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                <text>Big Flame</text>
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            <description>A name given to the resource</description>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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        <element elementId="96">
          <name>Depositor</name>
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              <text>Bloody Sunday</text>
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                <text>Paul Connolly</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2087">
                  <text>Inspired by the fruitful of exchange of Big Flame, Midnight Notes &amp; Zeroworks with Italian political and theoretical developments, MayDay rooms has begun a small collection of Italian language materials and associated translations. These cover the Red Notes project and the early translations of Sergio Bologna and Mario Tronti in Telos Journal. We are grateful to Neinsager for dropping off some Italian language journals including an anthology of autonomist texts from 1974 and to Steve Wright for copies of America Owl and documents pertaining to the Committee Against Repression in Italy. A visit from Giovanni Rubino and Aria Spinelli in March 2015 saw the activation of this collection in the form of a group discussion with Giovanni about some facets of his solidarity-driven artistic work as a muralist at the Alfa Romeo factory and as the instigator of a collective performance at the Edison Factory in Mortedison.</text>
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                <text>Anon</text>
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                <text>Italia Rossa</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="76404">
                <text>Pamphlet</text>
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            <name>Source</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Repression In Italy Bulletin No.2</text>
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    <collection collectionId="70">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2086">
                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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              </elementTextContainer>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="30796">
                  <text>Jenny Earle</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
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              <text>Adam Forman</text>
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          <name>Location</name>
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              <text>Digiroom</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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          <name>Catalogued by</name>
          <description/>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Republican News,1975, vol.5, no.37</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64485">
                <text>Republican News</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="64486">
                <text>Republican News</text>
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            <name>Date</name>
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            <name>Format</name>
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                <text>newspaper</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="64490">
                <text>09/05/2024</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2086">
                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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              </elementTextContainer>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
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              <text>Adam Forman</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="64503">
              <text>Digiroom</text>
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        </element>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="64504">
              <text>AF/IS68/0002</text>
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          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="64505">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="64495">
                <text>Republican News,1977,no.36</text>
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          </element>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64496">
                <text>Republican News</text>
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            </elementTextContainer>
          </element>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="64497">
                <text>Republican News</text>
              </elementText>
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          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="64498">
                <text>1977</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64499">
                <text>newspaper</text>
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          </element>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64500">
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            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="64501">
                <text>08/05/2024</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
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  <item itemId="7626" public="1" featured="0">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Schooling &amp; Culture 2015</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2113">
                  <text>Following a week long activation in July 2015 of the Schooling &amp; Culture Archive that included visits from schools and youth groups a collection of materials was assembled for the MayDay Rooms Archive. These materials include large format diagrams documenting the visits and debates, magazines, newspapers, notes, postcards, questionnaires and other materials that will feed into the process of producing a new issue of Schooling &amp; Culture.</text>
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            </element>
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      <name>Physical Object</name>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Various</text>
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              <elementText elementTextId="76823">
                <text>Schooling &amp; Culture 1977  1985</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Journal</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="76825">
                <text>Archive Storage Room|Andrew Dewdney</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="76826">
                <text>Republican Worker No.5</text>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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              <text>Howard Slater</text>
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              <text>Becka Hudson</text>
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            <description>A name given to the resource</description>
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                <text>Return to the hate factory</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47847">
                <text>Jimmy Boyle</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>The Guardian</text>
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                <text>6th July 1992</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper clipping</text>
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                <text>9.06.2023</text>
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        <name>1990s</name>
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        <name>Prison Resistance</name>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Scratch Orchestra</text>
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              <description>An account of the resource</description>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                <text>Carole Chant (Finer), Richard Ascough, Brigid Scott Baker</text>
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            <description>An account of the resource</description>
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                <text>Scratch Orchestra</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Correspondence</text>
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                <text>Archive Storage Room|Stefan Szczelkun</text>
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            <description>A name given to the resource</description>
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                <text>Reunion For Old Scratch Members</text>
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                  <text>Radical and Militant Poetry</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="77667">
                <text>Justin Katko</text>
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                <text>Radical and Militant Poetry</text>
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                <text>Chapbook</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Reading Room|Justin Katko</text>
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            <description>A name given to the resource</description>
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                <text>Reventar</text>
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                  <text>Described as 'the bastard daughter of the Public Education System in Mexico' by its current principal, the Altavista Co-Operative Federal High School was established in 1967 following student demands to continue on from their secondary school studies. After several demonstrations and continuous social disobedience, the Altavista Secondary School was occupied by students &amp; teachers. Amongst those integral to this project were a group of 'refugee' educationalists; active members of the Mexican Communist Party who had graduated from the Teacher Training Rural Schools established during the 'socialist education' period of L√°zaro C√°rdenas in the 1930s. These teachers, survivors of an armed attack on Madera military base in 1965, remained resolutely committed to these long standing revolutionary principles. Altavista continues to this day to be regarded as an expression of co-operative models of education and has struggled in the face of an often violent political context, to maintain itself as an open and self-organised space.&#13;
&#13;
&#13;
. Diego Salvador Rios, along with Altavista teaching staff and members of MayDay Rooms worked with historical material associated with the Altavista High School. These materials were gathered together over the last few years by Diego, as part of a Praxis Laboratory, and seek to connect political and educational struggles in Latin America with world-wide libertarian educational initiatives and contemporary activist debates. It aims to build on experiences and studies, and to link these to material processes already underway at MayDay Rooms. This process was continued at Altavista High School, Juarez City in 2015.</text>
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              <text>1832</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Magazine</text>
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                <text>Revista Sep</text>
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                <text>AV/DSR/1#3</text>
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            <description>A name given to the resource</description>
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                <text>Revista Sep: Instrumento Esencial de la Reforma Educativa</text>
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                  <text>Described as 'the bastard daughter of the Public Education System in Mexico' by its current principal, the Altavista Co-Operative Federal High School was established in 1967 following student demands to continue on from their secondary school studies. After several demonstrations and continuous social disobedience, the Altavista Secondary School was occupied by students &amp; teachers. Amongst those integral to this project were a group of 'refugee' educationalists; active members of the Mexican Communist Party who had graduated from the Teacher Training Rural Schools established during the 'socialist education' period of L√°zaro C√°rdenas in the 1930s. These teachers, survivors of an armed attack on Madera military base in 1965, remained resolutely committed to these long standing revolutionary principles. Altavista continues to this day to be regarded as an expression of co-operative models of education and has struggled in the face of an often violent political context, to maintain itself as an open and self-organised space.&#13;
&#13;
&#13;
. Diego Salvador Rios, along with Altavista teaching staff and members of MayDay Rooms worked with historical material associated with the Altavista High School. These materials were gathered together over the last few years by Diego, as part of a Praxis Laboratory, and seek to connect political and educational struggles in Latin America with world-wide libertarian educational initiatives and contemporary activist debates. It aims to build on experiences and studies, and to link these to material processes already underway at MayDay Rooms. This process was continued at Altavista High School, Juarez City in 2015.</text>
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