistic work as a muralist at the Alfa Romeo factory and as the instigator of a collective performance at the Edison Factory in Mortedison.</text>
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                <text>Italia Rossa</text>
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                <text>Archive Storage Room|Rosemary Grennan</text>
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                  <text>Scratch Orchestra</text>
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              <description>An account of the resource</description>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon</text>
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            <description>An account of the resource</description>
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                <text>Scratch Orchestra</text>
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                <text>Fanzine</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Stefan Szczelkun</text>
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