114 50 7320 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artist Union Description An account of the resource As part of the Unionising Workshop held at Flaxman Lodge in June 2004 a collection of materials (newsletters, leaflets, letters etc.) relating to the Artist Union (1972-1984) was gathered by Jakob Jakobsen and Anthony Davies. The Artist Union was set up to promote the role of artists in society as a force for social change (‘Art is Work’) and developed several work groups including a Women’s Workshop and an Artists in Education Workshop. The first chair of the AU was artist Mary Kelly along with Gustav Metzger as vice-chair. An initial plan to be affiliated to the TUC was later rejected. In 1974 a proposal was made to reform the Arts Council and by 1977 the AU had launched the discussion paper *Wages for Artists*?  Creator An entity primarily responsible for making the resource Artist Union (1972-1984) Date A point or period of time associated with an event in the lifecycle of the resource 1972-1984 Format The file format, physical medium, or dimensions of the resource Various Language A language of the resource English Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Anthony Davies Location The location of the interview MayDay Rooms Archive Storage Room Number of Items 13 Catalogued by HS Digital Collection https://archive.leftove.rs/documents/grid/title/group==Artist_Union UID Unique ID 2100 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newsletter Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-19 Publisher An entity responsible for making the resource available Artist Union Identifier An unambiguous reference to the resource within a given context AU/ADS/1/1/1-13 Date A point or period of time associated with an event in the lifecycle of the resource 1973-01-01 Title A name given to the resource Artist Union News Fight Censorship Now Language A language of the resource English English Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artist Union Description An account of the resource As part of the Unionising Workshop held at Flaxman Lodge in June 2004 a collection of materials (newsletters, leaflets, letters etc.) relating to the Artist Union (1972-1984) was gathered by Jakob Jakobsen and Anthony Davies. The Artist Union was set up to promote the role of artists in society as a force for social change (‘Art is Work’) and developed several work groups including a Women’s Workshop and an Artists in Education Workshop. The first chair of the AU was artist Mary Kelly along with Gustav Metzger as vice-chair. An initial plan to be affiliated to the TUC was later rejected. In 1974 a proposal was made to reform the Arts Council and by 1977 the AU had launched the discussion paper *Wages for Artists*?  Creator An entity primarily responsible for making the resource Artist Union (1972-1984) Date A point or period of time associated with an event in the lifecycle of the resource 1972-1984 Format The file format, physical medium, or dimensions of the resource Various Language A language of the resource English Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Anthony Davies Location The location of the interview MayDay Rooms Archive Storage Room Number of Items 7 Catalogued by HS Digital Collection https://archive.leftove.rs/documents/grid/title/group==Artist_Union UID Unique ID 2103 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Letters Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-19 Publisher An entity responsible for making the resource available Artist Union Identifier An unambiguous reference to the resource within a given context AU/ADS/1/7/1-7 Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-19 Title A name given to the resource Correspondence Language A language of the resource English English Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artist Union Description An account of the resource As part of the Unionising Workshop held at Flaxman Lodge in June 2004 a collection of materials (newsletters, leaflets, letters etc.) relating to the Artist Union (1972-1984) was gathered by Jakob Jakobsen and Anthony Davies. The Artist Union was set up to promote the role of artists in society as a force for social change (‘Art is Work’) and developed several work groups including a Women’s Workshop and an Artists in Education Workshop. The first chair of the AU was artist Mary Kelly along with Gustav Metzger as vice-chair. An initial plan to be affiliated to the TUC was later rejected. In 1974 a proposal was made to reform the Arts Council and by 1977 the AU had launched the discussion paper *Wages for Artists*?  Creator An entity primarily responsible for making the resource Artist Union (1972-1984) Date A point or period of time associated with an event in the lifecycle of the resource 1972-1984 Format The file format, physical medium, or dimensions of the resource Various Language A language of the resource English Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Anthony Davies Location The location of the interview MayDay Rooms Archive Storage Room Number of Items 39 Catalogued by HS Digital Collection https://archive.leftove.rs/documents/grid/title/group==Artist_Union UID Unique ID 2107 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource File Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-19 Identifier An unambiguous reference to the resource within a given context AU/ADS/1/6/1-39 Date A point or period of time associated with an event in the lifecycle of the resource 2003-03-19 Title A name given to the resource Contemporary Research Materials Language A language of the resource English English Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource King Mob & Associated Description An account of the resource On the occasion of a new translation of Raoul Vaneigem’s Revolution of Everyday Life (PM Press, Oakland), translator and former member of King Mob, Donald Nicholson-Smith, deposited a sample of materials related to the Situationist milieu of the late 60s with MayDay Rooms. This material, which includes copies of publications assembled by King Mob as well as early English translations of Situationist material that featured in short lived publications such as Neon and HAPT, help chart the dissemination of Situationist ideas by means of the underground press and, later, the punk movement. These materials, contained in a single box, were unpacked by Donald on 30 March 2013 and an initial cartography was drawn up for the orientational use of those continuous younger generations. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Donald Nicholson-Smith Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 499 Digital Collection https://archive.leftove.rs/documents/CSN Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Magazine Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 03/17/2015 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/29/2013 Publisher An entity responsible for making the resource available Neon Lights (Manchester) Identifier An unambiguous reference to the resource within a given context KMA/DNS/1#8 Title A name given to the resource Neon Lights No.1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource King Mob & Associated Description An account of the resource On the occasion of a new translation of Raoul Vaneigem’s Revolution of Everyday Life (PM Press, Oakland), translator and former member of King Mob, Donald Nicholson-Smith, deposited a sample of materials related to the Situationist milieu of the late 60s with MayDay Rooms. This material, which includes copies of publications assembled by King Mob as well as early English translations of Situationist material that featured in short lived publications such as Neon and HAPT, help chart the dissemination of Situationist ideas by means of the underground press and, later, the punk movement. These materials, contained in a single box, were unpacked by Donald on 30 March 2013 and an initial cartography was drawn up for the orientational use of those continuous younger generations. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Donald Nicholson-Smith Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 517 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 03/17/2015 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 03/29/2013 Date A point or period of time associated with an event in the lifecycle of the resource 1973 Publisher An entity responsible for making the resource available Big Flame Identifier An unambiguous reference to the resource within a given context KMA/DNS/1#26 Title A name given to the resource Big Flame No.16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL Comments Photocopied Working draft UID Unique ID 520 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1978 Publisher An entity responsible for making the resource available Midnight Notes Collective Identifier An unambiguous reference to the resource within a given context MN/GC/1#2 Title A name given to the resource No Future Notes:The Work/Energy Crisis and the Anti-Nuclear Movement Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 521 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1979 Publisher An entity responsible for making the resource available Midnight Notes Collective Identifier An unambiguous reference to the resource within a given context MN/GC/1#3 Title A name given to the resource The Work/Energy Crisis & the Apocalypse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 522 Digital Collection https://archive.leftove.rs/documents/AFCF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1981-06-30 Publisher An entity responsible for making the resource available Midnight Notes Collective Identifier An unambiguous reference to the resource within a given context MN/GC/1#4 Title A name given to the resource Space Notes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 523 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1981 Publisher An entity responsible for making the resource available Midnight Notes Collective Identifier An unambiguous reference to the resource within a given context MN/GC/1#5 Title A name given to the resource Computer State Notes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 524 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1983-05-17 Publisher An entity responsible for making the resource available Midnight Notes Collective Identifier An unambiguous reference to the resource within a given context MN/GC/1#6 Title A name given to the resource Posthumous Notes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 525 Digital Collection https://archive.leftove.rs/documents/AFCY Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1984-06-17 Publisher An entity responsible for making the resource available Midnight Notes Collective Identifier An unambiguous reference to the resource within a given context MN/GC/1#7 Title A name given to the resource Lemming Notes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 526 Digital Collection https://archive.leftove.rs/documents/AFDI Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1985-04-17 Publisher An entity responsible for making the resource available Midnight Notes Collective Identifier An unambiguous reference to the resource within a given context MN/GC/1#8 Title A name given to the resource Outlaw Notes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 527 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1988-05-17 Publisher An entity responsible for making the resource available Midnight Notes Collective Identifier An unambiguous reference to the resource within a given context MN/GC/1#9 Title A name given to the resource Wages-Mexico-Libya-India Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 528 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Publisher An entity responsible for making the resource available Midnight Notes Collective Identifier An unambiguous reference to the resource within a given context MN/GC/1#10 Title A name given to the resource New Enclosures Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 529 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1973-11-30 Publisher An entity responsible for making the resource available Midnight Notes Collective Identifier An unambiguous reference to the resource within a given context MN/GC/1#11 Title A name given to the resource One No, Many Yeses Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 530 Digital Collection https://archive.leftove.rs/documents/OPI Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Publisher An entity responsible for making the resource available Midnight Notes Collective and Friends Identifier An unambiguous reference to the resource within a given context MN/GC/1#12 Title A name given to the resource Promissory Notes: From Crisis to Commons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 541 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 2009-10-31 Publisher An entity responsible for making the resource available Team Colours Collective Identifier An unambiguous reference to the resource within a given context MN/GC/1#23 Title A name given to the resource High Entropy Workers Unite! A Team Colors Comment on 30 Years of Midnight Notes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 543 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1972-01 Publisher An entity responsible for making the resource available Merseyside Port Shop Stewards Committee Identifier An unambiguous reference to the resource within a given context MN/GC/1#25 Title A name given to the resource Never Cross A Picket Line: The Story of 500 Sacked Liverpool Dockers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 545 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Book Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 2009-11 Publisher An entity responsible for making the resource available Midnight Notes Collective and Friends Identifier An unambiguous reference to the resource within a given context MN/GC/1#27 Title A name given to the resource Promissory Notes: From Crisis to Commons (Japanese Translation) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 546 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Magazine Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1975-03-17 Publisher An entity responsible for making the resource available Big Flame Identifier An unambiguous reference to the resource within a given context MN/GC/1#28 Title A name given to the resource Portugal: A Blaze Of Freedom Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Iain Boal Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL Comments 2 Copies UID Unique ID 559 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2014-06-30 Date A point or period of time associated with an event in the lifecycle of the resource 2014-03-17 Publisher An entity responsible for making the resource available Autonomedia Identifier An unambiguous reference to the resource within a given context MN/IB/1#1 Title A name given to the resource Midnight Notes Goes To School: Report From The Zapatista Escuelita Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by HS UID Unique ID 574 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Date A point or period of time associated with an event in the lifecycle of the resource 1976-04-23 Publisher An entity responsible for making the resource available New York Wages For Housework Committee Identifier An unambiguous reference to the resource within a given context WFH/SF/1#73 Title A name given to the resource Wages for Housework and Welfare https://catalogue.maydayrooms.org/files/original/1835405244a458f4b9844a661fb330b2.pdf 01a782772394d2d514afe65b884350d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by HS UID Unique ID 629 Digital Collection https://archive.leftove.rs/documents/BN Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Date A point or period of time associated with an event in the lifecycle of the resource 1975-04 Publisher An entity responsible for making the resource available Padova Triveneto Committee for Wages for Housework Identifier An unambiguous reference to the resource within a given context WFH/SF/1#35 Title A name given to the resource Le Operaie Della Casa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by HS UID Unique ID 630 Digital Collection https://archive.leftove.rs/documents/CF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Date A point or period of time associated with an event in the lifecycle of the resource 1976-03 Publisher An entity responsible for making the resource available Padova Triveneto Committee for Wages for Housework Identifier An unambiguous reference to the resource within a given context WFH/SF/1#36 Title A name given to the resource Le Operaie Della Casa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by HS UID Unique ID 631 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Date A point or period of time associated with an event in the lifecycle of the resource 1976 Publisher An entity responsible for making the resource available Padova Triveneto Committee for Wages for Housework Identifier An unambiguous reference to the resource within a given context WFH/SF/1#37 Title A name given to the resource Le Operaie Della Casa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by HS Comments Photocopy. Translations by Silvia Federici UID Unique ID 633 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Date A point or period of time associated with an event in the lifecycle of the resource 1975-11 Publisher An entity responsible for making the resource available Toronto Wages for Housework Committee Identifier An unambiguous reference to the resource within a given context WFH/SF/1#87 Title A name given to the resource Women In Struggle. Italy Now: Wages for Housework Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by HS Comments Contributions from Silvia Federici, Guiliana Pompei and the Power of Women Collective UID Unique ID 638 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Date A point or period of time associated with an event in the lifecycle of the resource 1974-12 Publisher An entity responsible for making the resource available Montreal Power of Women Collective Identifier An unambiguous reference to the resource within a given context WFH/SF/1#79 Title A name given to the resource Wages For Housework Notebooks 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by HS UID Unique ID 639 Digital Collection https://archive.leftove.rs/documents/CR Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Publisher An entity responsible for making the resource available Toronto Wages for Housework Committee; New York Wages for Housework Collective, the Power of Women Collective Identifier An unambiguous reference to the resource within a given context WFH/SF/1#71 Title A name given to the resource Wages for Housework: Women Speak Out, May Day Rally, Toronto Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by HS Comments "Journal that Silvia Federici, Pat Sweeny from Wages for Housework and other community women issued in 1980 after the break up of New York Wages for Housework". As noted by Silvia Federici. UID Unique ID 642 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Publisher An entity responsible for making the resource available Tapdance Identifier An unambiguous reference to the resource within a given context WFH/SF/1#64 Title A name given to the resource Tap Dance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by HS UID Unique ID 643 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Magazine Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Publisher An entity responsible for making the resource available Oberlin Wages for Housework Identifier An unambiguous reference to the resource within a given context WFH/SF/1#2 Title A name given to the resource The Activist: Wages for Housework special Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 647 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Date A point or period of time associated with an event in the lifecycle of the resource 2009 Identifier An unambiguous reference to the resource within a given context WFH/SF/1#44 Title A name given to the resource Midnight Notes at Thirty Years https://catalogue.maydayrooms.org/files/original/fd35832cbf60d5622903c0c0dd36aa12.pdf 60dd022876f32a8458d096a7c20b9e9e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 649 Digital Collection https://archive.leftove.rs/documents/BM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Date A point or period of time associated with an event in the lifecycle of the resource 1981 Identifier An unambiguous reference to the resource within a given context WFH/SF/1#34 Title A name given to the resource The Italian Inquisition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1837 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 12/01/95 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#1 Title A name given to the resource Dockers Charter No.2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1838 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 01/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#2 Title A name given to the resource Dockers Charter No.3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1839 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 02/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#3 Title A name given to the resource Dockers Charter No.4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1840 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 03/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#4 Title A name given to the resource Dockers Charter No.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1841 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 05/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#5 Title A name given to the resource Dockers Charter No.6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1842 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 06/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#6 Title A name given to the resource Dockers Charter No.7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1843 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 09/28/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#7 Title A name given to the resource Dockers Charter Anniversary Special Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1844 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 09/16/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#8 Title A name given to the resource Dockers Charter TUC Special Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1845 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 11/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#9 Title A name given to the resource Dockers Charter No.11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1846 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 11/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#10 Title A name given to the resource Dockers Charter No.11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1847 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 11/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#11 Title A name given to the resource Dockers Charter No.11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1848 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 12/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#12 Title A name given to the resource Dockers Charter No.12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1849 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 03/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#13 Title A name given to the resource Dockers Charter No.13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1850 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 04/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#14 Title A name given to the resource Dockers Charter No.14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1851 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 06/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#15 Title A name given to the resource Dockers Charter No.16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1852 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 06/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#16 Title A name given to the resource Dockers Charter No.16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1853 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 07/17/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#17 Title A name given to the resource Dockers Charter No.17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1854 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 09/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#18 Title A name given to the resource Dockers Charter No.18