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                  <text>Irish Struggles after 1968</text>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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                  <text>Jenny Earle</text>
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          <name>Depositor</name>
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              <text>Sara Chambers</text>
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              <text>LR</text>
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            <name>Identifier</name>
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                <text>SC/IS68/0079</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The plight of Irish republican prisoners and their families</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Sinn Fein POW Department</text>
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            <name>Date</name>
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                <text>August 1987</text>
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            <name>Format</name>
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                <text>Leaflet/Poster</text>
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                <text>27.10.2022</text>
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        <name>1980s</name>
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        <name>Irish Struggles</name>
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        <name>Prison Resistance</name>
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        <name>Republicanism</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="70">
                  <text>Irish Struggles after 1968</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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              <name>Contributor</name>
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                  <text>Jenny Earle</text>
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          <name>Depositor</name>
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              <text>Neil Gordon Orr</text>
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          <name>Folder</name>
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              <text>Justice for Casement Park Accused</text>
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              <text>Archive Room</text>
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            <name>Identifier</name>
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                <text>NGO/IS68/0043</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The plight of Private Clegg news clipping</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="44797">
                <text>Grahame Allan</text>
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            <name>Date</name>
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                <text>26.01.1995</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="44799">
                <text>Article clipping</text>
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            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
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              <elementText elementTextId="44804">
                <text>13.01.2023</text>
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        <name>1990s</name>
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        <name>Irish Struggles</name>
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        <name>Prison Resistance</name>
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        <name>State Monitoring</name>
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                  <text>Dissenting Ephemera- Black Struggle</text>
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              <description>An account of the resource</description>
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                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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            <elementText elementTextId="18896">
              <text>William Shankly</text>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="18898">
              <text>Reading Room</text>
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        <element elementId="95">
          <name>Number of Items</name>
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            <elementText elementTextId="18899">
              <text>1</text>
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              <text>HS</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>3040</text>
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            <name>Format</name>
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              <elementText elementTextId="18897">
                <text>Book</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="18900">
                <text>Eugene D Genovese</text>
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            <name>Date Accepted</name>
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                <text>2014-09-25</text>
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            <name>Date</name>
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              <elementText elementTextId="18902">
                <text>1967-07-20</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="18904">
                <text>Vintage</text>
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            <name>Identifier</name>
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              <elementText elementTextId="18905">
                <text>/WS</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18906">
                <text>The Political Economy of Slavery</text>
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  <item itemId="7352" public="1" featured="0">
    <collection collectionId="30">
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                  <text>Scratch Orchestra</text>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Michael Parsons</text>
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            <description>An account of the resource</description>
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                <text>Scratch Orchestra</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="75425">
                <text>Press Clipping</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Stefan Szczelkun</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="75427">
                <text>The Politics of Composing, Performing and Listening</text>
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                  <text>Dissenting Ephemera 1970s – Women's Movement</text>
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              <description>An account of the resource</description>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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          <name>Depositor</name>
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              <text>East London Big Flame</text>
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          <name>UID</name>
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              <text>972</text>
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                <text>Typescript</text>
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                <text>Anon</text>
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            <name>Date Accepted</name>
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            <elementTextContainer>
              <elementText elementTextId="24269">
                <text>2014-10-18</text>
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            <name>Date</name>
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                <text>1977-03-17</text>
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            </elementTextContainer>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24272">
                <text>Women and Science Collective</text>
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            </elementTextContainer>
          </element>
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            <name>Identifier</name>
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                <text>DEWM/ELBF/1#20</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24274">
                <text>The Politics of Contraception</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="1608" public="1" featured="0">
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2045">
                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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              <text>Alex Bird</text>
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          <description/>
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              <text>Jacob Bard-Rosenberg</text>
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            <name>Format</name>
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                <text>Charles Leadbeater, Fabian Society</text>
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              <elementText elementTextId="18059">
                <text>2020-12-31</text>
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            <name>Date</name>
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              <elementText elementTextId="18062">
                <text>DEAB/ABI/1#62</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18063">
                <text>The Politics of Prosperity</text>
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                <elementText elementTextId="2062">
                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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          <name>Depositor</name>
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          <description>Unique ID</description>
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              <text>958</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="24105">
                <text>Various</text>
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            <name>Date Accepted</name>
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                <text>2014-10-18</text>
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            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24108">
                <text>Red Collective</text>
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            </elementTextContainer>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="24109">
                <text>DEWM/ELBF/1#6</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24110">
                <text>The Politics of Sexuality in Capitalism No.1</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera 1970s – Women's Movement</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2062">
                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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            </element>
          </elementContainer>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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            <elementText elementTextId="24622">
              <text>William Shankly</text>
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          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="24624">
              <text>Archive Storage Room</text>
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        <element elementId="95">
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          <description/>
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            <elementText elementTextId="24625">
              <text>1</text>
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          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="24629">
              <text>HS</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="24633">
              <text>2495</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="24623">
                <text>Magazine</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24626">
                <text>Various</text>
              </elementText>
            </elementTextContainer>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="24627">
                <text>2014-04-01</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24628">
                <text>2015-04-13</text>
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            </elementTextContainer>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="24630">
                <text>Red Collective</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="24631">
                <text>DEWM/WS/1#47</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24632">
                <text>The Politics of Sexuality in Capitalism: Part 2</text>
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            </elementTextContainer>
          </element>
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  <item itemId="1320" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="40">
                  <text>Countering Education</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2043">
                  <text>As an educational charity MayDay Rooms is gathering material around experimental forms and countervailing notions of education. This includes material on the history of radical teaching practices as well as the more recent practical explorations of radical educators today. MayDay’s remit in this area spans primary and secondary education, universities, art schools and self-instituted projects. This collection has recently been supplemented by a loan of material from Libertarian Education that has been upholding the theme of “education as liberation” since its inception in 1966.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="14729">
              <text>Terry Dennett</text>
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          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="14731">
              <text>Reading Room</text>
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        <element elementId="95">
          <name>Number of Items</name>
          <description/>
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            <elementText elementTextId="14732">
              <text>1</text>
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          <name>Catalogued by</name>
          <description/>
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            <elementText elementTextId="14736">
              <text>HS</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="14740">
              <text>2445</text>
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          </elementTextContainer>
        </element>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="14730">
                <text>Book</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14733">
                <text>D.G.Paz</text>
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            </elementTextContainer>
          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="14734">
                <text>2014-03-31</text>
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          <element elementId="40">
            <name>Date</name>
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              <elementText elementTextId="14735">
                <text>1980-01-01</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="14737">
                <text>Manchester University Press</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="14738">
                <text>CE/TD/1#3</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14739">
                <text>The Politics of Working-Class Education in Britain 183-50</text>
              </elementText>
            </elementTextContainer>
          </element>
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  <item itemId="6964" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="7">
                  <text>Miscellaneous Pamphlets</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="73483">
                <text>Alan Woodward</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73484">
                <text>Miscellaneous Pamphlets</text>
              </elementText>
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                <text>Archive Storage Room|Tony Wood</text>
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                <text>The Postal Workers Strike in Haringey</text>
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                  <text>Jenny Earle</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>excerpt from the Guardian</text>
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                <text>The poverty of a mean society</text>
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                <text>Polly Toynbee</text>
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                <text>1987</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="30535">
                <text>article clipping</text>
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            <name>Is Part Of</name>
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                <text>Row Archive</text>
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                <text>23.09.2022</text>
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        <name>1980s</name>
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        <name>Feminism</name>
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        <name>Womens' Liberation Movement</name>
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                  <text>Dissenting Ephemera – Alex Bird</text>
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              <description>An account of the resource</description>
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                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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          <name>Depositor</name>
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              <text>Alex Bird</text>
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              <text>Jacob Bard-Rosenberg</text>
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          <description>Unique ID</description>
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            <name>Format</name>
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                <text>Colin Barker</text>
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              <elementText elementTextId="18004">
                <text>2020-12-31</text>
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                <text>DEAB/ABI/1#67</text>
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                <text>The Power Game</text>
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                  <text>Radical and Militant Poetry</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Marc Atkins</text>
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                <text>Radical and Militant Poetry</text>
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                <text>Reading Room|David Ashford</text>
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                <text>The Prism Walls</text>
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              <name>Title</name>
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                  <text>HMP</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2083">
                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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              <text>Fabian Tompsett</text>
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              <text>Unknown publisher, author</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Becka Hudson</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>HS/HMP/0039</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Prison Revolts in France, May 1985</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47416">
                <text>Os Cangaceiros</text>
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            </elementTextContainer>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1986</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47418">
                <text>Pamphlet</text>
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            <name>Date Submitted</name>
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              <elementText elementTextId="47423">
                <text>9.06.2023</text>
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        <name>1980s</name>
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        <name>Prison Resistance</name>
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              <description>A name given to the resource</description>
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                  <text>Scratch Orchestra</text>
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              <description>An account of the resource</description>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                <text>Stefan Szczelkun</text>
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                <text>Scratch Orchestra</text>
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                <text>Archive Storage Room|Stefan Szczelkun</text>
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            <description>A name given to the resource</description>
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                <text>The Process of Building As Ritual</text>
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                  <text>Haringey Solidarity Group (HSG)</text>
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              <description>An account of the resource</description>
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                  <text>Haringey Solidarity Group (HSG) started life as the Anti-Poll Tax group in Haringey. Once the Poll Tax was defeated most Anti-Poll Tax groups around the country split up. In Haringey we knew there were other issues just as important as the poll tax, so in 1991, we stayed together and change our name to Haringey Solidarity Group (http://www.haringey.org.uk). HSG is a group of local people who feel things need changing and don’t have much faith in politicians and other “so called” leaders to do it for us. Things will only get better for ordinary people when we decide what is best for us. It is not for some boss or so-called leader to decide what they think we need. We believe in doing things for ourselves wherever possible and we try to encourage others to do likewise. We also feel that when ordinary people fight back against the system (be that your boss, the local council or some multi-national company) they need to be supported.</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>Matt Salusbury</text>
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        <name>Community Campaigns</name>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="11455">
                <text>Libertaria Bookshop</text>
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                <text>/EE/1/1-1#21</text>
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            <description>A name given to the resource</description>
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                <text>The Psychology of Political Violence</text>
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              <description>An account of the resource</description>
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                  <text>For many the revolt against the imposition of the Poll Tax marks a unique moment in British social history. This Tax, effectively replacing a property based rates system with a per-head ‘community charge’, was subject to widespread mobilisation and mass protest that figured as a ‘popular front’ against the then Conservative Government. Anti-Poll Tax groups sprang up initially in Scotland in 1989 where the Tax was introduced a year earlier than in the rest of the country. Anti-Poll Tax groups then spread throughout Britain and these were notable for the way in which they entailed a very local, often street-level, mode of organising. Regular meetings were held, information was disseminated and non-paying solidarities were formed that led to a resistance to each stage of the imposition of the poll tax: burning bills, protests at court and local government chambers, resisting evictions, campaigning against jailings. The small collection at MayDay Rooms includes press cuttings, pamphlets, meeting minutes, flyers, posters and newsletters from several Anti-Poll Tax groups. These materials depict the minutiae of a popular groundswell that following the Trafalgar Square Riot led to the abolition of the poll tax in March 1991.</text>
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            <description>A name given to the resource</description>
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                <text>The Queen shows the way</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Postcard</text>
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                <text>27.10.2022</text>
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              <description>An account of the resource</description>
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                  <text>A collection of radical ephemera, including pamphlets and journals. This collection comprises mainly anarchist materials produced the mid-2000s to the mid-2010s. The collection includes issues of the journals Shift Magazine and Turbulence, which contain important theoretical contributions on direct action in Britain, from the height of Climate Camp, through the financial crisis, through to the beginnings of the Student Movement and the anti-austerity protests that followed.</text>
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              <text>Steve Graby</text>
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              <text>Jacob Bard-Rosenberg</text>
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          <description>Unique ID</description>
          <elementTextContainer>
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                <text>Quack Collective</text>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>DESG/SGR/1#9</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20321">
                <text>The Queers Are Revolting</text>
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                  <text>As an educational charity MayDay Rooms is gathering material around experimental forms and countervailing notions of education. This includes material on the history of radical teaching practices as well as the more recent practical explorations of radical educators today. MayDay’s remit in this area spans primary and secondary education, universities, art schools and self-instituted projects. This collection has recently been supplemented by a loan of material from Libertarian Education that has been upholding the theme of “education as liberation” since its inception in 1966.</text>
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              <text>William Shankly</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>2457</text>
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                <text>Jamie Kelsey-Fry &amp; Anita Dhillon</text>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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            <name>Date</name>
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              <elementText elementTextId="14856">
                <text>New Internationalist</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CE/WS/1#18</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="14858">
                <text>The RAX Active Citizen Toolkit</text>
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                  <text>Named after a play by Liverpudlian writer, Jim Allen, Big Flame started out in the early 70s as a rank and file newspaper that gradually developed into a revolutionary socialist feminist organisation. It continued to issue a monthly paper and in each edition the following ‘Basic Points’ were reiterated (1) building a political practice based on the mass of the working class, not merely its representative layers (2) combatting reformism (3) ‘the social factory’ (4) class first, party second (5) for the autonomy of each specifically oppressed sector (6) a non-sectarian and non-authoritarian political method. Big Flame groups were soon established in London, Birmingham, Leeds and Manchester and close links were made with Italian struggles and ideas in the shape of Lotta Continua. Big Flame is, furthermore, notable for its internationalist perspective and for the key role it played in supporting the ‘autonomous movements’ of women, black and gay people. The materials held at MayDay Rooms include copies of the Big Flame newspaper spanning the 70s and a box file of contemporaneous internal documents. We are grateful to Martin Yarnit for depositing these with us.</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <description>A name given to the resource</description>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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        <name>Radical Arts</name>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="44123">
                <text>SC/TOM/0274</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Cinema</name>
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        <name>Irish Struggles</name>
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        <name>Radical Arts</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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        <element elementId="96">
          <name>Depositor</name>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <name>Catalogued by</name>
          <description/>
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            <name>Identifier</name>
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                <text>SC/TOM/0260</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="43972">
                <text>Ritzy cinema</text>
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            <name>Date</name>
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                <text>24.06.1989</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Poster</text>
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                <text>27.10.2022</text>
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        <name>Cinema</name>
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        <name>Irish Struggles</name>
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        <name>Radical Arts</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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          <name>Depositor</name>
          <description/>
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          <description>The location of the interview</description>
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          <name>UID</name>
          <description>Unique ID</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>DVD</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Redbridge Racial Equality Council</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2015-08-17</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Black Chilli Productions</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>/</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Rise and Fall of Racism</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>James Boggs</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="73264">
                <text>Miscellaneous Pamphlets</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Pamphlet</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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        <element elementId="93">
          <name>Comments</name>
          <description/>
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              <text>Contains 31 photographs of the building made by members of the Scratch Orchestra, led by Cornelius Cardew. Each person made a panel and the panels were then bolted together. System designed by Stefan Szczelkun. The idea was to house the "Refuse Collection" - the conventional art objects made by members of the collective. It was also intended to be a place where members could play Scratch Music - a meditative ambient improvisational form that provided the basis of Scratch Orchestra practice. Photos taken by Stefan Szczelkun.  A selection of which were shown at Documenta  14 in Athens. </text>
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          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="78335">
              <text>SS/SO/0002</text>
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          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
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              <text>LR</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Scratch Cottage - 1971 as shown at Alexandra Palace in North London as part of ART SPECTRUM</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Stefan Sczelkun</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photograph</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="78329">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="78330">
                <text>24/10/2025</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>5/11/2025</text>
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    <tagContainer>
      <tag tagId="52">
        <name>Experimental Culture</name>
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      <tag tagId="45">
        <name>Radical Arts</name>
      </tag>
      <tag tagId="55">
        <name>Situationist</name>
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    </tagContainer>
  </item>
</itemContainer>
