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                  <text>Irish Struggles after 1968</text>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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                  <text>Jenny Earle</text>
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              <text>Sara Chambers</text>
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                <text>SC/IS68/0075</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Vote Yes for Divorce</text>
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                <text>Sinn Fein </text>
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            <name>Date</name>
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                <text>1995</text>
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            <name>Format</name>
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                <text>Leaflet</text>
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                <text>English</text>
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                <text>27.10.2022</text>
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        <name>1990s</name>
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        <name>Feminism</name>
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        <name>Republicanism</name>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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              <text>Howard Slater</text>
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              <text>HMP 1989-1992, Strangeways prison occupation</text>
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              <text>Becka Hudson</text>
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                <text>HS/HMP/0063</text>
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            <description>A name given to the resource</description>
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                <text>Waddington attacks 'orgy of violence'</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Martin Linton</text>
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                <text>The Guardian</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>3rd April 1990</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper clipping</text>
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                <text>9.06.2023</text>
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        <name>1990s</name>
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        <name>Prison Resistance</name>
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        <name>State Violence</name>
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              <description>A name given to the resource</description>
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                  <text>London Radical Press</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>Matt Salusbury</text>
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          <description>The location of the interview</description>
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              <text>Archive Room</text>
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                <text>WAG, 2008, Issue 1</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Whitechapel Anarchist Group</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2008</text>
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                <text>News Sheet</text>
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                <text>20.10.2022</text>
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        <name>Anarchism. Underground Press</name>
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              <text>Matt Salusbury</text>
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                <text>WAG, 2009, Issue 2</text>
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                <text>20.10.2022</text>
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              <text>Matt Salusbury</text>
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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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              <text>"The New York Wages For Housework Committee holds a WFH/Welfare Conference in Brooklyn to discuss and organise against welfare cuts implemented and planned in NY State and the country. More than 150 present from different NY neighbourhoods and from different WFH groups. At the conference a Black Women For Wages For Housework is formed." As noted by Silvia Federici, January 2013.</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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              <text>Flyer advertising a walk of the route of the proposed Hastings to Bexhill Bypass, meeting at a  Brighton squat centre</text>
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            <description>A name given to the resource</description>
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                <text>Walk the Route (Hastings Bypass)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2001</text>
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                <text>leaflet</text>
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                <text>6.06.25</text>
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        <name>2000s</name>
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        <name>Direct Action</name>
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      <tag tagId="50">
        <name>Environmentalism</name>
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      <tag tagId="56">
        <name>Radical Ecology</name>
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        <name>Squatting</name>
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                  <text>Named after a play by Liverpudlian writer, Jim Allen, Big Flame started out in the early 70s as a rank and file newspaper that gradually developed into a revolutionary socialist feminist organisation. It continued to issue a monthly paper and in each edition the following ‘Basic Points’ were reiterated (1) building a political practice based on the mass of the working class, not merely its representative layers (2) combatting reformism (3) ‘the social factory’ (4) class first, party second (5) for the autonomy of each specifically oppressed sector (6) a non-sectarian and non-authoritarian political method. Big Flame groups were soon established in London, Birmingham, Leeds and Manchester and close links were made with Italian struggles and ideas in the shape of Lotta Continua. Big Flame is, furthermore, notable for its internationalist perspective and for the key role it played in supporting the ‘autonomous movements’ of women, black and gay people. The materials held at MayDay Rooms include copies of the Big Flame newspaper spanning the 70s and a box file of contemporaneous internal documents. We are grateful to Martin Yarnit for depositing these with us.</text>
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      <elementContainer>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>AF/BF/0022</text>
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              <text>Adam Forman</text>
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              <text>LR</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Walking a Tightrope</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Big Flame</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <description>Date of creation of the resource.</description>
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                <text>1980</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="64416">
                <text>pamphlet</text>
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            <description>A language of the resource</description>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="64420">
                <text>9.05.2024</text>
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      <tag tagId="81">
        <name>Autonomist</name>
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      <tag tagId="10">
        <name>Feminism</name>
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        <name>Workerism</name>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
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              <text>Statewatch (Paul Westlake)</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>HS</text>
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          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="8071">
              <text>3476</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="8061">
                <text>Pamphlet</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Big Flame Women &amp; Friends</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2015-12-02</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="8066">
                <text>1980-08-01</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Big Flame</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>BFID/SWPW/1</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="8070">
                <text>Walking the Tightrope. A Big Flame Women's Pamphlet</text>
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          </element>
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  <item itemId="2502" public="1" featured="0">
    <collection collectionId="111">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Kennington Park</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                <elementText elementTextId="27447">
                  <text>Stefan Szczelkun</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="27448">
                  <text>1993-2018</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>02-03-2022</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Kennington Park's ‘hidden past’ is tightly linked with radical working-class history that pivoted on the Enclosure of Kennington Common in the mid-19th century and its subsequent landscaping as a Victorian Royal Park.The key ‘hidden’ event, absent from the official narrative, is the Chartist monster rally of 10th April 1848, which happened during the European "year of revolutions". &#13;
&#13;
Stefan Szczelkun's materials, housed at MDR, present an attempt to change public perception of this public space. Stefan conducted an informal ethnographic inquiry into the park's working-class past and the recent attempts to erase it. The documents collected reflect his multidisciplinary engagement in various projects and groups active around Kennington Park in the 90s and 2000s. From slides, maps, drawings, news clippings to self-published pamphlets, Radical Southwark ephemera, RTS leaflets and Friends of Kennington Park minutes – the collected materials are a valuable resource for anyone willing to research the contested history of one of London's landmark public spaces.</text>
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          <description>The location of the interview</description>
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              <text>Includes a timeline of Kennington Park history; Kennington Park map; survey maps</text>
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            <description>A name given to the resource</description>
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                <text>folder</text>
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                <text>Various</text>
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            <name>Date</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="47">
                  <text>Dissenting Ephemera- Black Struggle</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="44301">
                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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          <name>Depositor</name>
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              <text>Howard Slater</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Photocopy&#13;Transcription of Talk &#13;</text>
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          <name>UID</name>
          <description>Unique ID</description>
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                <text>C.L.R. James</text>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>Race Today Publications</text>
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                <text>Walter Rodney and the Question of Power</text>
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                  <text>A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group.</text>
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                <text>Ian Purdie &amp; Jake Prescott Defence Group</text>
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                <text>Wanted for Conspiracy Robert Carr</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>For Peace!</text>
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              <description>The topic of the resource</description>
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                  <text>A collection gathering materials and stories from live and historical campaigns working for peace. It includes peace groups, demilitarisation activities, anti-militarist campaigns, feminist responses to war, anti-war mobilisations, pacifist education projects and more.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>KSL/FP/0004</text>
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              <text>Kate Sharpley Library</text>
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          <description>The location of the interview</description>
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            <name>Title</name>
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                <text>War and Revolution The Hungarian Anarchist Movement in World War I and the Budapest Commune</text>
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            <name>Creator</name>
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              <elementText elementTextId="63619">
                <text>Martyn Everett</text>
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                <text>Kate Sharpley Library</text>
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                <text>2006</text>
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                <text>2.05.2024</text>
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        <name>2000s</name>
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      <tag tagId="47">
        <name>Anarchism</name>
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                  <text>History Workshop Journal &amp; Associated</text>
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            <element elementId="41">
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                  <text>Copies of the early issues of History Workshop: A Journal of Socialist Historians, donated by Anna Davin of the founding editorial collective. The history workshop movement emerged in the ferment of the 1960s, animated, according to its Ruskin-based presiding spirit Raphael Samuel, by the “the belief that history is or ought to be a collaborative enterprise, one in which the researcher, the archivist, the curator and the teacher, the ‘do-it-yourself’ enthusiast and the local historian, the family history societies and the individual archaeologist, should all be regarded as equally engaged.” (History Workshop: A Collecteana, 1967-1991, Documents, Memoirs, Critique and cumulative index to History Workshop Journal. Ruskin College. pp. 1V.) A brief history of the movement can be found at: http://www.historyworkshop.org.uk/the-history-of-history-workshop/, including a bibliography.</text>
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          <name>Depositor</name>
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              <text>2373</text>
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        <elementContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26858">
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                <text>The Defense Committee</text>
              </elementText>
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            <name>Identifier</name>
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                <text>HWJ/ADV/4#6</text>
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                <text>War in the Middle East: What For?</text>
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                  <text>Radical and Militant Poetry</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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                <text>Timothy Thornton</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Radical and Militant Poetry</text>
              </elementText>
            </elementTextContainer>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Reading Room|Justin Katko</text>
              </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Water and Burning Effects On/Off</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="59">
                  <text>Subvertising</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>A number of large and beautiful political posters, most of which have been flyposted in the advertising spaces on bus stops and on the tubes. The collection charts political projects ranging from the Junior Doctor’s Strike to the arms industry to critiques of advertising. Also in the collection are a small number of documents on how to flypost, and pamphlets on undermining the advertising. These materials supplement an older collection of issues of adbusters from the 1990s, and work alongside other parts of our collection that chart the long history of détournement.</text>
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              </elementTextContainer>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
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              <text>Darren Cullen</text>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
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              <text>Office Room</text>
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        <element elementId="94">
          <name>Catalogued by</name>
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              <text>LR</text>
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          <element elementId="43">
            <name>Identifier</name>
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            <elementTextContainer>
              <elementText elementTextId="44175">
                <text>DC/S/0002</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>We 'll build our own Thatcher Museum leaflet</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44178">
                <text>Spelling Mistakes Cost Lives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>English</text>
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          <element elementId="59">
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                <text>11.01.2023</text>
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        <name>2010s</name>
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      <tag tagId="40">
        <name>History from Below</name>
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      <tag tagId="45">
        <name>Radical Arts</name>
      </tag>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2066">
                  <text>Eco Anarchist Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <text>We Are A Few Young, Dedicated Activists That Have Been Feverishly Laboring For a Few Weeks Towards Creating A Rural Base From Which to Focus on out Long-Term Goals of Self-Sufficiency, Sustainability &amp; Revolutionary Responsibility</text>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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              <description>An account of the resource</description>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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              <text>part of TOM Financial Appeal</text>
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          <description>The location of the interview</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Letter</text>
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              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <description>An account of the resource</description>
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            <description>A name given to the resource</description>
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              <description>A name given to the resource</description>
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                  <text>Wages for Housework (NYC)</text>
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              <description>An account of the resource</description>
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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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              <text>Silvia Federici</text>
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          <description>Unique ID</description>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>Date of creation of the resource.</description>
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                <text>2013-01-27</text>
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                <text>New York Wages For Housework Committee</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>We Can't Afford To Work For Love</text>
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              <description>A name given to the resource</description>
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                  <text>Association of Autonomous Astronauts</text>
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              <description>An account of the resource</description>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>John Eden</text>
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          <description>The location of the interview</description>
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          <name>Catalogued by</name>
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                <text>WE DECLARE...</text>
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                <text>Association of Autonomous Astronauts</text>
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        <name>Situationist</name>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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                <text>Wages Due Lesbians</text>
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                <text>We Exist... And We Wanty Our Wages</text>
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          <name>UID</name>
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              <text>Glyn Harries</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="68045">
                <text>We Have Found the Homes for the Rich</text>
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            <name>Creator</name>
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                <text>7.09.2024</text>
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        <name>Underground Press</name>
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            <name>Creator</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>We Need to Talk about Race Feminism</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Miscellaneous risograph prints from a workshop dealing with Queer Histories and Section 28, held at Mayday rooms on February 27th 2016.&#13;</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>We Recruit: Out of the Archives and into The Streets</text>
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          </element>
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            <element elementId="50">
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                  <text>Queeruption &amp; Associated</text>
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                <elementText elementTextId="2105">
                  <text>Queeruption was a rolling international DIY festival that took place eight times between 1998 and 2000. The intention behind these ad hoc festivals, often based in squats, was the intention to create an ‘opportunity for Queers of all genders and sexualities to gather, celebrate [their] queerness and diversity… and learn from each other’. This collection, coming to MayDay Rooms thanks to John Levin, includes ephemera from the first Queeruption festivals and is supplemented by a selection of queer zines from the 1990s.</text>
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                  <text>Not being centred upon political parties or trade union bureaucracies, which often had their own publishing infrastructures, the anarchist scene was, to a larger degree, concerned with independent publishing. The collection here, gathered from various sources, is indicative of both the local community-based nature of anarchist politics as well as the need to disseminate anarchist ideas and histories.</text>
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