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                  <text>Dissenting Ephemera 1980-2000</text>
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                  <text>Continuing with the moniker of ‘dissenting ephemera’ coined by East London Big Flame this sizeable collection of independent publications is available to be consulted in MayDay Room’s Reading Room. This collection reflects the last surge of small press activity before the rise of the internet and its various web publishing platforms. Amongst a wide variery of magazines and journals collected here can be found Here &amp; Now, Common Sense, Counter Information, Emergency, Anti-Clockwise, Communist Headache, Proletarian Gob, Lobster, Trouble &amp; Strife, Mute, Girl Frenzy and many more.&#13;
&#13;
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              <text>William Shankly</text>
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                <text>Magazine</text>
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                <text>Anon</text>
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                <text>Reknaw/Repetitive Frame Injury Press</text>
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                <text>Two Hundred Pharaohs, Five Billion Slaves</text>
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                  <text>The Zerowork publishing group was formed in 1974 and could be said to have been informed by an early take up of Italian autonomist theory. Writing in the general introduction to the Zerowork website, Harry Cleaver, says: “Each of us had long been involved in various political struggles in the United States, in Canada, in England, and in Italy. Those struggles, as usual, always included debates over theoretical issues and those debates continued within our collective during the preparation of the first issue of the journal.” The first issue was published in upstate New York in 1975 and at the outset declared: “The present capitalist crisis has made the problem or working class revolutionary organization more urgent. But any discussion of revolutionary action must be based upon an analysis of the present relation of the working class to capital.” The analysis, carried out over two issues of the journal, has the working class rejection of wage labour as an underlying catalyst. A full run of the Zerowork journal as well as primary documents and pamphlets found their way to Mayday Rooms courtesy of Peter Linebaugh.</text>
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                <text>James Boggs, Guido Baldi</text>
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                <text>Archive Storage Room|Peter Linebaugh</text>
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                <text>Type Specimen: An Observant Guide to Linus Slug</text>
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                  <text>Dissenting Ephemera - Catherine Pozzo di Borgo</text>
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                  <text>A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group.</text>
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                <text>U.L.U.: Workers And Students Unite For Action</text>
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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                <text>UCL Cut the Rent</text>
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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* Correspondence concerning student struggles
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <name>Civil Liberties</name>
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              <description>An account of the resource</description>
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                  <text>Formed in the early 70s by ex-tutors and students from several London Art Colleges, the Poster Film Collective produced a series of hand-printed posters in support of political campaigns and a comprehensive series of educational posters that challenged hegemonic views of history. MayDay Rooms is pleased to be hosting a part of Andrew Darley’s collection which comprises of a set of posters titled “Between Future and Past” (aka ‘the feminist series’) and its attendant teaching handbook. Other material deposited by ex-participant Andy includes correspondence and documentation relating to many areas of the Poster Film Collective’s practice.</text>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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        <name>Radical Arts</name>
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        <name>Technology</name>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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                  <text>The libertarian socialist group Solidarity was set up in 1960 by former members of a British Trotskyist organisation, the Socialist Labour League. Under the intellectual influence of Chris Pallis (a.k.a. Maurcie Brinton), members adopted a political perspective close to that of Socialisme ou Barbarie in France. Solidarity adopted a critique of contemporary capitalism from this French sister organisation, which emphasised its increasingly bureaucratic qualities. Both groups also developed a libertarian socialist perspective, which became increasingly distant from Marxism without abandoning a comitment to revolutionary politics. MayDay Rooms holds an incomplete collection of Solidarity pamphlets and issues of the group’s eponymous journal.</text>
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          <name>Depositor</name>
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              <text>Solidarity pamphlet no.39</text>
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            <description>A name given to the resource</description>
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                <text>Under New Management? The Fisher Bendix Occupation</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Solidarity</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="50779">
                <text>Solidarity</text>
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            <name>Date</name>
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                <text>1972</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pamphlet</text>
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              <elementText elementTextId="50786">
                <text>16.02.2024</text>
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        <name>1970</name>
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        <name>Libertarian Communist</name>
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        <name>Marxism</name>
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                  <text>Dissenting Ephemera - Keir Milburn</text>
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              <description>An account of the resource</description>
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                  <text>a box of issues of Solidarity, as well as a number of items from the Swansea section of Solidarity, of which Milburn’s father was a member. The box also contains a number of anarchist pamphlets, zines, and newssheets chiefly from Wales, dating from the 1980s.</text>
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              <elementText elementTextId="23159">
                <text>Pamphlet</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="23162">
                <text>Solidarity Various</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2019-07-18</text>
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                <text>1972-01-25</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>DEKM/KMI/1#35</text>
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            <name>Title</name>
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                <text>Under New Management? The Fisher-Bendix Occupation, Solidarity Pamphlet 39</text>
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                  <text>Eco Anarchist Collection</text>
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              <description>An account of the resource</description>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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      <elementContainer>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
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              <text>GL/EA/0557</text>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>Giles Lane</text>
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          <name>Comments</name>
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          <elementTextContainer>
            <elementText elementTextId="151555">
              <text>Flyer looking for people to be involved in the national launch of the video activist compilation. Date crossed out and replaced with 11 September.</text>
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              <text> </text>
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          <description>The location of the interview</description>
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              <text>Office Room</text>
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              <text>AJ</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Undercurrents 7 is screening all over the country on Thursday 21 August 1997</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="151550">
                <text>Undercurrents</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Undercurrents</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="42">
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="151553">
                <text>leaflet</text>
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            <elementTextContainer>
              <elementText elementTextId="151559">
                <text>27.06.25</text>
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        <name>1990s</name>
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      <tag tagId="46">
        <name>Direct Action</name>
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      <tag tagId="50">
        <name>Environmentalism</name>
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      <tag tagId="56">
        <name>Radical Ecology</name>
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          <elementContainer>
            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera 1970s – Miscellaneous</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2061">
                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The range of this groups political concerns are reflected in the independent publications gathered here which cover, amidst others: Anti-Psychiatry (Humpty Dumpty), Black Struggle (Race Today) and Anti-Fascism (SKAN, CARF, Temporary Hoarding).</text>
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          <description>The location of the interview</description>
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          <description>Unique ID</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="23538">
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23541">
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
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                <text>2014-10-18</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Undercurrents</text>
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          <element elementId="43">
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>DEM/ELBF/1#25</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23547">
                <text>Undercurrents No.24</text>
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2033">
                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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              <text>Nicola Kirkham / Kevin Biderman</text>
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              <text>Kevin Biderman</text>
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          <name>UID</name>
          <description>Unique ID</description>
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                <text>newspaper cutting</text>
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        <name>1990s</name>
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        <name>Direct Action</name>
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        <name>Environmentalism</name>
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        <name>Radical Ecology</name>
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                  <text>The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis.</text>
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                <text>Martin Glaberman</text>
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            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="2930">
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              <elementText elementTextId="2932">
                <text>Bewick/ed</text>
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                <text>MN/GC/1#34</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2934">
                <text>Union and Workers: Limitations And Possibilities</text>
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                  <text>Miscellaneous Pamphlets</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2045">
                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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      <name>Physical Object</name>
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          <name>Depositor</name>
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              <text>Jacob Bard-Rosenberg</text>
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          <description>Unique ID</description>
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            <name>Format</name>
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            <elementTextContainer>
              <elementText elementTextId="18251">
                <text>Newsletter</text>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="18255">
                <text>2020-12-31</text>
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            <name>Date</name>
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                <text>1986-05-01</text>
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                <text>DEAB/ABI/1/1-21#18</text>
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                <text>Unioneyes, The Journal of the Cardiff Trades Council</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="2082">
                  <text>Copies of the early issues of History Workshop: A Journal of Socialist Historians, donated by Anna Davin of the founding editorial collective. The history workshop movement emerged in the ferment of the 1960s, animated, according to its Ruskin-based presiding spirit Raphael Samuel, by the “the belief that history is or ought to be a collaborative enterprise, one in which the researcher, the archivist, the curator and the teacher, the ‘do-it-yourself’ enthusiast and the local historian, the family history societies and the individual archaeologist, should all be regarded as equally engaged.” (History Workshop: A Collecteana, 1967-1991, Documents, Memoirs, Critique and cumulative index to History Workshop Journal. Ruskin College. pp. 1V.) A brief history of the movement can be found at: http://www.historyworkshop.org.uk/the-history-of-history-workshop/, including a bibliography.</text>
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            <name>Format</name>
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                <text>HWJ/ADV/1#5</text>
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              <elementText elementTextId="26393">
                <text>Unit 1, Unit 3: Women in Change, Women in Struggle, Women under Feudalism</text>
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                  <text>Dissenting Ephemera 1970s - Ed Emery's Collection</text>
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              <text>Jacob Bard-Rosenberg</text>
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                <text>Ed Emery</text>
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                <text>Jack A. Smith</text>
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&#13;
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                  <text>As an educational charity MayDay Rooms is gathering material around experimental forms and countervailing notions of education. This includes material on the history of radical teaching practices as well as the more recent practical explorations of radical educators today. MayDay’s remit in this area spans primary and secondary education, universities, art schools and self-instituted projects. This collection has recently been supplemented by a loan of material from Libertarian Education that has been upholding the theme of “education as liberation” since its inception in 1966.</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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