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              <elementText elementTextId="73803">
                <text>Various</text>
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            <description>An account of the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="73805">
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="73806">
                <text>Archive Storage Room|Anthony Davies</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Analecta</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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              <elementText elementTextId="73809">
                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73810">
                <text>Pamphlet</text>
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="73811">
                <text>Archive Storage Room|Anthony Davies</text>
              </elementText>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="73812">
                <text>Richard Wright: Images, Animations, Engines, 1986-2000</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>An account of the resource</description>
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              <elementText elementTextId="73814">
                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="73815">
                <text>Pamphlet</text>
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              <elementText elementTextId="73816">
                <text>Archive Storage Room|Anthony Davies</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ecology Environment &amp; Capitalism</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="7">
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Various</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="73825">
                <text>Pamphlet</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="73826">
                <text>Archive Storage Room|Tony Hall</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Art &amp; Politics 1977</text>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="7">
                  <text>Miscellaneous Pamphlets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="73829">
                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="73830">
                <text>[]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="73831">
                <text>Archive Storage Room|Tony Wood</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Occupational Therapy - The Incomplete Story of the University College Hospital Strikes and Occupations of 1992/3/4/</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>Formed in the early 70s by ex-tutors and students from several London Art Colleges, the Poster Film Collective produced a series of hand-printed posters in support of political campaigns and a comprehensive series of educational posters that challenged hegemonic views of history. MayDay Rooms is pleased to be hosting a part of Andrew Darley’s collection which comprises of a set of posters titled “Between Future and Past” (aka ‘the feminist series’) and its attendant teaching handbook. Other material deposited by ex-participant Andy includes correspondence and documentation relating to many areas of the Poster Film Collective’s practice.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="73879">
                <text>Poster Film Collective</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="73880">
                <text>Typescript</text>
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                <text>Archive Storage Room|Andrew Darley</text>
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            <name>Title</name>
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                <text>Description of Poster Film Collective's organisation, aims and practice; projection of future plans; list of organisations and groups PFC worked with</text>
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              <description>An account of the resource</description>
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                  <text>Formed in the early 70s by ex-tutors and students from several London Art Colleges, the Poster Film Collective produced a series of hand-printed posters in support of political campaigns and a comprehensive series of educational posters that challenged hegemonic views of history. MayDay Rooms is pleased to be hosting a part of Andrew Darley’s collection which comprises of a set of posters titled “Between Future and Past” (aka ‘the feminist series’) and its attendant teaching handbook. Other material deposited by ex-participant Andy includes correspondence and documentation relating to many areas of the Poster Film Collective’s practice.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Various</text>
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            <name>Description</name>
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                <text>Radical Posters</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="73925">
                <text>Poster</text>
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                <text>Archive Storage Room|Andrew Darley</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Poster Film Collective  - Feminist Series</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>This journal for fierce sociology, for finding, losing and collecting, first appeared in the mid ‘90s and continued in various forms for a decade. The journal was the spine of Inventory, a thread enabling it to shapeshift into posters, stickers, radio broadcasts, films and installations. At the outset they declared an independence from categorical norming and hierarchical dogma: “Our material has been collected from the four corners of the floating city, and no object, text, picture has been held in higher esteem than the other.” This lack of restriction gave room for its writers to wriggle free from disciplines and invent true stories from material found lodged in the cracks of the tarmac and in the pot holes of the set text. Inventory recently resurfaced in the Fleet Street Area and left us copies of their journal (1995-2005) as well as a box of ephemera that has been dubbed the Inventory ‘Time Box’.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Various</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73935">
                <text>Journal</text>
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            <name>Source</name>
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                <text>Inventory</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74030">
                <text>Magazine</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="74031">
                <text>Archive Storage Room|Adam Scrivener', u'Paul Claydon</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74032">
                <text>Total Ì_berzogen</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19">
                  <text>Inventory</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2085">
                  <text>This journal for fierce sociology, for finding, losing and collecting, first appeared in the mid ‘90s and continued in various forms for a decade. The journal was the spine of Inventory, a thread enabling it to shapeshift into posters, stickers, radio broadcasts, films and installations. At the outset they declared an independence from categorical norming and hierarchical dogma: “Our material has been collected from the four corners of the floating city, and no object, text, picture has been held in higher esteem than the other.” This lack of restriction gave room for its writers to wriggle free from disciplines and invent true stories from material found lodged in the cracks of the tarmac and in the pot holes of the set text. Inventory recently resurfaced in the Fleet Street Area and left us copies of their journal (1995-2005) as well as a box of ephemera that has been dubbed the Inventory ‘Time Box’.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74033">
                <text>Various</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74034">
                <text>Inventory</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74035">
                <text>Miscellaneous</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="74036">
                <text>Archive Storage Room|Adam Scrivener', u'Paul Claydon</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74037">
                <text>[Assorted Notes, Drafts, Miscellaneous]</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="7081" public="1" featured="0">
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        <elementSet elementSetId="1">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Underground Techno Scene 1992-1996</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="44313">
                  <text>As a mass popular movement involving and uniting many subcultures the rave scene soon gained self confidence as a counter-culture and became subject to Governmental attack via the Criminal Justice Act (CJA). The ephemera deposited at MayDay rooms by William Shankly focuses on a period from 1993 and the Dead By Dawn/TechNet/Alien Undergound/Datacide assemblage centred on Brixton’s 121 Centre. Amongst the papers are zines from the period, flyers, news cuttings, correspondence and typescripts and drafts of TechNet writings. Some of these materials, especially those generated at the time of resistance to the CJA, were activated in October 2014 in association with History Is Made At Night at an event called ‘The Revolt of the Ravers’.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74068">
                <text>Various</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Underground Techno Scene 1992-1996</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74070">
                <text>Miscellaneous</text>
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            </elementTextContainer>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="74071">
                <text>Archive Storage Room|Howard Slater</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74072">
                <text>Praxis/Dead by Dawn Newsletters, flyers</text>
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    </elementSetContainer>
  </item>
  <item itemId="7082" public="1" featured="0">
    <collection collectionId="20">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="20">
                  <text>Underground Techno Scene 1992-1996</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="44313">
                  <text>As a mass popular movement involving and uniting many subcultures the rave scene soon gained self confidence as a counter-culture and became subject to Governmental attack via the Criminal Justice Act (CJA). The ephemera deposited at MayDay rooms by William Shankly focuses on a period from 1993 and the Dead By Dawn/TechNet/Alien Undergound/Datacide assemblage centred on Brixton’s 121 Centre. Amongst the papers are zines from the period, flyers, news cuttings, correspondence and typescripts and drafts of TechNet writings. Some of these materials, especially those generated at the time of resistance to the CJA, were activated in October 2014 in association with History Is Made At Night at an event called ‘The Revolt of the Ravers’.</text>
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              </elementTextContainer>
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    </collection>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74073">
                <text>Various</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="74074">
                <text>Underground Techno Scene 1992-1996</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74075">
                <text>Miscellaneous</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="74076">
                <text>Archive Storage Room|Howard Slater</text>
              </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74077">
                <text>Techno Zines (1)</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="20">
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="44313">
                  <text>As a mass popular movement involving and uniting many subcultures the rave scene soon gained self confidence as a counter-culture and became subject to Governmental attack via the Criminal Justice Act (CJA). The ephemera deposited at MayDay rooms by William Shankly focuses on a period from 1993 and the Dead By Dawn/TechNet/Alien Undergound/Datacide assemblage centred on Brixton’s 121 Centre. Amongst the papers are zines from the period, flyers, news cuttings, correspondence and typescripts and drafts of TechNet writings. Some of these materials, especially those generated at the time of resistance to the CJA, were activated in October 2014 in association with History Is Made At Night at an event called ‘The Revolt of the Ravers’.</text>
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            </element>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Various</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Underground Techno Scene 1992-1996</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74080">
                <text>Miscellaneous</text>
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            </elementTextContainer>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Howard Slater</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Techno Zines (2)</text>
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          </element>
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="20">
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            <element elementId="41">
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="44313">
                  <text>As a mass popular movement involving and uniting many subcultures the rave scene soon gained self confidence as a counter-culture and became subject to Governmental attack via the Criminal Justice Act (CJA). The ephemera deposited at MayDay rooms by William Shankly focuses on a period from 1993 and the Dead By Dawn/TechNet/Alien Undergound/Datacide assemblage centred on Brixton’s 121 Centre. Amongst the papers are zines from the period, flyers, news cuttings, correspondence and typescripts and drafts of TechNet writings. Some of these materials, especially those generated at the time of resistance to the CJA, were activated in October 2014 in association with History Is Made At Night at an event called ‘The Revolt of the Ravers’.</text>
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      <elementSet elementSetId="1">
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            <description>An entity primarily responsible for making the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A name given to the resource</description>
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  </item>
  <item itemId="7085" public="1" featured="0">
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>As a mass popular movement involving and uniting many subcultures the rave scene soon gained self confidence as a counter-culture and became subject to Governmental attack via the Criminal Justice Act (CJA). The ephemera deposited at MayDay rooms by William Shankly focuses on a period from 1993 and the Dead By Dawn/TechNet/Alien Undergound/Datacide assemblage centred on Brixton’s 121 Centre. Amongst the papers are zines from the period, flyers, news cuttings, correspondence and typescripts and drafts of TechNet writings. Some of these materials, especially those generated at the time of resistance to the CJA, were activated in October 2014 in association with History Is Made At Night at an event called ‘The Revolt of the Ravers’.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
    </itemType>
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      <elementSet elementSetId="1">
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A name given to the resource</description>
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  <item itemId="7144" public="1" featured="0">
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            <element elementId="50">
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&#13;
The collection also includes newsletters, leaflets and posters created by other groups from around the country, including the Poetry Field Club, Equi-Phallic Alliance, Manchester Area Psychogeographic and the Nottingham Psychogeographical Unit.&#13;
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                  <text>Resistance Comics hailed from Belfast and according to the Irish Comics Wiki the ten issues that appeared between 1975 and 1978 were the work of political cartoonist Brian Moore (aka Cormac). Characters that Moore invented include Paddy O’Looney and Red Biddy and there was a regular comic strip entitled ‘Revolution by Proxy’. These comics, along with several editions of Street Comix of Birmingham, found their way to MayDay rooms via Paul Westlake and Statewatch.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74508">
                <text>Various</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74509">
                <text>Resistance Comix &amp; Associated</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74510">
                <text>Comic</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="74511">
                <text>Archive Storage Room|Statewatch (Paul Westlake)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74512">
                <text>Street Comix No.4</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
