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                  <text>HMP</text>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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          <description/>
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              <text>Howard Slater</text>
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              <text>HMP 1989-1992, Strangeways prison occupation</text>
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              <text>Becka Hudson</text>
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            <name>Identifier</name>
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                <text>HS/HMP/0105</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The soft cell</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1988</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photocopy of book page</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>9.06.2023</text>
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        <name>1980s</name>
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      <tag tagId="69">
        <name>Prison Resistance</name>
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              <description>A name given to the resource</description>
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                  <text>Irish Struggles after 1968</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="30796">
                  <text>Jenny Earle</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
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              <text>Neil Gordon Orr</text>
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              <text>anarchist/autonomist Irish solidarity</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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              <text>LR</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>NGO/IS68/0020</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Spirit of Freedom</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>ATTACK International</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1989</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Pamphlet</text>
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            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
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                <text>13.01.2023</text>
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        <name>1980s</name>
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        <name>Anarchism</name>
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        <name>Irish Struggles</name>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Troops Out Movement</text>
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              <description>An account of the resource</description>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
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              <text>Sheenagh Hull</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Digiroom</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>SH/TOM/0001</text>
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          <name>Catalogued by</name>
          <description/>
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              <text>LR</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="78349">
                <text>The Spirit of Freedom: Irish Rebel Songs </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Troops Out Movement</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="78351">
                <text>Leeds Troops Out Movement</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78352">
                <text>1982</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="78353">
                <text>Songbook</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="78354">
                <text>English</text>
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          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>6/11/2025</text>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="78356">
                <text>6/11/2025</text>
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        <name>1980s</name>
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        <name>Irish Struggles</name>
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      <tag tagId="45">
        <name>Radical Arts</name>
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      <tag tagId="9">
        <name>Republicanism</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Reclaim The Streets &amp; Associated</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>MS/AGP/0098</text>
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          <name>Depositor</name>
          <description/>
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              <text>Matt Salusbury</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Spun, 2001</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Reclaim the Streets</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33992">
                <text>2001</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Newspaper</text>
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            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="33997">
                <text>20.10.2022</text>
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        <name>2000s</name>
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      <tag tagId="42">
        <name>Anti/Alter-Globalisation</name>
      </tag>
      <tag tagId="45">
        <name>Radical Arts</name>
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      <tag tagId="57">
        <name>Situationism</name>
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          <name>Dublin Core</name>
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              <description>A name given to the resource</description>
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                  <text>Midnight Notes</text>
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                  <text>The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
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              <text>George Caffentzis</text>
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          <description>The location of the interview</description>
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          <name>Catalogued by</name>
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              <text>RL</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>548</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Pamphlet</text>
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            <name>Creator</name>
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                <text>Anon</text>
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            <description>Date of creation of the resource.</description>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>2013-01-26</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1990</text>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="2877">
                <text>Midnight Notes Collective</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>MN/GC/1#30</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Spy And The Assassin: On The Basic Causes Of The War In The Gulf</text>
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              <description>A name given to the resource</description>
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                  <text>Resistance Comix &amp; Associated</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2110">
                  <text>Resistance Comics hailed from Belfast and according to the Irish Comics Wiki the ten issues that appeared between 1975 and 1978 were the work of political cartoonist Brian Moore (aka Cormac). Characters that Moore invented include Paddy O’Looney and Red Biddy and there was a regular comic strip entitled ‘Revolution by Proxy’. These comics, along with several editions of Street Comix of Birmingham, found their way to MayDay rooms via Paul Westlake and Statewatch.</text>
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                <text>Resistance Comix &amp; Associated</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="74580">
                <text>Newspaper</text>
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                <text>Archive Storage Room|Statewatch (Paul Westlake)</text>
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            <description>A name given to the resource</description>
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                <text>The Squatter</text>
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              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera – Alex Bird</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2045">
                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>Alex Bird</text>
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          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="17664">
              <text>Archive Storage Room</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="17665">
              <text>1</text>
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          <description/>
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            <elementText elementTextId="17669">
              <text>Jacob Bard-Rosenberg</text>
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          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="17672">
              <text>6290</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17663">
                <text>Pamphlet</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17666">
                <text>V. I. Lenin, Peking Press</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="17667">
                <text>2020-12-31</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17668">
                <text>1970-01-01</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="17670">
                <text>DEAB/ABI/1#5</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17671">
                <text>The State</text>
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            </elementTextContainer>
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  <item itemId="4422" public="1" featured="0">
    <collection collectionId="9">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="9">
                  <text>HMP</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2083">
                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="47436">
              <text>56a Duplicates Committee </text>
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        <element elementId="93">
          <name>Comments</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="47443">
              <text>Scottish publication for prisoners</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="47444">
              <text>Archive Room</text>
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          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="47445">
              <text>Becka Hudson</text>
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        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47435">
                <text>HS/HMP/0041</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47437">
                <text>The Stiff, 1993, no.2</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47438">
                <text>The Stuff</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47439">
                <text>The Stiff</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47440">
                <text>1993</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47441">
                <text>Newsletter</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47442">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="47446">
                <text>9.06.2023</text>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="37">
        <name>1990s</name>
      </tag>
      <tag tagId="69">
        <name>Prison Resistance</name>
      </tag>
    </tagContainer>
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    <collection collectionId="90">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Eco Anarchist Collection</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2067">
                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
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              <text>GL/EA/0430</text>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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            <elementText elementTextId="150057">
              <text>Giles Lane</text>
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        <element elementId="93">
          <name>Comments</name>
          <description/>
          <elementTextContainer>
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              <text>Taken from A Green History of the World</text>
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          </elementTextContainer>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="150065">
              <text>Office Room</text>
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        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
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              <text>AJ</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="150058">
                <text>The Story of the Passenger Pigeon</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="150059">
                <text>Clive Ponting</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="150060">
                <text>Dead Trees Earth First!</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="150061">
                <text> </text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="150062">
                <text>leaflet</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="150063">
                <text>English</text>
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          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="150067">
                <text>23.05.2025</text>
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        <name>Anarchism</name>
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      <tag tagId="46">
        <name>Direct Action</name>
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      <tag tagId="50">
        <name>Environmentalism</name>
      </tag>
      <tag tagId="56">
        <name>Radical Ecology</name>
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  <item itemId="6893" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Miscellaneous Pamphlets</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Adrezej Tymowski</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="73129">
                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
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                <text>Archive Storage Room|William Shankly</text>
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            <description>A name given to the resource</description>
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                <text>The Strike in Gdansk</text>
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                  <text>Irish Struggles after 1968</text>
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              <description>An account of the resource</description>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="30796">
                  <text>Jenny Earle</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
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              <text>Sara Chambers</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <name>Identifier</name>
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              <elementText elementTextId="36353">
                <text>SC/IS68/0067</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="36355">
                <text>The stripping naked of the women prisoners in Armagh prison</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36356">
                <text>Fr Denis Faul</text>
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          <element elementId="40">
            <name>Date</name>
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              <elementText elementTextId="36357">
                <text>1983</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36358">
                <text>Pamphlet</text>
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            <description>A language of the resource</description>
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              <elementText elementTextId="36359">
                <text>English</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="36362">
                <text>27.10.2022</text>
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        <name>1980s</name>
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      <tag tagId="10">
        <name>Feminism</name>
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      <tag tagId="7">
        <name>Irish Struggles</name>
      </tag>
      <tag tagId="69">
        <name>Prison Resistance</name>
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      <tag tagId="44">
        <name>State Monitoring</name>
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  <item itemId="6869" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="7">
                  <text>Miscellaneous Pamphlets</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="73008">
                <text>Otto Ruhle</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73010">
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="73011">
                <text>Archive Storage Room|William Shankly</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Struggle Against Fascism Begins with the Struggle Against Bolshevism</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera 1980-2000</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="2063">
                  <text>Continuing with the moniker of ‘dissenting ephemera’ coined by East London Big Flame this sizeable collection of independent publications is available to be consulted in MayDay Room’s Reading Room. This collection reflects the last surge of small press activity before the rise of the internet and its various web publishing platforms. Amongst a wide variery of magazines and journals collected here can be found Here &amp; Now, Common Sense, Counter Information, Emergency, Anti-Clockwise, Communist Headache, Proletarian Gob, Lobster, Trouble &amp; Strife, Mute, Girl Frenzy and many more.&#13;
&#13;
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    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>William Shankly</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="15717">
              <text>Reading Room</text>
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              <text>1</text>
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          <name>Catalogued by</name>
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              <text>HS</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="15725">
              <text>2278</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15716">
                <text>Flyer</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15719">
                <text>Anon</text>
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            </elementTextContainer>
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          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="15720">
                <text>2014-04-01</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="15722">
                <text>Red Menace</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="15723">
                <text>DE/WS</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15724">
                <text>The Struggle Against Islamic Facism begins with the Struggle Against Iranian Bolshevism</text>
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            </elementTextContainer>
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  <item itemId="2070" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="77">
                  <text>Dissenting Ephemera - Keir Milburn</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2051">
                  <text>a box of issues of Solidarity, as well as a number of items from the Swansea section of Solidarity, of which Milburn’s father was a member. The box also contains a number of anarchist pamphlets, zines, and newssheets chiefly from Wales, dating from the 1980s.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
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            <elementText elementTextId="23169">
              <text>Keir Milburn</text>
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          <name>Location</name>
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              <text>Archive Storage Room</text>
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        <element elementId="95">
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          <name>Catalogued by</name>
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            <elementText elementTextId="23176">
              <text>Jacob Bard-Rosenberg</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>5925</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23170">
                <text>Pamphlet</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="23173">
                <text>Solidarity Various</text>
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          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="23174">
                <text>2019-07-18</text>
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            <name>Date</name>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>DEKM/KMI/1#36</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="23178">
                <text>The struggle for self-management, An Open Letter to I.S. Comrades, Solidarity Special</text>
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                  <text>Dissenting Ephemera 1970s - Ed Emery's Collection</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="11240">
              <text>Archive Storage Room</text>
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              <text>Jacob Bard-Rosenberg</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>4943</text>
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                <text>Ed Emery</text>
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                <text>International Marxist Group, IMG, Tariq Ali</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="11239">
                <text>Pamphlet</text>
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            <name>Date Accepted</name>
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              <elementText elementTextId="11243">
                <text>2018-03-02</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11244">
                <text>1971-04-18</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                  <text>On the occasion of a new translation of Raoul Vaneigem’s Revolution of Everyday Life (PM Press, Oakland), translator and former member of King Mob, Donald Nicholson-Smith, deposited a sample of materials related to the Situationist milieu of the late 60s with MayDay Rooms. This material, which includes copies of publications assembled by King Mob as well as early English translations of Situationist material that featured in short lived publications such as Neon and HAPT, help chart the dissemination of Situationist ideas by means of the underground press and, later, the punk movement. These materials, contained in a single box, were unpacked by Donald on 30 March 2013 and an initial cartography was drawn up for the orientational use of those continuous younger generations.</text>
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                <text>Raoul Vaneigem/Translated by Christopher Grey &amp; Philippe Vissac</text>
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                <text>Internationale Situationiste</text>
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            <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera- Black Struggle</text>
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              <description>An account of the resource</description>
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                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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            <description>A name given to the resource</description>
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                <text>The Tottenham 3 are innocent!</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Tottenham Three are Innocent Campaign</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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        <name>1980s</name>
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        <name>Civil Liberties</name>
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        <name>State Monitoring</name>
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                  <text>Jenny Earle</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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                <text>The Trouble with Patriarchy</text>
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                <text>Sheila Rowbotham</text>
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        <name>Feminism</name>
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              <description>An account of the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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              <description>An account of the resource</description>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                <text>The Undesireables</text>
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                <text>Venomous Butterfly Publications</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Miscellaneous Pamphlets</text>
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                <text>The University, the Car Factory &amp; the Working Class</text>
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                  <text>A collection gathering materials and stories from live and historical campaigns working for peace. It includes peace groups, demilitarisation activities, anti-militarist campaigns, feminist responses to war, anti-war mobilisations, pacifist education projects and more.</text>
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                  <text>Inspired by the fruitful of exchange of Big Flame, Midnight Notes &amp; Zeroworks with Italian political and theoretical developments, MayDay rooms has begun a small collection of Italian language materials and associated translations. These cover the Red Notes project and the early translations of Sergio Bologna and Mario Tronti in Telos Journal. We are grateful to Neinsager for dropping off some Italian language journals including an anthology of autonomist texts from 1974 and to Steve Wright for copies of America Owl and documents pertaining to the Committee Against Repression in Italy. A visit from Giovanni Rubino and Aria Spinelli in March 2015 saw the activation of this collection in the form of a group discussion with Giovanni about some facets of his solidarity-driven artistic work as a muralist at the Alfa Romeo factory and as the instigator of a collective performance at the Edison Factory in Mortedison.</text>
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                <text>Nanni Balestrini</text>
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            <description>An account of the resource</description>
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                <text>Italia Rossa</text>
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                <text>Book</text>
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                <text>Archive Storage Room|William Shankly</text>
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            <description>A name given to the resource</description>
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                <text>The Unseen</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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          <description>Unique ID</description>
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                <text>The Vested Interest</text>
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                <text>London Greenpeace</text>
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                <text>23.05.2025</text>
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        <name>Environmentalism</name>
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        <name>Radical Ecology</name>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Anti Globalisation Protests and related</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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              <text>Archive Room</text>
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            <name>Title</name>
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                <text>The Victorstone dispute</text>
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                <text>Unknown</text>
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            <name>Format</name>
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                <text>Leaflet</text>
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              <description>An account of the resource</description>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>13.06.25</text>
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        <name>1990s</name>
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        <name>Indigenous struggles</name>
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        <name>National Liberation Struggles</name>
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                  <text>Publications produced by Red Notes, including activist pamphlets, histories, and translations. These include Ed Emery’s extensive translations of Antonio Negri, and the plays of Dario Fo and Franca Rame. Also included are materials around. This collection of materials produced under the Red Notes name sits alongside a box of mixed 1970s dissenting ephemera, which includes materials relating to Portuguese solidarity at the time of the Carnation Revolution.</text>
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                <text>Archive Storage Room|John Barker</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Archive Storage Room|Kate Sharpley Library</text>
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                <text>The Walsall Anarchists</text>
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              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Archive Storage Room|William Shankly</text>
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              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Ken Knabb</text>
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                <text>Miscellaneous Pamphlets</text>
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                <text>The War and The Spectacle</text>
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                  <text>For Peace!</text>
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                  <text>A collection gathering materials and stories from live and historical campaigns working for peace. It includes peace groups, demilitarisation activities, anti-militarist campaigns, feminist responses to war, anti-war mobilisations, pacifist education projects and more.</text>
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                  <text>Jubilee 2000 Afrika Campaign &amp; Associated</text>
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              <description>An account of the resource</description>
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                  <text>MayDay Rooms collection of materials related to the Committee for Academic Freedom in Africa and the group that has gathered around it has led to a deposit of activist materials based around de-coloniality, reparations campaigns and debt cancellation. Many of those UK-based activists involved with Jubilee 2000 gathered at MayDay Rooms in November 2015 for a consultative dialogue entitled ‘Afrika in Debt Bondage.’ Thanks to Kofi Klu for this assortment of flyers, posters, magazine and texts.</text>
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                  <text>The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis.</text>
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