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              <description>A name given to the resource</description>
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                  <text>Anti Globalisation Protests and related</text>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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              <text>Matt Salusbury</text>
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            <description>A name given to the resource</description>
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                <text>We're closing in</text>
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                <text>Dotmasters</text>
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            <name>Date</name>
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                <text>2008</text>
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                <text>20.10.2022</text>
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        <name>Radical Arts</name>
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        <name>Situationism</name>
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                  <text>Reclaim The Streets &amp; Associated</text>
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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                <text>28.11.2025</text>
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        <name>Anti/Alter-Globalisation</name>
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              <text>Martin Yarnit</text>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>We"ll Have To Fight Any Government</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                  <text>Chroma was an queer literary journal that ran between 2004 and 2010, publishing poetry, prose and visual artwork. It’s content included work by over 200 lesbian, gay, bisexual, and transgender authors and artists. A set of copies of the journal, alongside proofs, surrounding materials, and ephemera were deposited at MayDay Rooms by the editor Shaun Levin.&#13;
&#13;
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        <name>Direct Action</name>
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        <name>Environmentalism</name>
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        <name>Radical Ecology</name>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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              <text>Matt Salusbury</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>2010s</name>
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        <name>Environmentalism</name>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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      <name>Physical Object</name>
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          <name>UID</name>
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          <description/>
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              <text>Giles Lane</text>
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              <text>Mostly in English with a section in Welsh. Practical info with a timetable of the Gathering. Annotated in biro. One page has a section ripped off.</text>
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              <text> </text>
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                <text>Welcome to the Earth First! Summer Gathering</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Earth First!</text>
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              <elementText elementTextId="152555">
                <text>Earth First!</text>
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        <name>Direct Action</name>
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        <name>Environmentalism</name>
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        <name>Radical Ecology</name>
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              <description>A name given to the resource</description>
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              <description>The topic of the resource</description>
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                  <text>Not being centred upon political parties or trade union bureaucracies, which often had their own publishing infrastructures, the anarchist scene was, to a larger degree, concerned with independent publishing. The collection here, gathered from various sources, is indicative of both the local community-based nature of anarchist politics as well as the need to disseminate anarchist ideas and histories.</text>
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          <description/>
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              <text>Sam Monks</text>
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          <description>Unique ID</description>
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              <text>3412</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Magazine</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2015-04-23</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Brighton Anarchist Group</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>AE/SM/1#64</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="6255">
                <text>Welcome To The Police State No.1</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Women's Liberation Movement</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="30795">
                  <text>Jenny Earle</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <description>Unique ID</description>
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              <text>excerpt from The Independent</text>
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          <description>The location of the interview</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Well, who wouldn't be a Marxist?</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30655">
                <text>Rachel Holmes</text>
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                <text>ROW History Walk</text>
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            <description>A language of the resource</description>
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                <text>23.09.2022</text>
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        <name>2010s</name>
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        <name>Civil Liberties</name>
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        <name>Feminism</name>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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          <description>Unique ID</description>
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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              <description>An account of the resource</description>
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                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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                  <text>MayDay Rooms collection of materials related to the Committee for Academic Freedom in Africa and the group that has gathered around it has led to a deposit of activist materials based around de-coloniality, reparations campaigns and debt cancellation. Many of those UK-based activists involved with Jubilee 2000 gathered at MayDay Rooms in November 2015 for a consultative dialogue entitled ‘Afrika in Debt Bondage.’ Thanks to Kofi Klu for this assortment of flyers, posters, magazine and texts.</text>
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                <text>What Are We Going To Do?</text>
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                <text>What Happened to the Scottish Women's Liberation Journal?</text>
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                <text>1978</text>
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        <name>Feminism</name>
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              <description>An account of the resource</description>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                <text>What if You Held a Press Conference About Your Communique and Nobody Gave a Shit?</text>
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                <text>leaflet</text>
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                  <text>Copies of the early issues of History Workshop: A Journal of Socialist Historians, donated by Anna Davin of the founding editorial collective. The history workshop movement emerged in the ferment of the 1960s, animated, according to its Ruskin-based presiding spirit Raphael Samuel, by the “the belief that history is or ought to be a collaborative enterprise, one in which the researcher, the archivist, the curator and the teacher, the ‘do-it-yourself’ enthusiast and the local historian, the family history societies and the individual archaeologist, should all be regarded as equally engaged.” (History Workshop: A Collecteana, 1967-1991, Documents, Memoirs, Critique and cumulative index to History Workshop Journal. Ruskin College. pp. 1V.) A brief history of the movement can be found at: http://www.historyworkshop.org.uk/the-history-of-history-workshop/, including a bibliography.</text>
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                <text>What is a family? Images from film and television in the twentieth century</text>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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                <text>What is a strip search?</text>
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                <text>United Campaign Against Strip Searching</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1989</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Leaflet</text>
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        <name>1980s</name>
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        <name>Feminism</name>
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        <name>Irish Struggles</name>
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      <tag tagId="69">
        <name>Prison Resistance</name>
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      <tag tagId="44">
        <name>State Monitoring</name>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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              <text>Stapled sheets with timetable for the 1999 Earth First! Summer Gathering. Annotated in biro. See item GL/EA/0602 for an amusing report.</text>
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              <description>An account of the resource</description>
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                  <text>The Latin American Workers Association was based in London and active in two phases the early 1980s and then 2002-13. Many of its activists went on to play a leading role in different community organisations, campaigns and trade unions, and it was a direct predecessor of the current cleaners movement. &#13;
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                  <text>The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis.</text>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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                  <text>In 1974 the management of Lucas Aerospace, an engineering firm that manufactured aircraft components for both military and civilian use, announced restructuring plans, which threatened to make many members of the workforce redundant. When shop stewards at the company lobbied the Secretary of State for Industry Tony Benn to request that the government nationalise the company, Benn instead suggested that they come up with their own strategy for the business’s future. This led the Lucas Aerospace Combine Shop Stewards Committee to produce an Alternative Corporate Plan, drawing upon hundreds of proposals for new products developed by their workmates. Alert to the threat of deskilling and conceived in terms of ‘socially useful’ technology, these ideas included plans to produce medical equipment, public transport vehicles and innovations to improve energy efficiency. While this initiative failed to influence Lucas management, it led directly to the formation of the Centre for Alternative Industrial Systems (CAITS) at North East London Polytechnic and Coventry Polytechnic’s Unit for the Development of Alternative Products (UDAP). MayDay Rooms holds a collection of material on the Lucas Plan.</text>
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                  <text>In 1973, behind a shopfront at 113 Roman Road, London E1, four young filmmakers – Joanna Davis, Mary Pat Leece, Ronald Peck and Wilf Thust – set up a cinema and production studio with the aim of introducing “films and filmmaking to those who had previously been excluded from the whole practice”. In the context of a polarised and politically charged Bethnal Green of the 1970s, many local children and young adults found at Four Corners – and in Wilf Thust’s workshops in particular – a sanctuary where they could explore forms of self-representation and develop vocabularies of commonality, resistance and dissent. These sentiments are shared by MayDay Rooms and since late 2013, Wilf has ‘reopened the account’ – together with some of those involved in the 1970’s workshops and many others – making collaborative use of his film output, notebooks, and photographs. This process, which takes the form of screenings, meetings and workshops, will continue over the next few years.</text>
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                  <text>Haringey Solidarity Group (HSG) started life as the Anti-Poll Tax group in Haringey. Once the Poll Tax was defeated most Anti-Poll Tax groups around the country split up. In Haringey we knew there were other issues just as important as the poll tax, so in 1991, we stayed together and change our name to Haringey Solidarity Group (http://www.haringey.org.uk). HSG is a group of local people who feel things need changing and don’t have much faith in politicians and other “so called” leaders to do it for us. Things will only get better for ordinary people when we decide what is best for us. It is not for some boss or so-called leader to decide what they think we need. We believe in doing things for ourselves wherever possible and we try to encourage others to do likewise. We also feel that when ordinary people fight back against the system (be that your boss, the local council or some multi-national company) they need to be supported.</text>
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              <text>Archive Room</text>
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                <text>Where now for the antiadvertising campaign?</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>20.10.2022</text>
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        <name>2000s</name>
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        <name>Anarchism</name>
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        <name>Community Campaigns</name>
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        <name>Direct Action</name>
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