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                  <text>For Peace!</text>
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                  <text>A collection gathering materials and stories from live and historical campaigns working for peace. It includes peace groups, demilitarisation activities, anti-militarist campaigns, feminist responses to war, anti-war mobilisations, pacifist education projects and more.</text>
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              <text>Kate Sharpley Library</text>
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              <text>Solidarity pamphlet no.55</text>
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                <text>Czechoslovakia 1968</text>
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                <text>Petr Cerny</text>
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                <text>Solidarity (London)</text>
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                <text>pamphlet</text>
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                <text>2.05.2024</text>
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        <name>Libertarian Communist</name>
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        <name>Marxism</name>
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              <description>A name given to the resource</description>
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                  <text>Anti Globalisation Protests and related</text>
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              <description>An account of the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Flyer</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2005-05</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>AG/NKB/1#18</text>
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            <description>A name given to the resource</description>
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                <text>D is for Disobedience - The Laboratory of Insurrectionary Imagination (May - July 2005)</text>
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              <description>A name given to the resource</description>
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                  <text>Association of Autonomous Astronauts</text>
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              <description>An account of the resource</description>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>UID</name>
          <description>Unique ID</description>
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          <description/>
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              <text>Jason Skeet</text>
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              <text>The Guardian, 1996</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>D Yer wanna be a spaceman and live in the sky?</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>The Guardian</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1996</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>article xero</text>
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            <description>A language of the resource</description>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>17.01.2025</text>
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        <name>1990s</name>
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        <name>Experimental Culture</name>
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      <tag tagId="45">
        <name>Radical Arts</name>
      </tag>
      <tag tagId="55">
        <name>Situationist</name>
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      <tag tagId="48">
        <name>Technology</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Eco Anarchist Collection</text>
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              <description>An account of the resource</description>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>UID</name>
          <description>Unique ID</description>
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          <name>Depositor</name>
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              <text>Giles Lane</text>
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              <text>a collection of reprinted how-to guides</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>D.I.Y. HOW TO GUIDE</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="149489">
                <text>Urban Pirates</text>
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            <name>Publisher</name>
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                <text>CrimethInc</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="149491">
                <text>pamphlet</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="149492">
                <text>English</text>
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          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
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                <text>16.05.2025</text>
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        <name>Anarchism</name>
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        <name>Punk</name>
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                  <text>History Workshop Journal &amp; Associated</text>
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              <description>An account of the resource</description>
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                  <text>Copies of the early issues of History Workshop: A Journal of Socialist Historians, donated by Anna Davin of the founding editorial collective. The history workshop movement emerged in the ferment of the 1960s, animated, according to its Ruskin-based presiding spirit Raphael Samuel, by the “the belief that history is or ought to be a collaborative enterprise, one in which the researcher, the archivist, the curator and the teacher, the ‘do-it-yourself’ enthusiast and the local historian, the family history societies and the individual archaeologist, should all be regarded as equally engaged.” (History Workshop: A Collecteana, 1967-1991, Documents, Memoirs, Critique and cumulative index to History Workshop Journal. Ruskin College. pp. 1V.) A brief history of the movement can be found at: http://www.historyworkshop.org.uk/the-history-of-history-workshop/, including a bibliography.</text>
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              <text>Anna Davin</text>
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              <text>Danny McNamee Campaign</text>
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                <text>Danny's Appeal contacts in London</text>
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        <name>1990s</name>
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      <tag tagId="75">
        <name>IrishStruggles</name>
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        <name>Prison Resistence</name>
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        <name>Republicanism</name>
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      <tag tagId="44">
        <name>State Monitoring</name>
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                  <text>Miscellaneous Pamphlets</text>
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              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Dare To Be A Daniel</text>
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                  <text>Italia Rossa</text>
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                  <text>Inspired by the fruitful of exchange of Big Flame, Midnight Notes &amp; Zeroworks with Italian political and theoretical developments, MayDay rooms has begun a small collection of Italian language materials and associated translations. These cover the Red Notes project and the early translations of Sergio Bologna and Mario Tronti in Telos Journal. We are grateful to Neinsager for dropping off some Italian language journals including an anthology of autonomist texts from 1974 and to Steve Wright for copies of America Owl and documents pertaining to the Committee Against Repression in Italy. A visit from Giovanni Rubino and Aria Spinelli in March 2015 saw the activation of this collection in the form of a group discussion with Giovanni about some facets of his solidarity-driven artistic work as a muralist at the Alfa Romeo factory and as the instigator of a collective performance at the Edison Factory in Mortedison.</text>
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                <text>Various</text>
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                <text>Magazine</text>
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                <text>Archive Storage Room|Terry Dennett</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dario Fo and Franca Rame Theatre Workshop at Riverside Studios, London</text>
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              <name>Title</name>
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                  <text>Radical and Militant Poetry</text>
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                <text>Lisa Jeschke, Lucy Beynon</text>
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                <text>Reading Room|Justin Katko</text>
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            <description>A name given to the resource</description>
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                <text>David Cameron: A Theatre of Knife-Songs</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera - 2000 - Present</text>
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          <name>Depositor</name>
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              <text>Mike Edinburgh</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Jacob Bard-Rosenberg</text>
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          <name>UID</name>
          <description>Unique ID</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="27326">
                <text>Flyer</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="27329">
                <text>Edinburgh Coalition Against Poverty</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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            <name>Date</name>
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            <name>Identifier</name>
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              <elementText elementTextId="27333">
                <text>DET/ME#21</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Day of Action Against Workfare and Sanctions</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Politics of Organised Squatting</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>MS/SQ/0001</text>
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              <text>Matt Salusbury</text>
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              <text>https://april2008.squat.net/</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Days of action in support of autonomous spaces</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="34284">
                <text>Unknown</text>
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            <name>Date</name>
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                <text>2008</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Leaflet</text>
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        <name>Squatting</name>
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              <description>A name given to the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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              <text>Edmund Baxter</text>
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          <name>Comments</name>
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              <text>Includes  "We are more powerful than they can possibly imagine" flyer</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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              <text>reprint from Le Sauvage, 1973</text>
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                <text>Dear Motorist: The Social Ideology of the Motorcar</text>
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        <name>Radical Ecology</name>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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                <text>Death Blossoms Reflections from a prisoner of conscience</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Mumia Abu Jamal</text>
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                <text>9.06.2023</text>
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        <name>1990s</name>
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        <name>black liberation</name>
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        <name>State Violence</name>
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              <description>An account of the resource</description>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>leaflet</text>
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                <text>17.01.2025</text>
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        <name>1990s</name>
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        <name>Experimental Culture</name>
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      <tag tagId="45">
        <name>Radical Arts</name>
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      <tag tagId="55">
        <name>Situationist</name>
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      <tag tagId="48">
        <name>Technology</name>
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              <description>An account of the resource</description>
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                  <text>Following a week long activation in July 2015 of the Schooling &amp; Culture Archive that included visits from schools and youth groups a collection of materials was assembled for the MayDay Rooms Archive. These materials include large format diagrams documenting the visits and debates, magazines, newspapers, notes, postcards, questionnaires and other materials that will feed into the process of producing a new issue of Schooling &amp; Culture.</text>
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                <text>Robin Richardson, Marion Flood, Simon Fisher</text>
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            <description>An account of the resource</description>
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                <text>Schooling &amp; Culture 1977  1985</text>
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                <text>Archive Storage Room|Andrew Dewdney</text>
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            <name>Title</name>
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                <text>Debate and Decision  Schools in a World of Change</text>
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              <description>An account of the resource</description>
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                  <text>Following a week long activation in July 2015 of the Schooling &amp; Culture Archive that included visits from schools and youth groups a collection of materials was assembled for the MayDay Rooms Archive. These materials include large format diagrams documenting the visits and debates, magazines, newspapers, notes, postcards, questionnaires and other materials that will feed into the process of producing a new issue of Schooling &amp; Culture.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Schooling &amp; Culture 2015</text>
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                <text>Archive Storage Room|Olivia Chessel', u'Louise Shelley</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Decade - 10 Years of the AlTURNERtive Prize</text>
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              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                  <text>Scratch Orchestra</text>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                <text>Cornelius Cardew</text>
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                <text>Scratch Orchestra</text>
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            <name>Format</name>
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                <text>Programme</text>
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            <name>Source</name>
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                <text>Archive Storage Room|Stefan Szczelkun</text>
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                <text>Dedicated to the Scratch Orchestra  - The Great Learning by Cornelius Cardew</text>
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