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                  <text>Miscellaneous Pamphlets</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Wilhelm Reich</text>
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                <text>Miscellaneous Pamphlets</text>
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                <text>Archive Storage Room|Mike Ballard</text>
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                <text>What is Class Consciousness?</text>
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                  <text>Eco Anarchist Collection</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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          <description>Unique ID</description>
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              <text>Giles Lane</text>
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              <text>Stapled sheets with timetable for the 1999 Earth First! Summer Gathering. Annotated in biro. See item GL/EA/0602 for an amusing report.</text>
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              <text> </text>
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                <text>What is Going On?</text>
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                <text>Earth First!</text>
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                <text>Earth First!</text>
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                <text>1999</text>
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                <text>11.07.25</text>
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        <name>1990s</name>
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        <name>Direct Action</name>
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        <name>Environmentalism</name>
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        <name>Radical Ecology</name>
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              <description>A name given to the resource</description>
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                  <text>Anti Globalisation Protests and related</text>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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              <text>Matt Salusbury</text>
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                <text>What is Reclaim the Future?</text>
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                <text>Reclaim the Future</text>
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                <text>20.10.2022</text>
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        <name>Anti/Alter-Globalisation</name>
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        <name>Free Party Movement</name>
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        <name>Squatting</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Situationist Miscellany</text>
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                <text>What is Situationism: Critique of the Situationist International</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Jean Barrot (Gilles Dauvé)</text>
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                <text>Unpopular Books</text>
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                <text>15/05/2025</text>
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                  <text>As part of the Unionising Workshop held at Flaxman Lodge in June 2004 a collection of materials (newsletters, leaflets, letters etc.) relating to the Artist Union (1972-1984) was gathered by Jakob Jakobsen and Anthony Davies. The Artist Union was set up to promote the role of artists in society as a force for social change (‘Art is Work’) and developed several work groups including a Women’s Workshop and an Artists in Education Workshop. The first chair of the AU was artist Mary Kelly along with Gustav Metzger as vice-chair. An initial plan to be affiliated to the TUC was later rejected. In 1974 a proposal was made to reform the Arts Council and by 1977 the AU had launched the discussion paper *Wages for Artists*? &#13;
&#13;
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                <text>What Will You Take Home This Week</text>
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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&#13;
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&#13;
2)educational resources from workshops, courses, and the innovative language exchanges, and for general distribution in the community,&#13;
&#13;
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                  <text>The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis.</text>
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                  <text>Haringey Solidarity Group (HSG)</text>
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                  <text>Haringey Solidarity Group (HSG) started life as the Anti-Poll Tax group in Haringey. Once the Poll Tax was defeated most Anti-Poll Tax groups around the country split up. In Haringey we knew there were other issues just as important as the poll tax, so in 1991, we stayed together and change our name to Haringey Solidarity Group (http://www.haringey.org.uk). HSG is a group of local people who feel things need changing and don’t have much faith in politicians and other “so called” leaders to do it for us. Things will only get better for ordinary people when we decide what is best for us. It is not for some boss or so-called leader to decide what they think we need. We believe in doing things for ourselves wherever possible and we try to encourage others to do likewise. We also feel that when ordinary people fight back against the system (be that your boss, the local council or some multi-national company) they need to be supported.</text>
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          <name>UID</name>
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              <text>Matt Salusbury</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="34080">
                <text>Where now for the antiadvertising campaign?</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Haringey Solidarity Group</text>
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            <name>Date</name>
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                <text>2004</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Leaflet</text>
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            <description>A language of the resource</description>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>20.10.2022</text>
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        <name>2000s</name>
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        <name>Anarchism</name>
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        <name>Community Campaigns</name>
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        <name>Direct Action</name>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Eco Anarchist Collection</text>
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              <description>An account of the resource</description>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>UID</name>
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              <text>GL/EA/0410</text>
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              <text>Giles Lane</text>
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              <text>AJ</text>
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                <text>Where There is Brass There is Muck: Ecology and Anarchism</text>
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                <text>Anarchist Communist Federation</text>
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                <text>Anarchist Communist Federation</text>
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            <name>Date</name>
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                <text> </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="149840">
                <text>pamphlet</text>
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                <text>23.05.2025</text>
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        <name>Anarchism</name>
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        <name>Environmentalism</name>
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        <name>Radical Ecology</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Anti Globalisation Protests and related</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2033">
                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>MS/AGP/0049</text>
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        <element elementId="96">
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          <description/>
          <elementTextContainer>
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              <text>Matt Salusbury</text>
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          <description>The location of the interview</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Where's whistleblowing now?</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="32903">
                <text>Public Concern at Work</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2010</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Booklet</text>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>20.10.2022</text>
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        <name>Civil Liberties</name>
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  <item itemId="1583" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera – Alex Bird</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2045">
                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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              <text>Jacob Bard-Rosenberg</text>
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          <description>Unique ID</description>
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              <text>6301</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="17783">
                <text>Pamphlet</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="17786">
                <text>Redruth Days</text>
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          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="17787">
                <text>2020-12-31</text>
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            <name>Date</name>
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                <text>1973-09-01</text>
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                <text>DEAB/ABI/1#54</text>
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            <description>A name given to the resource</description>
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                <text>Whisper &amp; Shout No. 2</text>
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                  <text>Dissenting Ephemera- Black Struggle</text>
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              <description>An account of the resource</description>
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                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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              <text>Photocopy from Statewatch Materials [G1, 101]&#13;</text>
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            <name>Date Accepted</name>
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                <text>2015-03-19</text>
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            <name>Publisher</name>
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                <text>Third World First</text>
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            <name>Identifier</name>
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                <text>/SW</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>White Lies - Racism &amp; Underdevelopment</text>
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                  <text>Schooling &amp; Culture 2015</text>
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              <description>An account of the resource</description>
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                  <text>Following a week long activation in July 2015 of the Schooling &amp; Culture Archive that included visits from schools and youth groups a collection of materials was assembled for the MayDay Rooms Archive. These materials include large format diagrams documenting the visits and debates, magazines, newspapers, notes, postcards, questionnaires and other materials that will feed into the process of producing a new issue of Schooling &amp; Culture.</text>
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              <elementText elementTextId="77035">
                <text>Archive Storage Room|Olivia Chessel', u'Louise Shelley</text>
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                  <text>Dissenting Ephemera- Black Struggle</text>
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              <description>An account of the resource</description>
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                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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          <name>Comments</name>
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            <elementText elementTextId="19308">
              <text>Photocopy from Statewatch materials&#13;</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="19312">
              <text>3353</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="19301">
                <text>Newsletter</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19304">
                <text>A.Sivanandan</text>
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          </element>
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            <name>Date Accepted</name>
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            <elementTextContainer>
              <elementText elementTextId="19305">
                <text>2014-08-27</text>
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            </elementTextContainer>
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            <name>Date</name>
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              <elementText elementTextId="19306">
                <text>1981-03-01</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="19309">
                <text>Institute of Race Relations</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="19310">
                <text>/SW</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19311">
                <text>White Man, Listen</text>
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            </elementTextContainer>
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  <item itemId="848" public="1" featured="0">
    <collection collectionId="56">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera - Catherine Pozzo di Borgo</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="44297">
                  <text>A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group.</text>
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              <text>Catherine Pozzo di Borgo</text>
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          <name>Location</name>
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              <text>Archive Storage Room</text>
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              <text>Jacob Bard-Rosenberg</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="9670">
              <text>4203</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9662">
                <text>Flyer</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="9665">
                <text>Anonymous</text>
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            <name>Date Accepted</name>
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            <elementTextContainer>
              <elementText elementTextId="9666">
                <text>2017-07-21</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CPD/CPD/1#40</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9669">
                <text>White Power creates Black Unconsciousness</text>
              </elementText>
            </elementTextContainer>
          </element>
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    <collection collectionId="55">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="55">
                  <text>Radical and Militant Poetry</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77707">
                <text>John Freeman</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="77708">
                <text>Radical and Militant Poetry</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="77709">
                <text>Book</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Reading Room|David Ashford</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="77711">
                <text>White Wings</text>
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  <item itemId="6959" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Creator</name>
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                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Archive Storage Room|Tony Wood</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Whitechapel United Against Division</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Big Flame Newspaper</text>
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          <name>Depositor</name>
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              <text>Martin Yarnit</text>
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          <name>Catalogued by</name>
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              <text>RL</text>
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          <name>UID</name>
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              <text>1146</text>
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              <elementText elementTextId="8822">
                <text>Newspaper</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="8826">
                <text>2014-01-23</text>
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            <name>Date</name>
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                <text>1979-02-28</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>BFN/MY/1#56</text>
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            <description>A name given to the resource</description>
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                <text>Who Are The Unions For? The Members or The Government</text>
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              <description>A name given to the resource</description>
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                  <text>HMP</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2083">
                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>William Shankly</text>
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          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <name>Catalogued by</name>
          <description/>
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              <text>Becka Hudson</text>
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            <name>Identifier</name>
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              <elementText elementTextId="47017">
                <text>HS/HMP/0003</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47019">
                <text>Who guards the guards?</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47020">
                <text>Brian Stratton</text>
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            </elementTextContainer>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47021">
                <text>North London Group of PROP</text>
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          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47022">
                <text>1973</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47023">
                <text>Pamphlet</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <description>A language of the resource</description>
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              <elementText elementTextId="47024">
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            <elementTextContainer>
              <elementText elementTextId="47027">
                <text>9.06.2023</text>
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    <tagContainer>
      <tag tagId="6">
        <name>1970s</name>
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      <tag tagId="69">
        <name>Prison Resistance</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="7">
                  <text>Miscellaneous Pamphlets</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            </element>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Luther Blisset, Karen Eliot</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73389">
                <text>Miscellaneous Pamphlets</text>
              </elementText>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73390">
                <text>Pamphlet</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="73391">
                <text>Archive Storage Room|Fabian Tompsett</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="73392">
                <text>Who Killed Lebovici?</text>
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  <item itemId="1600" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="2044">
                  <text>Dissenting Ephemera – Alex Bird</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2045">
                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17967">
              <text>Alex Bird</text>
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          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="17969">
              <text>Archive Storage Room</text>
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          </elementTextContainer>
        </element>
        <element elementId="95">
          <name>Number of Items</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17970">
              <text>1</text>
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          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17974">
              <text>Jacob Bard-Rosenberg</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="17977">
              <text>6318</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <elementContainer>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17968">
                <text>Pamphlet</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17971">
                <text>Stephen MCCarthy Campaign</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="17972">
                <text>2020-12-31</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17973">
                <text>1972-01-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="17975">
                <text>DEAB/ABI/1#64</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17976">
                <text>Who killed Stephen McCarthy?</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="3908" public="1" featured="0">
    <collection collectionId="119">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34414">
                  <text>Troops Out Movement</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34415">
                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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              </elementTextContainer>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
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            <elementText elementTextId="41943">
              <text>Sara Chambers</text>
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        <element elementId="93">
          <name>Comments</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="41949">
              <text>part of Plastic Bullets Ban Them Now! Pack</text>
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          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="41950">
              <text>Archive Room</text>
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          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="41951">
              <text>LR</text>
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        </element>
      </elementContainer>
    </itemType>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="41942">
                <text>SC/TOM/0074</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="41944">
                <text>Who produces plastic bullets?</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="41945">
                <text>Troops Out Movement</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="41946">
                <text>1988</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="41947">
                <text>Paper</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="41948">
                <text>English</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="41952">
                <text>27.10.2022</text>
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          </element>
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    <tagContainer>
      <tag tagId="12">
        <name>1980s</name>
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      <tag tagId="7">
        <name>Irish Struggles</name>
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      <tag tagId="51">
        <name>Police Monitoring</name>
      </tag>
      <tag tagId="9">
        <name>Republicanism</name>
      </tag>
    </tagContainer>
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  <item itemId="7752" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="52">
                  <text>Radical Philosophy</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="77452">
                <text>Hackney Flashers Collective</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="77453">
                <text>Radical Posters</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="77454">
                <text>Poster</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="77455">
                <text>Meeting Room|Terry Dennett</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="77456">
                <text>Who's Holding The Baby? - Exhibition Poster</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="14">
                  <text>Big Flame Newspaper</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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            <elementText elementTextId="8667">
              <text>Martin Yarnit</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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                  <text>Haringey Solidarity Group (HSG) started life as the Anti-Poll Tax group in Haringey. Once the Poll Tax was defeated most Anti-Poll Tax groups around the country split up. In Haringey we knew there were other issues just as important as the poll tax, so in 1991, we stayed together and change our name to Haringey Solidarity Group (http://www.haringey.org.uk). HSG is a group of local people who feel things need changing and don’t have much faith in politicians and other “so called” leaders to do it for us. Things will only get better for ordinary people when we decide what is best for us. It is not for some boss or so-called leader to decide what they think we need. We believe in doing things for ourselves wherever possible and we try to encourage others to do likewise. We also feel that when ordinary people fight back against the system (be that your boss, the local council or some multi-national company) they need to be supported.</text>
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              <text>1141</text>
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            <name>Creator</name>
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            <description>A name given to the resource</description>
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                <text>Whose Getting Fat On Food</text>
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              <description>An account of the resource</description>
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                  <text>Formed in the early 70s by ex-tutors and students from several London Art Colleges, the Poster Film Collective produced a series of hand-printed posters in support of political campaigns and a comprehensive series of educational posters that challenged hegemonic views of history. MayDay Rooms is pleased to be hosting a part of Andrew Darley’s collection which comprises of a set of posters titled “Between Future and Past” (aka ‘the feminist series’) and its attendant teaching handbook. Other material deposited by ex-participant Andy includes correspondence and documentation relating to many areas of the Poster Film Collective’s practice.</text>
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                <text>Photographs</text>
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              <description>An account of the resource</description>
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              <description>An account of the resource</description>
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                  <text>Formed in the early 70s by ex-tutors and students from several London Art Colleges, the Poster Film Collective produced a series of hand-printed posters in support of political campaigns and a comprehensive series of educational posters that challenged hegemonic views of history. MayDay Rooms is pleased to be hosting a part of Andrew Darley’s collection which comprises of a set of posters titled “Between Future and Past” (aka ‘the feminist series’) and its attendant teaching handbook. Other material deposited by ex-participant Andy includes correspondence and documentation relating to many areas of the Poster Film Collective’s practice.</text>
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                <text>[u"7 responses to 'do you remember how history was taught in your school...'"]</text>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                  <text>Given impetus by the current wave of housing struggles, the sapping of space in metropolitan environments and the visit to MDR of squatting historian Alan Moore, MayDay Rooms have gathered a small collection of materials relating to the politics of squatting and occupations. Thanks to the 56a Duplicates Committee for providing MayDay Rooms with gems such as Crowbar and Squall and for practical guides such as the Squatters Handbook. This collection also contains information on the London Street Commune of the late 60s and has lately been supplemented by the ‘Options For Dealing With Squatting’ project.</text>
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&#13;
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