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              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera 1970s – Miscellaneous</text>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The range of this groups political concerns are reflected in the independent publications gathered here which cover, amidst others: Anti-Psychiatry (Humpty Dumpty), Black Struggle (Race Today) and Anti-Fascism (SKAN, CARF, Temporary Hoarding).</text>
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            <name>Format</name>
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                <text>Magazine</text>
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            <name>Date Accepted</name>
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                <text>2014-10-18</text>
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                <text>Up Against The Law Collective</text>
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                <text>DEM/ELBF/1#28</text>
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            <name>Title</name>
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                <text>Up Against The Law No.3</text>
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                  <text>Anarchist Ephemera</text>
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                  <text>Not being centred upon political parties or trade union bureaucracies, which often had their own publishing infrastructures, the anarchist scene was, to a larger degree, concerned with independent publishing. The collection here, gathered from various sources, is indicative of both the local community-based nature of anarchist politics as well as the need to disseminate anarchist ideas and histories.</text>
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              <text>Mike Ballard &amp; Brian Ashton</text>
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                <text>2014-05-18</text>
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                <text>1974-03-17</text>
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                <text>Up Against The Law Collective</text>
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                <text>AE/MBBA/1#27</text>
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            <name>Title</name>
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                <text>Up Against The Law No.5</text>
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              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>John McArthur</text>
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                <text>Archive Storage Room|Tony Wood</text>
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                <text>Up Against The Odds</text>
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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              <text>Chris Jones</text>
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                <text>Up the Elephant</text>
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                <text>Up The Elephant - 979 New Homes...but only 33 affordable!!</text>
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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                <text>Up the Elephant</text>
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                <text>Up The Elephant - 979 nuevas viviendas...pero solo 33 asequibles!!</text>
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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&#13;
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A name given to the resource</description>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>The libertarian socialist group Solidarity was set up in 1960 by former members of a British Trotskyist organisation, the Socialist Labour League. Under the intellectual influence of Chris Pallis (a.k.a. Maurcie Brinton), members adopted a political perspective close to that of Socialisme ou Barbarie in France. Solidarity adopted a critique of contemporary capitalism from this French sister organisation, which emphasised its increasingly bureaucratic qualities. Both groups also developed a libertarian socialist perspective, which became increasingly distant from Marxism without abandoning a comitment to revolutionary politics. MayDay Rooms holds an incomplete collection of Solidarity pamphlets and issues of the group’s eponymous journal.</text>
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      <elementContainer>
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          <name>Depositor</name>
          <description/>
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              <text>Pagliacci Rossi</text>
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          <description>The location of the interview</description>
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            <name>Identifier</name>
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                <text>PR/SP/0045</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Urban Devastation</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50915">
                <text>James Finlayson</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Solidarity</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pamphlet</text>
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              <elementText elementTextId="50921">
                <text>16.02.2024</text>
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        <name>1970</name>
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        <name>Libertarian Communist</name>
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        <name>Marxism</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Eco Anarchist Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2067">
                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="152018">
              <text>GL/EA/0596</text>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
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              <text>Giles Lane</text>
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          <name>Comments</name>
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          <elementTextContainer>
            <elementText elementTextId="152026">
              <text>Leaflet promoting what became the occupation of the old Guinness brewery site, advertising transport, asking for help and materials.</text>
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        </element>
        <element elementId="102">
          <name>External Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="152027">
              <text> </text>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="152028">
              <text>Office Room</text>
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          </elementTextContainer>
        </element>
        <element elementId="94">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="152029">
              <text>AJ</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="152020">
                <text>Urban Occupation: Starts 5th May</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="152021">
                <text>The Land is Ours</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="152022">
                <text>The Land is Ours</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="152023">
                <text>1996</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="152024">
                <text>leaflet</text>
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            </elementTextContainer>
          </element>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="152025">
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="152030">
                <text>4.07.25</text>
              </elementText>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="37">
        <name>1990s</name>
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      <tag tagId="46">
        <name>Direct Action</name>
      </tag>
      <tag tagId="50">
        <name>Environmentalism</name>
      </tag>
      <tag tagId="56">
        <name>Radical Ecology</name>
      </tag>
      <tag tagId="3">
        <name>Squatting</name>
      </tag>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27120">
                  <text>Dissenting Ephemera - 2000 - Present</text>
                </elementText>
              </elementTextContainer>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="27254">
              <text>Mike Edinburgh</text>
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          </elementTextContainer>
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          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
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              <text>Archive Storage Room</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="27257">
              <text>1</text>
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          <description/>
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            <elementText elementTextId="27260">
              <text>Jacob Bard-Rosenberg</text>
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          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="27263">
              <text>3994</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27255">
                <text>Flyer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27258">
                <text>Edinburgh Coalition Against Poverty</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="27259">
                <text>2016-10-06</text>
              </elementText>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="27261">
                <text>DET/ME#14</text>
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            </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27262">
                <text>Urgent Solidarity Call-Out High Riggs Job Centre</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="304" public="1" featured="0">
    <collection collectionId="3">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Wages for Housework (NYC)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="44314">
                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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              </elementTextContainer>
            </element>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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            <elementText elementTextId="3505">
              <text>Silvia Federici</text>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="3507">
              <text>Archive Storage Room</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="3508">
              <text>1</text>
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        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
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            <elementText elementTextId="3513">
              <text>HS</text>
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          </elementTextContainer>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="3517">
              <text>598</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3506">
                <text>Press Clipping</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3509">
                <text>Anon</text>
              </elementText>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="3510">
                <text>2015-03-17</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="3511">
                <text>2013-01-27</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3512">
                <text>1976-04-02</text>
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            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3514">
                <text>The Daily Intelligencer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3515">
                <text>WFH/SF/1#67</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3516">
                <text>US could lead way in drive to gain wages for homemakers</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="7219" public="1" featured="0">
    <collection collectionId="26">
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        <elementSet elementSetId="1">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Queeruption &amp; Associated</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2105">
                  <text>Queeruption was a rolling international DIY festival that took place eight times between 1998 and 2000. The intention behind these ad hoc festivals, often based in squats, was the intention to create an ‘opportunity for Queers of all genders and sexualities to gather, celebrate [their] queerness and diversity… and learn from each other’. This collection, coming to MayDay Rooms thanks to John Levin, includes ephemera from the first Queeruption festivals and is supplemented by a selection of queer zines from the 1990s.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Queeruption &amp; Associated</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="74760">
                <text>Fanzine</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="74761">
                <text>Archive Storage Room|John Levin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="74762">
                <text>V-Files No.14-16, 18-28</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="16505">
                <text>Magazine</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="16509">
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              <elementText elementTextId="16512">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="16514">
                <text>Vague No.22</text>
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  <item itemId="1473" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera 1980-2000</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2063">
                  <text>Continuing with the moniker of ‘dissenting ephemera’ coined by East London Big Flame this sizeable collection of independent publications is available to be consulted in MayDay Room’s Reading Room. This collection reflects the last surge of small press activity before the rise of the internet and its various web publishing platforms. Amongst a wide variery of magazines and journals collected here can be found Here &amp; Now, Common Sense, Counter Information, Emergency, Anti-Clockwise, Communist Headache, Proletarian Gob, Lobster, Trouble &amp; Strife, Mute, Girl Frenzy and many more.&#13;
&#13;
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        <element elementId="96">
          <name>Depositor</name>
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              <text>Howard Slater</text>
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              <text>Reading Room</text>
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          <name>Comments</name>
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            <elementText elementTextId="16499">
              <text>* God Told Me To Do It&#13;</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="16503">
              <text>2664</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="16493">
                <text>Magazine</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="16496">
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            <name>Date Accepted</name>
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              <elementText elementTextId="16497">
                <text>2014-04-01</text>
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            <name>Publisher</name>
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              <elementText elementTextId="16500">
                <text>Vague</text>
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            <name>Identifier</name>
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              <elementText elementTextId="16501">
                <text>DE/HS</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="16502">
                <text>Vague No.23</text>
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          </element>
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  </item>
  <item itemId="321" public="1" featured="0">
    <collection collectionId="3">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Wages for Housework (NYC)</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="44314">
                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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      <name>Physical Object</name>
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          <name>Depositor</name>
          <description/>
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              <text>Silvia Federici</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Storage Room</text>
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        <element elementId="95">
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            <elementText elementTextId="3733">
              <text>1</text>
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          <name>Catalogued by</name>
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            <elementText elementTextId="3738">
              <text>HS</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="3742">
              <text>615</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="3731">
                <text>Press Clipping</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3734">
                <text>Richard Adams</text>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="3735">
                <text>2015-03-17</text>
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          <element elementId="59">
            <name>Date Submitted</name>
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            <elementTextContainer>
              <elementText elementTextId="3736">
                <text>2013-01-27</text>
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            <name>Date</name>
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                <text>1997-10-06</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="3739">
                <text>Financial Times</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="3740">
                <text>WFH/SF/1#68</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Value of 340bn placed on housework last year</text>
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  <item itemId="7537" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Italia Rossa</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2087">
                  <text>Inspired by the fruitful of exchange of Big Flame, Midnight Notes &amp; Zeroworks with Italian political and theoretical developments, MayDay rooms has begun a small collection of Italian language materials and associated translations. These cover the Red Notes project and the early translations of Sergio Bologna and Mario Tronti in Telos Journal. We are grateful to Neinsager for dropping off some Italian language journals including an anthology of autonomist texts from 1974 and to Steve Wright for copies of America Owl and documents pertaining to the Committee Against Repression in Italy. A visit from Giovanni Rubino and Aria Spinelli in March 2015 saw the activation of this collection in the form of a group discussion with Giovanni about some facets of his solidarity-driven artistic work as a muralist at the Alfa Romeo factory and as the instigator of a collective performance at the Edison Factory in Mortedison.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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      <elementSet elementSetId="1">
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="76377">
                <text>Simone Peruzzi, Paolo Zangara</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="76378">
                <text>Italia Rossa</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="76379">
                <text>Pamphlet</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="76380">
                <text>Archive Storage Room|Neinsager</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="76381">
                <text>Varsavia Brucia? Per il Superamento del Ghetto Analisi Critica dei Centri Sociali</text>
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  <item itemId="7218" public="1" featured="0">
    <collection collectionId="26">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="26">
                  <text>Queeruption &amp; Associated</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2105">
                  <text>Queeruption was a rolling international DIY festival that took place eight times between 1998 and 2000. The intention behind these ad hoc festivals, often based in squats, was the intention to create an ‘opportunity for Queers of all genders and sexualities to gather, celebrate [their] queerness and diversity… and learn from each other’. This collection, coming to MayDay Rooms thanks to John Levin, includes ephemera from the first Queeruption festivals and is supplemented by a selection of queer zines from the 1990s.</text>
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            </element>
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      <name>Physical Object</name>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="74753">
                <text>Anon</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="74754">
                <text>Queeruption &amp; Associated</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74755">
                <text>Fanzine</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="74756">
                <text>Archive Storage Room|John Levin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="74757">
                <text>Vaseline Zine No. 1-13</text>
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  </item>
  <item itemId="2516" public="1" featured="0">
    <collection collectionId="111">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27446">
                  <text>Kennington Park</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27447">
                  <text>Stefan Szczelkun</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27448">
                  <text>1993-2018</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27449">
                  <text>Various</text>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27450">
                  <text>Various</text>
                </elementText>
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            <element elementId="44">
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                <elementText elementTextId="27451">
                  <text>English</text>
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            <element elementId="55">
              <name>Date Available</name>
              <description>Date (often a range) that the resource became or will become available.</description>
              <elementTextContainer>
                <elementText elementTextId="27452">
                  <text>02-03-2022</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="57">
              <name>Date Accepted</name>
              <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
              <elementTextContainer>
                <elementText elementTextId="27453">
                  <text>14-01-2022</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27892">
                  <text>Kennington Park's ‘hidden past’ is tightly linked with radical working-class history that pivoted on the Enclosure of Kennington Common in the mid-19th century and its subsequent landscaping as a Victorian Royal Park.The key ‘hidden’ event, absent from the official narrative, is the Chartist monster rally of 10th April 1848, which happened during the European "year of revolutions". &#13;
&#13;
Stefan Szczelkun's materials, housed at MDR, present an attempt to change public perception of this public space. Stefan conducted an informal ethnographic inquiry into the park's working-class past and the recent attempts to erase it. The documents collected reflect his multidisciplinary engagement in various projects and groups active around Kennington Park in the 90s and 2000s. From slides, maps, drawings, news clippings to self-published pamphlets, Radical Southwark ephemera, RTS leaflets and Friends of Kennington Park minutes – the collected materials are a valuable resource for anyone willing to research the contested history of one of London's landmark public spaces.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="27863">
              <text>Stefan Szczelkun</text>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="27865">
              <text>Archive Storage Room</text>
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        <name>1990s</name>
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        <name>Prison Resistance</name>
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                <text>Victory to the Young Comrades</text>
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        <name>Underground Press</name>
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              <description>An account of the resource</description>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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            <description>A name given to the resource</description>
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                <text>Vienna Intergalactic Conference leaflet</text>
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                <text>Association des Astronautes Autonomes</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="69013">
                <text>leaflet</text>
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            <description>A language of the resource</description>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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              <text>Text updating Green Anarchist opposition to the Anarchist Heretics Fair, its cancellation and their opposition to the organisers of the Anarchist Bookfair for hosting Stewart Home</text>
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                <text>Voodoo Politics at the Anarchist Bookfair</text>
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                <text>leaflet</text>
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                <text>27.06.25</text>
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                  <text>Miscellaneous Pamphlets</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Archive Storage Room|Sam Monks</text>
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                <text>Vote Labour And Still Die Horribly</text>
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