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                  <text>Kennington Park</text>
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                  <text>Stefan Szczelkun</text>
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                  <text>1993-2018</text>
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                  <text>14-01-2022</text>
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                  <text>Kennington Park's ‘hidden past’ is tightly linked with radical working-class history that pivoted on the Enclosure of Kennington Common in the mid-19th century and its subsequent landscaping as a Victorian Royal Park.The key ‘hidden’ event, absent from the official narrative, is the Chartist monster rally of 10th April 1848, which happened during the European "year of revolutions". &#13;
&#13;
Stefan Szczelkun's materials, housed at MDR, present an attempt to change public perception of this public space. Stefan conducted an informal ethnographic inquiry into the park's working-class past and the recent attempts to erase it. The documents collected reflect his multidisciplinary engagement in various projects and groups active around Kennington Park in the 90s and 2000s. From slides, maps, drawings, news clippings to self-published pamphlets, Radical Southwark ephemera, RTS leaflets and Friends of Kennington Park minutes – the collected materials are a valuable resource for anyone willing to research the contested history of one of London's landmark public spaces.</text>
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              <text>Includes Vauxhall Society newsletter; issues of Vauxhall View; Vision for Vauxhall Forum meeting agenda
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                <text>1993-2001</text>
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                  <text>Reclaim The Streets &amp; Associated</text>
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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                <text>Velo Revolution</text>
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            <name>Creator</name>
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                <text>1996</text>
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                <text>28.11.2025</text>
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        <name>1990s</name>
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        <name>Anti/Alter-Globalisation</name>
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        <name>Direct Action</name>
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                  <text>Dissenting Ephemera 1970s - Ed Emery's Collection</text>
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              <text>Jacob Bard-Rosenberg</text>
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          <description>Unique ID</description>
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                <text>2018-03-02</text>
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                <text>Campaign against Repression in West Germany</text>
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                <text>Verboten Vol. 2 February 77</text>
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                  <text>Eco Anarchist Collection</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>Giles Lane</text>
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              <text>Stapled sheets with timetable, annotated in biro.</text>
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          <name>Location</name>
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            <description>A name given to the resource</description>
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                <text>Very Rough Guide to the Winter Moot Weekend Agenda</text>
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            <name>Creator</name>
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                <text>Earth First!</text>
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                <text>Earth First!</text>
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                <text>11.07.25</text>
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        <name>Civil Liberties</name>
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        <name>Prison Resistance</name>
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        <name>Republicanism</name>
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        <name>State Monitoring</name>
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        <name>Trade Unions</name>
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                  <text>Jenny Earle</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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              <text>Neil Gordon Orr</text>
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            <description>A name given to the resource</description>
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                <text>Victory for Dessie Ellis article</text>
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                <text>Article Clipping</text>
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                <text>13.01.2023</text>
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        <name>1990s</name>
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      <tag tagId="7">
        <name>Irish Struggles</name>
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      <tag tagId="69">
        <name>Prison Resistance</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Class War</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <description>Unique ID</description>
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              <text>GH/CW/0087</text>
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              <text>Glyn Harries</text>
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              <text>Digiroom</text>
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                <text>Victory to the Young Comrades</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>poster</text>
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              <elementText elementTextId="68032">
                <text>7.09.2024</text>
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        <name>Anarchism</name>
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      <tag tagId="70">
        <name>Anti-Fascism</name>
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      <tag tagId="14">
        <name>Underground Press</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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          <description>The location of the interview</description>
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            <name>Format</name>
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            <name>Creator</name>
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                  <text>Troops Out Movement</text>
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              <description>An account of the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Videos for hire from TOM</text>
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            <name>Creator</name>
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            <description>A language of the resource</description>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                  <text>Miscellaneous Pamphlets</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Vote Labour And Still Die Horribly</text>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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              <text>Sara Chambers</text>
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          <description>The location of the interview</description>
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            <description>A name given to the resource</description>
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                <text>Vote Yes for Divorce</text>
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                <text>Sinn Fein </text>
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                <text>27.10.2022</text>
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        <name>Feminism</name>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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              <text>Howard Slater</text>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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                <text>Toronto Wages for Housework Committee; New York Wages for Housework Collective, the Power of Women Collective</text>
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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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                  <text>The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis.</text>
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                <text>Wages-Mexico-Libya-India</text>
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                  <text>Eco Anarchist Collection</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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              <text>Flyer advertising a walk of the route of the proposed Hastings to Bexhill Bypass, meeting at a  Brighton squat centre</text>
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                <text>Walk the Route (Hastings Bypass)</text>
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                  <text>Named after a play by Liverpudlian writer, Jim Allen, Big Flame started out in the early 70s as a rank and file newspaper that gradually developed into a revolutionary socialist feminist organisation. It continued to issue a monthly paper and in each edition the following ‘Basic Points’ were reiterated (1) building a political practice based on the mass of the working class, not merely its representative layers (2) combatting reformism (3) ‘the social factory’ (4) class first, party second (5) for the autonomy of each specifically oppressed sector (6) a non-sectarian and non-authoritarian political method. Big Flame groups were soon established in London, Birmingham, Leeds and Manchester and close links were made with Italian struggles and ideas in the shape of Lotta Continua. Big Flame is, furthermore, notable for its internationalist perspective and for the key role it played in supporting the ‘autonomous movements’ of women, black and gay people. The materials held at MayDay Rooms include copies of the Big Flame newspaper spanning the 70s and a box file of contemporaneous internal documents. We are grateful to Martin Yarnit for depositing these with us.</text>
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        <name>1980s</name>
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        <name>Autonomist</name>
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      <tag tagId="10">
        <name>Feminism</name>
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      <tag tagId="82">
        <name>Workerism</name>
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  <item itemId="704" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Big Flame – Internal Documents</text>
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        <element elementId="96">
          <name>Depositor</name>
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          <description>Unique ID</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="8061">
                <text>Pamphlet</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Big Flame Women &amp; Friends</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2015-12-02</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="8066">
                <text>1980-08-01</text>
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            <name>Publisher</name>
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                <text>Big Flame</text>
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            <name>Identifier</name>
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              <elementText elementTextId="8069">
                <text>BFID/SWPW/1</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Walking the Tightrope. A Big Flame Women's Pamphlet</text>
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  <item itemId="2502" public="1" featured="0">
    <collection collectionId="111">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Kennington Park</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27447">
                  <text>Stefan Szczelkun</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="27448">
                  <text>1993-2018</text>
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              <name>Contributor</name>
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                  <text>Various</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Various</text>
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              <name>Date Available</name>
              <description>Date (often a range) that the resource became or will become available.</description>
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                  <text>02-03-2022</text>
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              <name>Date Accepted</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Kennington Park's ‘hidden past’ is tightly linked with radical working-class history that pivoted on the Enclosure of Kennington Common in the mid-19th century and its subsequent landscaping as a Victorian Royal Park.The key ‘hidden’ event, absent from the official narrative, is the Chartist monster rally of 10th April 1848, which happened during the European "year of revolutions". &#13;
&#13;
Stefan Szczelkun's materials, housed at MDR, present an attempt to change public perception of this public space. Stefan conducted an informal ethnographic inquiry into the park's working-class past and the recent attempts to erase it. The documents collected reflect his multidisciplinary engagement in various projects and groups active around Kennington Park in the 90s and 2000s. From slides, maps, drawings, news clippings to self-published pamphlets, Radical Southwark ephemera, RTS leaflets and Friends of Kennington Park minutes – the collected materials are a valuable resource for anyone willing to research the contested history of one of London's landmark public spaces.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <description>The location of the interview</description>
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            <elementText elementTextId="27726">
              <text>26</text>
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          <name>Catalogued by</name>
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            <elementText elementTextId="27730">
              <text>LR</text>
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          <name>Comments</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="27731">
              <text>Includes a timeline of Kennington Park history; Kennington Park map; survey maps</text>
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    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Walking Tours material</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="27724">
                <text>folder</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="27727">
                <text>Various</text>
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          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="27728">
                <text>2022-01-14</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1993-2008</text>
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  <item itemId="1672" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="47">
                  <text>Dissenting Ephemera- Black Struggle</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="44301">
                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
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              <text>Howard Slater</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="18802">
              <text>Reading Room</text>
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        <element elementId="95">
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          <description/>
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            <elementText elementTextId="18803">
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          <name>Catalogued by</name>
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            <elementText elementTextId="18807">
              <text>HS</text>
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          <name>Comments</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="18808">
              <text>Photocopy&#13;Transcription of Talk &#13;</text>
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        </element>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="18812">
              <text>3032</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18801">
                <text>Article</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18804">
                <text>C.L.R. James</text>
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          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="18805">
                <text>2014-11-05</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18806">
                <text>1981-02-06</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="18809">
                <text>Race Today Publications</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="18810">
                <text>/HS</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18811">
                <text>Walter Rodney and the Question of Power</text>
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  </item>
  <item itemId="873" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera - Catherine Pozzo di Borgo</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
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              <text>Catherine Pozzo di Borgo</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="9919">
              <text>Archive Storage Room</text>
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        <element elementId="95">
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            <elementText elementTextId="9920">
              <text>1</text>
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          <name>Catalogued by</name>
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            <elementText elementTextId="9923">
              <text>Jacob Bard-Rosenberg</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>4294</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="9918">
                <text>Poster</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="9921">
                <text>Ian Purdie &amp; Jake Prescott Defence Group</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2017-07-21</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="9924">
                <text>CPD/CPD/1#27</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9925">
                <text>Wanted for Conspiracy Robert Carr</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="49186">
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              <description>The topic of the resource</description>
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                  <text>A collection gathering materials and stories from live and historical campaigns working for peace. It includes peace groups, demilitarisation activities, anti-militarist campaigns, feminist responses to war, anti-war mobilisations, pacifist education projects and more.</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>KSL/FP/0004</text>
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          <name>Depositor</name>
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              <text>Kate Sharpley Library</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="63624">
              <text>Digiroom</text>
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        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
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              <text>LR</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="63618">
                <text>War and Revolution The Hungarian Anarchist Movement in World War I and the Budapest Commune</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="63619">
                <text>Martyn Everett</text>
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            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="63620">
                <text>Kate Sharpley Library</text>
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            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="63621">
                <text>2006</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="63622">
                <text>pamphlet</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="63623">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="63626">
                <text>2.05.2024</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="41">
        <name>2000s</name>
      </tag>
      <tag tagId="47">
        <name>Anarchism</name>
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    </tagContainer>
  </item>
</itemContainer>
