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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="79782">
                <text>28.11.2025</text>
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      <tag tagId="37">
        <name>1990s</name>
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        <name>Anti/Alter-Globalisation</name>
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        <name>Direct Action</name>
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                  <text>Eco Anarchist Collection</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>GL/EA/0357</text>
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          <name>Depositor</name>
          <description/>
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              <text>Giles Lane</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Office Room</text>
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          <description/>
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              <text>AJ</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>This is What Democracy Looks Like</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="149246">
                <text>W.L., M. Sartin, Dominique Misein, Adonide</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="149247">
                <text>Venomous Butterfly Publications</text>
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            <name>Date</name>
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                <text>2000</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pamphlet</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="149253">
                <text>16.05.2025</text>
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        <name>2000s</name>
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        <name>Anarchism</name>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Scratch Orchestra</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                <text>Stefan Szczelkun</text>
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            <description>An account of the resource</description>
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                <text>Scratch Orchestra</text>
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                <text>Notes</text>
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                <text>Archive Storage Room|Stefan Szczelkun</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Thoughts after reading articles by Cornelius Cardew and Jeffrey Steele in Studio International Nov/Dec 1976</text>
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                  <text>Reclaim The Streets &amp; Associated</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>DK/RTS/0003</text>
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          <name>Depositor</name>
          <description/>
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              <text>Critical Mass Archive</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <name>Previous Identifier</name>
          <description>Previous identifier</description>
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            <elementText elementTextId="79600">
              <text>deskay_archive (2).jpeg</text>
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          <name>Catalogued by</name>
          <description/>
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            <elementText elementTextId="79601">
              <text>LR</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="79593">
                <text>Thoughts on Fun, Leaders, &amp; Critical Mass</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="79594">
                <text>56a Infoshop</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="79595">
                <text>1996</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="79596">
                <text>Flyer</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="79598">
                <text>English</text>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="79602">
                <text>28.11.2025</text>
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        <name>1990s</name>
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      <tag tagId="42">
        <name>Anti/Alter-Globalisation</name>
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      <tag tagId="46">
        <name>Direct Action</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="34414">
                  <text>Troops Out Movement</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
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              <text>Neil Gordon Orr</text>
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              <text>An Phoblacht/Republican News, 07.02.1991</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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              <text>LR</text>
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                <text>NGO/TOM/0051</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Thousands say Britain out in London article</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>7.02.1991</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="45662">
                <text>Article clipping</text>
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            <description>A language of the resource</description>
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            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
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              <elementText elementTextId="45668">
                <text>13.01.2023</text>
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        <name>1990s</name>
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        <name>Irish Struggles</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera - Catherine Pozzo di Borgo</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="44297">
                  <text>A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group.</text>
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              <text>Catherine Pozzo di Borgo</text>
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          <description>The location of the interview</description>
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              <text>Jacob Bard-Rosenberg</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>4334</text>
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                  <text>Our Psychogeography Collection is primarily composed of materials produced by the London Psychogeographical Association, which was first mooted in 1957 by the British artist Ralph Rumney, who was amicably expelled from the Situationist International for his failure to deliver a psychogeographical report on Venice. Just as the report eventually surfaced in accordance with its own timescale, this psychogeographic project was reinvoked in the early 1990s as the LPA East London Section by Fabian Tompsett. After 35 years of non-existence, a series of newsletters and pamphlets began to be issued to report on the persistences of ruling class power and on free associational drifts through history. With an open non-sectarian context and contributions from writers associated with the Luther Blissett multiple name, the LPA newsletters regularly displayed a humour reminiscent of Class War and added to this a parodic erudition to some degree aimed at exposing the pretensions and callousness of a western enlightenment tradition and how this persistently feeds into blunting the left opposition. LPA activities included trips to destinations of psychogeographic interest (including an American Civil War battlefield in London’s Globe Town), the organisation of three-sided football matches and the inauguration of bus stop competitions. Open Up The South East Passage!&#13;
&#13;
The collection also includes newsletters, leaflets and posters created by other groups from around the country, including the Poetry Field Club, Equi-Phallic Alliance, Manchester Area Psychogeographic and the Nottingham Psychogeographical Unit.&#13;
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                  <text>A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group.</text>
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                <text>Throw Out LSE Thugs Says Short</text>
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              <name>Date</name>
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              <name>Format</name>
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                  <text>In 1993, ten families from the Southwark housing list were offered the chance to build ten houses on a shared ownership basis. The part they owned would be earned the sweat of their labour on the project. This turned out to be a unique experiment, and, although it was fairly successful, it represents a rare example of participatory architecture in action.&#13;
&#13;
The members of the Sharsted Self-Build Association were active in changing the design in relation to their own needs and research. The materials housed at Mayday Rooms -  minutes of SSSBHC meetings, timekeeping reports, organisational documents, architectural plans, design materials – offer a holistic perspective on working-class intervention in the built environment.  </text>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The range of this groups political concerns are reflected in the independent publications gathered here which cover, amidst others: Anti-Psychiatry (Humpty Dumpty), Black Struggle (Race Today) and Anti-Fascism (SKAN, CARF, Temporary Hoarding).</text>
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                  <text>In 1973, behind a shopfront at 113 Roman Road, London E1, four young filmmakers – Joanna Davis, Mary Pat Leece, Ronald Peck and Wilf Thust – set up a cinema and production studio with the aim of introducing “films and filmmaking to those who had previously been excluded from the whole practice”. In the context of a polarised and politically charged Bethnal Green of the 1970s, many local children and young adults found at Four Corners – and in Wilf Thust’s workshops in particular – a sanctuary where they could explore forms of self-representation and develop vocabularies of commonality, resistance and dissent. These sentiments are shared by MayDay Rooms and since late 2013, Wilf has ‘reopened the account’ – together with some of those involved in the 1970’s workshops and many others – making collaborative use of his film output, notebooks, and photographs. This process, which takes the form of screenings, meetings and workshops, will continue over the next few years.</text>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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                <text>Time to Go march, London 1994</text>
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                  <text>Kennington Park's ‘hidden past’ is tightly linked with radical working-class history that pivoted on the Enclosure of Kennington Common in the mid-19th century and its subsequent landscaping as a Victorian Royal Park.The key ‘hidden’ event, absent from the official narrative, is the Chartist monster rally of 10th April 1848, which happened during the European "year of revolutions". &#13;
&#13;
Stefan Szczelkun's materials, housed at MDR, present an attempt to change public perception of this public space. Stefan conducted an informal ethnographic inquiry into the park's working-class past and the recent attempts to erase it. The documents collected reflect his multidisciplinary engagement in various projects and groups active around Kennington Park in the 90s and 2000s. From slides, maps, drawings, news clippings to self-published pamphlets, Radical Southwark ephemera, RTS leaflets and Friends of Kennington Park minutes – the collected materials are a valuable resource for anyone willing to research the contested history of one of London's landmark public spaces.</text>
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              <text>includes George Tinworth's biography; Friends of Kennington Park meeting minutes; partnership agreement for fountain restoration; Heritage of London Trust grant approval letter</text>
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                <text>2022-01-14</text>
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            <name>Date</name>
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                <text>2003</text>
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                  <text>Eco Anarchist Collection</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The range of this groups political concerns are reflected in the independent publications gathered here which cover, amidst others: Anti-Psychiatry (Humpty Dumpty), Black Struggle (Race Today) and Anti-Fascism (SKAN, CARF, Temporary Hoarding).</text>
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                <text>Transnational Institute</text>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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              <text>Fabian Tompsett</text>
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                  <text>The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis.</text>
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                  <text>Queeruption was a rolling international DIY festival that took place eight times between 1998 and 2000. The intention behind these ad hoc festivals, often based in squats, was the intention to create an ‘opportunity for Queers of all genders and sexualities to gather, celebrate [their] queerness and diversity… and learn from each other’. This collection, coming to MayDay Rooms thanks to John Levin, includes ephemera from the first Queeruption festivals and is supplemented by a selection of queer zines from the 1990s.</text>
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                <text>To Celebrate The Affiliation to The GMB of the International Union of Sex Workers</text>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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                <text>20.10.2022</text>
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        <name>2000s</name>
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        <name>History from Below</name>
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        <name>Trade Unions</name>
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        <name>Workers Movement</name>
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                  <text>Troops Out Movement</text>
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              <description>An account of the resource</description>
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              <text>Sara Chambers</text>
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          <description>The location of the interview</description>
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            <description>A name given to the resource</description>
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                <text>1989</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>27.10.2022</text>
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        <name>Republicanism</name>
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