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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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                  <text>In 1973, behind a shopfront at 113 Roman Road, London E1, four young filmmakers – Joanna Davis, Mary Pat Leece, Ronald Peck and Wilf Thust – set up a cinema and production studio with the aim of introducing “films and filmmaking to those who had previously been excluded from the whole practice”. In the context of a polarised and politically charged Bethnal Green of the 1970s, many local children and young adults found at Four Corners – and in Wilf Thust’s workshops in particular – a sanctuary where they could explore forms of self-representation and develop vocabularies of commonality, resistance and dissent. These sentiments are shared by MayDay Rooms and since late 2013, Wilf has ‘reopened the account’ – together with some of those involved in the 1970’s workshops and many others – making collaborative use of his film output, notebooks, and photographs. This process, which takes the form of screenings, meetings and workshops, will continue over the next few years.</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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&#13;
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                  <text>The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis.</text>
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                  <text>In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective.&#13;
&#13;
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* "...also associated with 'table' sculpture..." as noted by Peter Venn    8/23/2014
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                  <text>The libertarian socialist group Solidarity was set up in 1960 by former members of a British Trotskyist organisation, the Socialist Labour League. Under the intellectual influence of Chris Pallis (a.k.a. Maurcie Brinton), members adopted a political perspective close to that of Socialisme ou Barbarie in France. Solidarity adopted a critique of contemporary capitalism from this French sister organisation, which emphasised its increasingly bureaucratic qualities. Both groups also developed a libertarian socialist perspective, which became increasingly distant from Marxism without abandoning a comitment to revolutionary politics. MayDay Rooms holds an incomplete collection of Solidarity pamphlets and issues of the group’s eponymous journal.</text>
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                  <text>Continuing with the moniker of ‘dissenting ephemera’ coined by East London Big Flame this sizeable collection of independent publications is available to be consulted in MayDay Room’s Reading Room. This collection reflects the last surge of small press activity before the rise of the internet and its various web publishing platforms. Amongst a wide variery of magazines and journals collected here can be found Here &amp; Now, Common Sense, Counter Information, Emergency, Anti-Clockwise, Communist Headache, Proletarian Gob, Lobster, Trouble &amp; Strife, Mute, Girl Frenzy and many more.&#13;
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&#13;
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                  <text>Formed in the early 70s by ex-tutors and students from several London Art Colleges, the Poster Film Collective produced a series of hand-printed posters in support of political campaigns and a comprehensive series of educational posters that challenged hegemonic views of history. MayDay Rooms is pleased to be hosting a part of Andrew Darley’s collection which comprises of a set of posters titled “Between Future and Past” (aka ‘the feminist series’) and its attendant teaching handbook. Other material deposited by ex-participant Andy includes correspondence and documentation relating to many areas of the Poster Film Collective’s practice.</text>
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