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              <description>An account of the resource</description>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>Insert: A3 Camp 100 Poster</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="79134">
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        <name>2020s</name>
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        <name>Co-operative Movement</name>
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        <name>Underground Press</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="37">
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>An account of the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A name given to the resource</description>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>Howard Slater</text>
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          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="18468">
              <text>Reading Room</text>
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          <name>Number of Items</name>
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            <elementText elementTextId="18469">
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          <name>Catalogued by</name>
          <description/>
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          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="18467">
                <text>Flyer</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="18470">
                <text>Hakim Adi</text>
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          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="18471">
                <text>2014-12-11</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="18472">
                <text>2014-12-11</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="18474">
                <text>Bookpoint</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>/HS</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18476">
                <text>The History of the African and Carribean Communities in Britain</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="73313">
                <text>IWW San Diego Branch</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                  <text>The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis.</text>
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                <text>No Boss! &amp; Barbary Coast Books</text>
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                <text>The Incomplete, True, Authentic And Wonderful History Of May Day</text>
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                  <text>Resistance Comix &amp; Associated</text>
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                  <text>Resistance Comics hailed from Belfast and according to the Irish Comics Wiki the ten issues that appeared between 1975 and 1978 were the work of political cartoonist Brian Moore (aka Cormac). Characters that Moore invented include Paddy O’Looney and Red Biddy and there was a regular comic strip entitled ‘Revolution by Proxy’. These comics, along with several editions of Street Comix of Birmingham, found their way to MayDay rooms via Paul Westlake and Statewatch.</text>
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                <text>The Incredible Rocky vs The Power of The People</text>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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                <text>SC/TOM/0163</text>
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                <text>Various</text>
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                <text>The Independent Magazine</text>
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        <name>1990s</name>
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        <name>Irish Struggles</name>
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                  <text>Women's Liberation Movement</text>
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                  <text>Jenny Earle</text>
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              <text>Sheenagh Hull</text>
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                <text>The Inevitability of Matriarchy</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="78425">
                <text>Elizabeth Lawton</text>
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                <text>Community Press</text>
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                <text>1977</text>
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                <text>Pamphlet</text>
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                <text>6/11/2025</text>
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        <name>1970s</name>
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        <name>Feminism</name>
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        <name>History from Below</name>
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        <name>Women's Liberation Movement</name>
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                <text>The Institute Of Our Love In Disrepair</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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              <text>Giles Lane</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                  <text>The libertarian socialist group Solidarity was set up in 1960 by former members of a British Trotskyist organisation, the Socialist Labour League. Under the intellectual influence of Chris Pallis (a.k.a. Maurcie Brinton), members adopted a political perspective close to that of Socialisme ou Barbarie in France. Solidarity adopted a critique of contemporary capitalism from this French sister organisation, which emphasised its increasingly bureaucratic qualities. Both groups also developed a libertarian socialist perspective, which became increasingly distant from Marxism without abandoning a comitment to revolutionary politics. MayDay Rooms holds an incomplete collection of Solidarity pamphlets and issues of the group’s eponymous journal.</text>
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                <text>16.02.2024</text>
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        <name>1970</name>
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                  <text>Miscellaneous Pamphlets</text>
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              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Maurice Brinton</text>
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                <text>Miscellaneous Pamphlets</text>
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                <text>Archive Storage Room|Ros Kane</text>
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                <text>The Irrational in Politics</text>
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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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            <name>Date Submitted</name>
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                <text>WFH/SF/1#34</text>
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            <description>A name given to the resource</description>
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                <text>The Italian Inquisition</text>
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              <description>An account of the resource</description>
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                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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              <text>Jacob Bard-Rosenberg</text>
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          <description>Unique ID</description>
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            <name>Format</name>
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                <text>Pamphlet</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Libertaria</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="17656">
                <text>2020-12-31</text>
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            <name>Date</name>
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                <text>1972-01-01</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>DEAB/ABI/1#41</text>
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            <name>Title</name>
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                <text>The Italian State Massacre</text>
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  <item itemId="6815" public="1" featured="0">
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The IWA Today</text>
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                  <text>Radical Philosophy</text>
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                <text>Ken Knabb</text>
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                <text>Radical Posters</text>
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                <text>Plan Chest|Ken Knabb</text>
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                <text>The Joy of Revolution</text>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>Jason Skeet</text>
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              <text>LR</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Jungle AAA Manifesto</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Jungle AAA</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>leaflet</text>
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                <text>17.01.2025</text>
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        <name>1990s</name>
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        <name>Free Party Movement</name>
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        <name>Radical Arts</name>
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        <name>Situationist</name>
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        <name>Technology</name>
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                  <text>Dissenting Ephemera - Keir Milburn</text>
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                  <text>a box of issues of Solidarity, as well as a number of items from the Swansea section of Solidarity, of which Milburn’s father was a member. The box also contains a number of anarchist pamphlets, zines, and newssheets chiefly from Wales, dating from the 1980s.</text>
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              <text>Jacob Bard-Rosenberg</text>
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          <description>Unique ID</description>
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              <text>5909</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="22997">
                <text>Pamphlet</text>
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            <name>Creator</name>
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              <elementText elementTextId="23000">
                <text>Solidarity, Ida Mett</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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            <name>Identifier</name>
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                <text>DEKM/KMI/1#20</text>
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            <description>A name given to the resource</description>
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                <text>The Konstadt Commune, Solidarity Pamphlet No. 27</text>
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                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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                <text>Solidarity, Ida Mett</text>
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                <text>DEAB/ABI/1#17</text>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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                <text>2017-01-20</text>
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                <text>AG/NKB/1#17</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Laboratory of Insurrectionary Imagination ESF timetable</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Anti Globalisation Protests and related</text>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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                <text>Flyer</text>
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                <text>Various</text>
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            <name>Identifier</name>
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            <name>Title</name>
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                <text>The Laboratory of Insurrectionary Imagination flyer - labofii.net (2004)</text>
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