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                  <text>Eco Anarchist Collection</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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              <text>Giles Lane</text>
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              <text>AJ</text>
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            <description>A name given to the resource</description>
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                <text>Where There is Brass There is Muck: Ecology and Anarchism</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Anarchist Communist Federation</text>
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                <text>Anarchist Communist Federation</text>
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            <name>Date</name>
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                <text> </text>
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                <text>pamphlet</text>
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                <text>23.05.2025</text>
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        <name>Anarchism</name>
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        <name>Environmentalism</name>
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        <name>Radical Ecology</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Anti Globalisation Protests and related</text>
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              <description>An account of the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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          <name>UID</name>
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              <text>MS/AGP/0049</text>
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              <text>Matt Salusbury</text>
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              <text>LR</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="32902">
                <text>Where's whistleblowing now?</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Public Concern at Work</text>
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                <text>2010</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Booklet</text>
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                <text>20.10.2022</text>
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        <name>2010s</name>
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        <name>Civil Liberties</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera – Alex Bird</text>
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              <description>An account of the resource</description>
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                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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              <text>Alex Bird</text>
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          <description>The location of the interview</description>
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              <text>Archive Storage Room</text>
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              <text>Jacob Bard-Rosenberg</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>6301</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="17783">
                <text>Pamphlet</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="17786">
                <text>Redruth Days</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="17787">
                <text>2020-12-31</text>
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            <name>Date</name>
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                <text>1973-09-01</text>
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                <text>DEAB/ABI/1#54</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Whisper &amp; Shout No. 2</text>
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              <name>Title</name>
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                  <text>Dissenting Ephemera- Black Struggle</text>
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              <description>An account of the resource</description>
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                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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              <text>Statewatch</text>
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          <description>The location of the interview</description>
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              <text>Photocopy from Statewatch Materials [G1, 101]&#13;</text>
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          <name>UID</name>
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              <text>3027</text>
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            <name>Format</name>
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                <text>Magazine</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Various</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2015-03-19</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Third World First</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>/SW</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>White Lies - Racism &amp; Underdevelopment</text>
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                  <text>Schooling &amp; Culture 2015</text>
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              <description>An account of the resource</description>
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                  <text>Following a week long activation in July 2015 of the Schooling &amp; Culture Archive that included visits from schools and youth groups a collection of materials was assembled for the MayDay Rooms Archive. These materials include large format diagrams documenting the visits and debates, magazines, newspapers, notes, postcards, questionnaires and other materials that will feed into the process of producing a new issue of Schooling &amp; Culture.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Schooling &amp; Culture 2015</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Report</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Olivia Chessel', u'Louise Shelley</text>
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            <description>A name given to the resource</description>
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                <text>White Lies - Racism and Underdevelopment</text>
              </elementText>
            </elementTextContainer>
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        </elementContainer>
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                  <text>Dissenting Ephemera- Black Struggle</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="44301">
                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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        <element elementId="96">
          <name>Depositor</name>
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              <text>Statewatch</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>HS</text>
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          <name>Comments</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19308">
              <text>Photocopy from Statewatch materials&#13;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="19312">
              <text>3353</text>
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          </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
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            <elementTextContainer>
              <elementText elementTextId="19301">
                <text>Newsletter</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19304">
                <text>A.Sivanandan</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="19305">
                <text>2014-08-27</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19306">
                <text>1981-03-01</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="19309">
                <text>Institute of Race Relations</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="19310">
                <text>/SW</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19311">
                <text>White Man, Listen</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="848" public="1" featured="0">
    <collection collectionId="56">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="56">
                  <text>Dissenting Ephemera - Catherine Pozzo di Borgo</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="44297">
                  <text>A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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    </collection>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
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            <elementText elementTextId="9661">
              <text>Catherine Pozzo di Borgo</text>
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          </elementTextContainer>
        </element>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="9663">
              <text>Archive Storage Room</text>
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          </elementTextContainer>
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        <element elementId="95">
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            <elementText elementTextId="9664">
              <text>1</text>
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          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9667">
              <text>Jacob Bard-Rosenberg</text>
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          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="9670">
              <text>4203</text>
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        </element>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9662">
                <text>Flyer</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9665">
                <text>Anonymous</text>
              </elementText>
            </elementTextContainer>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="9666">
                <text>2017-07-21</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="9668">
                <text>CPD/CPD/1#40</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9669">
                <text>White Power creates Black Unconsciousness</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="7803" public="1" featured="0">
    <collection collectionId="55">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="55">
                  <text>Radical and Militant Poetry</text>
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              </elementTextContainer>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77707">
                <text>John Freeman</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77708">
                <text>Radical and Militant Poetry</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77709">
                <text>Book</text>
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            </elementTextContainer>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="77710">
                <text>Reading Room|David Ashford</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77711">
                <text>White Wings</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="6959" public="1" featured="0">
    <collection collectionId="7">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Miscellaneous Pamphlets</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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              </elementTextContainer>
            </element>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="73458">
                <text>Anon</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73459">
                <text>Miscellaneous Pamphlets</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73460">
                <text>Pamphlet</text>
              </elementText>
            </elementTextContainer>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="73461">
                <text>Archive Storage Room|Tony Wood</text>
              </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73462">
                <text>Whitechapel United Against Division</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="771" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="14">
                  <text>Big Flame Newspaper</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="8821">
              <text>Martin Yarnit</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="8823">
              <text>Archive Storage Room</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="95">
          <name>Number of Items</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="8824">
              <text>1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="8828">
              <text>RL</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="8831">
              <text>1146</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8822">
                <text>Newspaper</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8825">
                <text>Various</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="8826">
                <text>2014-01-23</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8827">
                <text>1979-02-28</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="8829">
                <text>BFN/MY/1#56</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8830">
                <text>Who Are The Unions For? The Members or The Government</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="4384" public="1" featured="0">
    <collection collectionId="9">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>HMP</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2083">
                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="47018">
              <text>William Shankly</text>
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          </elementTextContainer>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="47025">
              <text>Archive Room</text>
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          </elementTextContainer>
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        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
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            <elementText elementTextId="47026">
              <text>Becka Hudson</text>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47017">
                <text>HS/HMP/0003</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47019">
                <text>Who guards the guards?</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47020">
                <text>Brian Stratton</text>
              </elementText>
            </elementTextContainer>
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                <text>North London Group of PROP</text>
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            <description>Date of creation of the resource.</description>
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                <text>1973</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>9.06.2023</text>
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        <name>1970s</name>
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      <tag tagId="69">
        <name>Prison Resistance</name>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Archive Storage Room|Fabian Tompsett</text>
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                <text>Who Killed Lebovici?</text>
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                  <text>Dissenting Ephemera – Alex Bird</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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          <name>Depositor</name>
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              <text>Alex Bird</text>
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              <text>Jacob Bard-Rosenberg</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>6318</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="17968">
                <text>Pamphlet</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17971">
                <text>Stephen MCCarthy Campaign</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="17972">
                <text>2020-12-31</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1972-01-01</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>DEAB/ABI/1#64</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17976">
                <text>Who killed Stephen McCarthy?</text>
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            </elementTextContainer>
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  <item itemId="3908" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Troops Out Movement</text>
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              </elementTextContainer>
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34415">
                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
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              <text>Sara Chambers</text>
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          <description/>
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            <elementText elementTextId="41949">
              <text>part of Plastic Bullets Ban Them Now! Pack</text>
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          </elementTextContainer>
        </element>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <name>Catalogued by</name>
          <description/>
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              <text>LR</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SC/TOM/0074</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="41944">
                <text>Who produces plastic bullets?</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="41945">
                <text>Troops Out Movement</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1988</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Paper</text>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="41952">
                <text>27.10.2022</text>
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        <name>1980s</name>
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        <name>Irish Struggles</name>
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      <tag tagId="51">
        <name>Police Monitoring</name>
      </tag>
      <tag tagId="9">
        <name>Republicanism</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="52">
                  <text>Radical Philosophy</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Hackney Flashers Collective</text>
              </elementText>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Radical Posters</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Poster</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Meeting Room|Terry Dennett</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Who's Holding The Baby? - Exhibition Poster</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Big Flame Newspaper</text>
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              </elementTextContainer>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>Martin Yarnit</text>
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          <description>The location of the interview</description>
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          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="8677">
              <text>1132</text>
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        </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Date</name>
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                <text>1977-04-30</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>BFN/MY/1#42</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="8676">
                <text>Whose Choice</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Haringey Solidarity Group (HSG)</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Haringey Solidarity Group (HSG) started life as the Anti-Poll Tax group in Haringey. Once the Poll Tax was defeated most Anti-Poll Tax groups around the country split up. In Haringey we knew there were other issues just as important as the poll tax, so in 1991, we stayed together and change our name to Haringey Solidarity Group (http://www.haringey.org.uk). HSG is a group of local people who feel things need changing and don’t have much faith in politicians and other “so called” leaders to do it for us. Things will only get better for ordinary people when we decide what is best for us. It is not for some boss or so-called leader to decide what they think we need. We believe in doing things for ourselves wherever possible and we try to encourage others to do likewise. We also feel that when ordinary people fight back against the system (be that your boss, the local council or some multi-national company) they need to be supported.</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>Matt Salusbury</text>
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        <name>Community Campaigns</name>
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          <name>Depositor</name>
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              <text>1141</text>
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              <elementText elementTextId="8767">
                <text>Newspaper</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="8774">
                <text>BFN/MY/1#51</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Whose Getting Fat On Food</text>
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            </elementTextContainer>
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              <description>An account of the resource</description>
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                  <text>Formed in the early 70s by ex-tutors and students from several London Art Colleges, the Poster Film Collective produced a series of hand-printed posters in support of political campaigns and a comprehensive series of educational posters that challenged hegemonic views of history. MayDay Rooms is pleased to be hosting a part of Andrew Darley’s collection which comprises of a set of posters titled “Between Future and Past” (aka ‘the feminist series’) and its attendant teaching handbook. Other material deposited by ex-participant Andy includes correspondence and documentation relating to many areas of the Poster Film Collective’s practice.</text>
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            <description>An account of the resource</description>
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                <text>Poster Film Collective</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="73860">
                <text>Photographs</text>
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                <text>Archive Storage Room|Andrew Darley</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Whose World is the World?</text>
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              <description>An account of the resource</description>
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                  <text>Formed in the early 70s by ex-tutors and students from several London Art Colleges, the Poster Film Collective produced a series of hand-printed posters in support of political campaigns and a comprehensive series of educational posters that challenged hegemonic views of history. MayDay Rooms is pleased to be hosting a part of Andrew Darley’s collection which comprises of a set of posters titled “Between Future and Past” (aka ‘the feminist series’) and its attendant teaching handbook. Other material deposited by ex-participant Andy includes correspondence and documentation relating to many areas of the Poster Film Collective’s practice.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Poster Film Collective</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="73865">
                <text>Flyer</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="73866">
                <text>Archive Storage Room|Andrew Darley</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Whose World is the World?</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Formed in the early 70s by ex-tutors and students from several London Art Colleges, the Poster Film Collective produced a series of hand-printed posters in support of political campaigns and a comprehensive series of educational posters that challenged hegemonic views of history. MayDay Rooms is pleased to be hosting a part of Andrew Darley’s collection which comprises of a set of posters titled “Between Future and Past” (aka ‘the feminist series’) and its attendant teaching handbook. Other material deposited by ex-participant Andy includes correspondence and documentation relating to many areas of the Poster Film Collective’s practice.</text>
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            <name>Creator</name>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>[u"7 responses to 'do you remember how history was taught in your school...'"]</text>
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            <description>A name given to the resource</description>
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                <text>Whose World is the World?</text>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera 1970s – Women's Movement</text>
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              <description>An account of the resource</description>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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          <name>Depositor</name>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Storage Room</text>
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          <description/>
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              <text>1</text>
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          <name>Catalogued by</name>
          <description/>
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            <elementText elementTextId="24316">
              <text>HS</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="24320">
              <text>976</text>
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      <elementSet elementSetId="1">
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24311">
                <text>Typescript</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24314">
                <text>Anon</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="24315">
                <text>2014-10-18</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Union Of Women for Liberation</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="24318">
                <text>DEWM/ELBF/1#24</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="24319">
                <text>Why A Women's Movement? Women and the Proletarian Revolution</text>
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          </element>
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  <item itemId="6992" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="7">
                  <text>Miscellaneous Pamphlets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                  <text>Given impetus by the current wave of housing struggles, the sapping of space in metropolitan environments and the visit to MDR of squatting historian Alan Moore, MayDay Rooms have gathered a small collection of materials relating to the politics of squatting and occupations. Thanks to the 56a Duplicates Committee for providing MayDay Rooms with gems such as Crowbar and Squall and for practical guides such as the Squatters Handbook. This collection also contains information on the London Street Commune of the late 60s and has lately been supplemented by the ‘Options For Dealing With Squatting’ project.</text>
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                <text>Why Wages for Housework International Is Not a Participant in The Socialist Feminist Conference</text>
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                  <text>Big Flame – Internal Documents</text>
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                <text>Why We Are On Strike</text>
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                  <text>Continuing with the moniker of ‘dissenting ephemera’ coined by East London Big Flame this sizeable collection of independent publications is available to be consulted in MayDay Room’s Reading Room. This collection reflects the last surge of small press activity before the rise of the internet and its various web publishing platforms. Amongst a wide variery of magazines and journals collected here can be found Here &amp; Now, Common Sense, Counter Information, Emergency, Anti-Clockwise, Communist Headache, Proletarian Gob, Lobster, Trouble &amp; Strife, Mute, Girl Frenzy and many more.&#13;
&#13;
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                  <text>Not being centred upon political parties or trade union bureaucracies, which often had their own publishing infrastructures, the anarchist scene was, to a larger degree, concerned with independent publishing. The collection here, gathered from various sources, is indicative of both the local community-based nature of anarchist politics as well as the need to disseminate anarchist ideas and histories.</text>
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