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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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              <text>Sara Chambers</text>
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                <text>Policing Strategies in N.Ireland</text>
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                  <text>As part of the Unionising Workshop held at Flaxman Lodge in June 2004 a collection of materials (newsletters, leaflets, letters etc.) relating to the Artist Union (1972-1984) was gathered by Jakob Jakobsen and Anthony Davies. The Artist Union was set up to promote the role of artists in society as a force for social change (‘Art is Work’) and developed several work groups including a Women’s Workshop and an Artists in Education Workshop. The first chair of the AU was artist Mary Kelly along with Gustav Metzger as vice-chair. An initial plan to be affiliated to the TUC was later rejected. In 1974 a proposal was made to reform the Arts Council and by 1977 the AU had launched the discussion paper *Wages for Artists*? &#13;
&#13;
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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                <text>SC/TOM/0096</text>
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            <description>A name given to the resource</description>
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                <text>Political Vetting</text>
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            <name>Creator</name>
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                <text>Troops Out Movement</text>
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            <name>Date</name>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Information Sheet</text>
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            <name>Date Accepted</name>
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        <name>Irish Struggles</name>
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        <name>Republicanism</name>
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                  <text>Inspired by the fruitful of exchange of Big Flame, Midnight Notes &amp; Zeroworks with Italian political and theoretical developments, MayDay rooms has begun a small collection of Italian language materials and associated translations. These cover the Red Notes project and the early translations of Sergio Bologna and Mario Tronti in Telos Journal. We are grateful to Neinsager for dropping off some Italian language journals including an anthology of autonomist texts from 1974 and to Steve Wright for copies of America Owl and documents pertaining to the Committee Against Repression in Italy. A visit from Giovanni Rubino and Aria Spinelli in March 2015 saw the activation of this collection in the form of a group discussion with Giovanni about some facets of his solidarity-driven artistic work as a muralist at the Alfa Romeo factory and as the instigator of a collective performance at the Edison Factory in Mortedison.</text>
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                <text>Wicked Messengers, Claudio Albertani</text>
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                <text>Pamphlet</text>
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                <text>Politics in the First Person</text>
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                  <text>Big Flame – Internal Documents</text>
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            <name>Format</name>
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                <text>Report</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Big Flame</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Politics of Sexuality/Sexuality of Politics Conference</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Big Flame</text>
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            <name>Date Accepted</name>
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                <text>Politics of Sexuality/Sexuality of Politics Conference</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Big Flame – Internal Documents</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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              <text>Martin Yarnit</text>
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            <name>Format</name>
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                <text>Report</text>
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            <name>Title</name>
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                <text>Poll Tax Flagship Sunk!</text>
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        <name>Anarchism</name>
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        <name>Anti-Fascism</name>
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        <name>Underground Press</name>
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                  <text>For many the revolt against the imposition of the Poll Tax marks a unique moment in British social history. This Tax, effectively replacing a property based rates system with a per-head ‘community charge’, was subject to widespread mobilisation and mass protest that figured as a ‘popular front’ against the then Conservative Government. Anti-Poll Tax groups sprang up initially in Scotland in 1989 where the Tax was introduced a year earlier than in the rest of the country. Anti-Poll Tax groups then spread throughout Britain and these were notable for the way in which they entailed a very local, often street-level, mode of organising. Regular meetings were held, information was disseminated and non-paying solidarities were formed that led to a resistance to each stage of the imposition of the poll tax: burning bills, protests at court and local government chambers, resisting evictions, campaigning against jailings. The small collection at MayDay Rooms includes press cuttings, pamphlets, meeting minutes, flyers, posters and newsletters from several Anti-Poll Tax groups. These materials depict the minutiae of a popular groundswell that following the Trafalgar Square Riot led to the abolition of the poll tax in March 1991.</text>
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          <description>Unique ID</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Poll Tax Rebellion kiss</text>
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                <text>David Hoffman</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>photograph</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>GH/CW/0062</text>
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              <text>Glyn Harries</text>
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              <text>2 copies</text>
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              <text>Digiroom</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Poll Tax Special</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Class War</text>
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                <text>1990</text>
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                <text>newspaper</text>
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                <text>7.09.2024</text>
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        <name>Anti-Fascism</name>
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        <name>Underground Press</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Anthony Davies</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Popular Front Anti Fascism</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Anti Globalisation Protests and related</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>MS/AGP/0113</text>
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          <description/>
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              <text>Matt Salusbury</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Porn &amp; Gabba</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Fuck Off &amp; Die</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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        <name>Underground Music</name>
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              <description>A name given to the resource</description>
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                  <text>Scratch Orchestra</text>
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              <description>An account of the resource</description>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Typewritten Notes</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Stefan Szczelkun</text>
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            <description>A name given to the resource</description>
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                <text>Porto</text>
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                  <text>Poster Film Collective</text>
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                  <text>Formed in the early 70s by ex-tutors and students from several London Art Colleges, the Poster Film Collective produced a series of hand-printed posters in support of political campaigns and a comprehensive series of educational posters that challenged hegemonic views of history. MayDay Rooms is pleased to be hosting a part of Andrew Darley’s collection which comprises of a set of posters titled “Between Future and Past” (aka ‘the feminist series’) and its attendant teaching handbook. Other material deposited by ex-participant Andy includes correspondence and documentation relating to many areas of the Poster Film Collective’s practice.</text>
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                <text>Andrew Darley</text>
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                <text>Poster Film Collective</text>
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              <elementText elementTextId="73930">
                <text>Information Sheet</text>
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                <text>Archive Storage Room|Andrew Darley</text>
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                <text>Poster Film Collective: Inventory of Posters</text>
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            <element elementId="50">
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                  <text>Midnight Notes</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis.</text>
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        <element elementId="96">
          <name>Depositor</name>
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            <elementText elementTextId="2560">
              <text>George Caffentzis</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="2562">
              <text>Archive Storage Room</text>
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              <text>1</text>
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          <name>Catalogued by</name>
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          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="2572">
              <text>524</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2561">
                <text>Journal</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2564">
                <text>Various</text>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="2565">
                <text>2015-03-17</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="2566">
                <text>2013-01-26</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2567">
                <text>1983-05-17</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2569">
                <text>Midnight Notes Collective</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="2570">
                <text>MN/GC/1#6</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2571">
                <text>Posthumous Notes</text>
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            </elementTextContainer>
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  <item itemId="4490" public="1" featured="0">
    <collection collectionId="9">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="9">
                  <text>HMP</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2083">
                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="48208">
              <text>Howard Slater</text>
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          </elementTextContainer>
        </element>
        <element elementId="101">
          <name>Folder</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="48214">
              <text>HMP 1989-1992, Strangeways prison occupation</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="48216">
              <text>Archive Room</text>
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        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="48217">
              <text>Becka Hudson</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="48207">
                <text>HS/HMP/0109</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48209">
                <text>Potent mixture in degrading jail system</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48210">
                <text>John Carvel </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="48211">
                <text>The Guardian</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="48212">
                <text>1988</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48213">
                <text>Newspaper clipping</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48215">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="48218">
                <text>9.06.2023</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="12">
        <name>1980s</name>
      </tag>
      <tag tagId="69">
        <name>Prison Resistance</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7215" public="1" featured="0">
    <collection collectionId="26">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26">
                  <text>Queeruption &amp; Associated</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2105">
                  <text>Queeruption was a rolling international DIY festival that took place eight times between 1998 and 2000. The intention behind these ad hoc festivals, often based in squats, was the intention to create an ‘opportunity for Queers of all genders and sexualities to gather, celebrate [their] queerness and diversity… and learn from each other’. This collection, coming to MayDay Rooms thanks to John Levin, includes ephemera from the first Queeruption festivals and is supplemented by a selection of queer zines from the 1990s.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="74738">
                <text>Bijou, Zena</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74739">
                <text>Queeruption &amp; Associated</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="74740">
                <text>Fanzine</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="74741">
                <text>Archive Storage Room|John Levin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="74742">
                <text>Pottyzine No.1</text>
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  <item itemId="3356" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="70">
                  <text>Irish Struggles after 1968</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2086">
                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="30796">
                  <text>Jenny Earle</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>Sara Chambers</text>
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        <element elementId="93">
          <name>Comments</name>
          <description/>
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            <elementText elementTextId="36244">
              <text>2 copies</text>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="36245">
              <text>Archive Room</text>
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          <name>Catalogued by</name>
          <description/>
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            <elementText elementTextId="36246">
              <text>LR</text>
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    </itemType>
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      <elementSet elementSetId="1">
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="36236">
                <text>SC/IS68/0056</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36238">
                <text>Poverty in the age of affluence... postcard</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36239">
                <text>Sister Stanislaus</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="36240">
                <text>Women's Community Publishing Coop</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36241">
                <text>1980s</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36242">
                <text>Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36243">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="36247">
                <text>27.10.2022</text>
              </elementText>
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          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="12">
        <name>1980s</name>
      </tag>
      <tag tagId="10">
        <name>Feminism</name>
      </tag>
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  <item itemId="1796" public="1" featured="0">
    <collection collectionId="88">
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        <elementSet elementSetId="1">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2057">
                  <text>Dissenting Ephemera – Steve Graby</text>
                </elementText>
              </elementTextContainer>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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                <text>Howard Zinn</text>
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                <text>Publisher&#13;
Open Media</text>
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        <name>1990s</name>
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      <tag tagId="42">
        <name>Anti/Alter-Globalisation</name>
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        <name>State Monitoring</name>
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                <text>Practical Economics</text>
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                  <text>As a mass popular movement involving and uniting many subcultures the rave scene soon gained self confidence as a counter-culture and became subject to Governmental attack via the Criminal Justice Act (CJA). The ephemera deposited at MayDay rooms by William Shankly focuses on a period from 1993 and the Dead By Dawn/TechNet/Alien Undergound/Datacide assemblage centred on Brixton’s 121 Centre. Amongst the papers are zines from the period, flyers, news cuttings, correspondence and typescripts and drafts of TechNet writings. Some of these materials, especially those generated at the time of resistance to the CJA, were activated in October 2014 in association with History Is Made At Night at an event called ‘The Revolt of the Ravers’.</text>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
          <elementTextContainer>
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              <text>Howard Slater</text>
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          </elementTextContainer>
        </element>
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          <name>Folder</name>
          <description/>
          <elementTextContainer>
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              <text>HMP 1989-1992, Strangeways prison occupation</text>
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          </elementTextContainer>
        </element>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
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              <text>Becka Hudson</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>HS/HMP/0072</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Prayer group taped start of disturbance</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47789">
                <text>Tom Sharratt</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47790">
                <text>The Guardian</text>
              </elementText>
            </elementTextContainer>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>13th June 1990</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper clipping</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Date Submitted</name>
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              <elementText elementTextId="47797">
                <text>9.06.2023</text>
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      <tag tagId="37">
        <name>1990s</name>
      </tag>
      <tag tagId="69">
        <name>Prison Resistance</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Italia Rossa</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2087">
                  <text>Inspired by the fruitful of exchange of Big Flame, Midnight Notes &amp; Zeroworks with Italian political and theoretical developments, MayDay rooms has begun a small collection of Italian language materials and associated translations. These cover the Red Notes project and the early translations of Sergio Bologna and Mario Tronti in Telos Journal. We are grateful to Neinsager for dropping off some Italian language journals including an anthology of autonomist texts from 1974 and to Steve Wright for copies of America Owl and documents pertaining to the Committee Against Repression in Italy. A visit from Giovanni Rubino and Aria Spinelli in March 2015 saw the activation of this collection in the form of a group discussion with Giovanni about some facets of his solidarity-driven artistic work as a muralist at the Alfa Romeo factory and as the instigator of a collective performance at the Edison Factory in Mortedison.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="76362">
                <text>An ex-worker from Magneti Marelli</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="76363">
                <text>Italia Rossa</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="76364">
                <text>Pamphlet</text>
              </elementText>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Neinsager</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="76366">
                <text>Precari Nati No.2</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="57">
                  <text>Anti Globalisation Protests and related</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2033">
                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="6566">
              <text>Nicola Kirkham / Kevin Biderman</text>
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        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="6568">
              <text>Archive Storage Room</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="95">
          <name>Number of Items</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="6569">
              <text>1</text>
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        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="6573">
              <text>Kevin Biderman</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="6576">
              <text>4229</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <name>Dublin Core</name>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6567">
                <text>Flyer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6570">
                <text>Various</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="6571">
                <text>2017-01-20</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6572">
                <text>2004</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="6574">
                <text>AG/NKB/1#22</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6575">
                <text>Precarity ping pong flyer (2004)</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="6002" public="1" featured="0">
    <collection collectionId="113">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="28424">
                  <text>Women's Liberation Movement</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="30795">
                  <text>Jenny Earle</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="64715">
              <text>Adam Forman</text>
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          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="64716">
              <text>Archive Room</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="64717">
              <text>AF/WLM/0003</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="64718">
              <text>LR</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64708">
                <text>Pregnant Fatherhood</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64709">
                <text>Paul Morrison</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="64710">
                <text>Men's Free Press</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64711">
                <text>1976</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64712">
                <text>booklet</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64713">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="64714">
                <text>16/05/2024</text>
              </elementText>
            </elementTextContainer>
          </element>
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    <tagContainer>
      <tag tagId="6">
        <name>1970s</name>
      </tag>
      <tag tagId="10">
        <name>Feminism</name>
      </tag>
      <tag tagId="16">
        <name>Women's Liberation Movement</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="3933" public="1" featured="0">
    <collection collectionId="119">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34414">
                  <text>Troops Out Movement</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34415">
                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
                </elementText>
              </elementTextContainer>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="42214">
              <text>Sara Chambers</text>
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          </elementTextContainer>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="42220">
              <text>Archive Room</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
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            <elementText elementTextId="42221">
              <text>LR</text>
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        </element>
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    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="42213">
                <text>SC/TOM/0099</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42215">
                <text>Presentation &amp; Public Speaking Skills</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42216">
                <text>Troops Out Movement</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42217">
                <text>1991</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42218">
                <text>Checklist</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42219">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="42222">
                <text>27.10.2022</text>
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          </element>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="37">
        <name>1990s</name>
      </tag>
      <tag tagId="7">
        <name>Irish Struggles</name>
      </tag>
      <tag tagId="9">
        <name>Republicanism</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="3372" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="70">
                  <text>Irish Struggles after 1968</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2086">
                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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              </elementTextContainer>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="30796">
                  <text>Jenny Earle</text>
                </elementText>
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      </elementSetContainer>
    </collection>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
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              <text>Sara Chambers</text>
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            <description>A name given to the resource</description>
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                <text>Gerry Adams</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="36407">
                <text>Wolfe Tone Society Publications</text>
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            <name>Date</name>
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                  <text>Troops Out Movement</text>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Date Accepted</name>
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                <text>27.10.2022</text>
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        <name>Irish Struggles</name>
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        <name>Republicanism</name>
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                  <text>Troops Out Movement</text>
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              <description>An account of the resource</description>
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              <text>Sara Chambers</text>
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          <description>The location of the interview</description>
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              <text>Archive Room</text>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="43505">
                <text>Press inquiries for Martin McGuinness</text>
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            <name>Creator</name>
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            <name>Format</name>
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                <text>Notes</text>
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              <description>An account of the resource</description>
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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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          <name>Depositor</name>
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              <text>Silvia Federici</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>International Feminist Collective for the Campaign for Wages for Housework included the following groups: New York Wages for Housework Committee, Los Angeles Wages for Housework Committee, Power of Women Collective (Bristol), Comitato Triveneto Per Il Salario al Lavoro Domestico (Padua)</text>
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                <text>Press release</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="3083">
                <text>Anon</text>
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              <elementText elementTextId="3085">
                <text>2013-01-27</text>
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            <description>An entity responsible for making the resource available</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>WFH/SF/1#56</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Press Release from the International Feminist Collective for the Campaign for Wages for Housework</text>
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              <description>An account of the resource</description>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Jenny Earle</text>
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          <description>The location of the interview</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Prevention of Terrorism Act, advice tot the Irish community</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Fuascailt</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Leaflet</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="36155">
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          <element elementId="57">
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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