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              <text>* The Housing Question&#13;</text>
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                <text>2005-01-01</text>
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                  <text>Continuing with the moniker of ‘dissenting ephemera’ coined by East London Big Flame this sizeable collection of independent publications is available to be consulted in MayDay Room’s Reading Room. This collection reflects the last surge of small press activity before the rise of the internet and its various web publishing platforms. Amongst a wide variery of magazines and journals collected here can be found Here &amp; Now, Common Sense, Counter Information, Emergency, Anti-Clockwise, Communist Headache, Proletarian Gob, Lobster, Trouble &amp; Strife, Mute, Girl Frenzy and many more.&#13;
&#13;
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              <text>* China and World Capitalism&#13;</text>
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                <text>2006-01-01</text>
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                <text>Aufheben</text>
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              <elementText elementTextId="16856">
                <text>Aufheben No.14</text>
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                <elementText elementTextId="2032">
                  <text>Not being centred upon political parties or trade union bureaucracies, which often had their own publishing infrastructures, the anarchist scene was, to a larger degree, concerned with independent publishing. The collection here, gathered from various sources, is indicative of both the local community-based nature of anarchist politics as well as the need to disseminate anarchist ideas and histories.</text>
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              <text>3613</text>
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            <name>Format</name>
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              <elementText elementTextId="6366">
                <text>Newsletter</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>2016-02-28</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Autognome</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>AE/FDC/1#79</text>
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            <description>A name given to the resource</description>
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                <text>Autognome - Free The Winchester Three</text>
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                  <text>Not being centred upon political parties or trade union bureaucracies, which often had their own publishing infrastructures, the anarchist scene was, to a larger degree, concerned with independent publishing. The collection here, gathered from various sources, is indicative of both the local community-based nature of anarchist politics as well as the need to disseminate anarchist ideas and histories.</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>An entity responsible for making the resource available</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                  <text>Not being centred upon political parties or trade union bureaucracies, which often had their own publishing infrastructures, the anarchist scene was, to a larger degree, concerned with independent publishing. The collection here, gathered from various sources, is indicative of both the local community-based nature of anarchist politics as well as the need to disseminate anarchist ideas and histories.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>AE/FDC/1#76</text>
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                <elementText elementTextId="2032">
                  <text>Not being centred upon political parties or trade union bureaucracies, which often had their own publishing infrastructures, the anarchist scene was, to a larger degree, concerned with independent publishing. The collection here, gathered from various sources, is indicative of both the local community-based nature of anarchist politics as well as the need to disseminate anarchist ideas and histories.</text>
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            <elementText elementTextId="6360">
              <text>HS</text>
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          </elementTextContainer>
        </element>
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          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="6364">
              <text>3612</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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            <name>Format</name>
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                <text>Newsletter</text>
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                <text>Various</text>
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                <text>2016-02-28</text>
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                <text>Autognome</text>
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                <text>AE/FDC/1#78</text>
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            <description>A name given to the resource</description>
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                <text>Autognome - Read My Lips: No New Golf Courses</text>
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                  <text>Anarchist Ephemera</text>
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              <description>The topic of the resource</description>
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                <elementText elementTextId="2032">
                  <text>Not being centred upon political parties or trade union bureaucracies, which often had their own publishing infrastructures, the anarchist scene was, to a larger degree, concerned with independent publishing. The collection here, gathered from various sources, is indicative of both the local community-based nature of anarchist politics as well as the need to disseminate anarchist ideas and histories.</text>
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              <text>56a Duplicates Committee</text>
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              <text>Archive Storage Room</text>
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              <text>HS</text>
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          <description>Unique ID</description>
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            <elementText elementTextId="6344">
              <text>3610</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="6336">
                <text>Newsletter</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Various</text>
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                <text>2016-02-28</text>
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                <text>Autongnome</text>
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              <elementText elementTextId="6342">
                <text>AE/FDC/1#75</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Autognome - World Government Collapses</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Schooling &amp; Culture 2015</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2113">
                  <text>Following a week long activation in July 2015 of the Schooling &amp; Culture Archive that included visits from schools and youth groups a collection of materials was assembled for the MayDay Rooms Archive. These materials include large format diagrams documenting the visits and debates, magazines, newspapers, notes, postcards, questionnaires and other materials that will feed into the process of producing a new issue of Schooling &amp; Culture.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Autograph ABP</text>
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            <description>An account of the resource</description>
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                <text>Schooling &amp; Culture 2015</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Information Pack</text>
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                <text>Archive Storage Room|Olivia Chessel', u'Louise Shelley</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Autograph ABP Archive Learning Resource, 1/2</text>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2113">
                  <text>Following a week long activation in July 2015 of the Schooling &amp; Culture Archive that included visits from schools and youth groups a collection of materials was assembled for the MayDay Rooms Archive. These materials include large format diagrams documenting the visits and debates, magazines, newspapers, notes, postcards, questionnaires and other materials that will feed into the process of producing a new issue of Schooling &amp; Culture.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Autograph ABP</text>
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            <description>An account of the resource</description>
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                <text>Schooling &amp; Culture 2015</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Information Pack</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Olivia Chessel', u'Louise Shelley</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Autograph ABP Archive Learning Resource, 2/2</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Anti Globalisation Protests and related</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2033">
                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>MS/AGP/0080</text>
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              <text>Matt Salusbury</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Autonomous Camden Bike Marathon</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Leaflet</text>
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            <description>A language of the resource</description>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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        <name>Anti/Alter-Globalisation</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera - 2000 - Present</text>
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              </elementTextContainer>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <description/>
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              <text>Mike Edinburgh</text>
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          <description>The location of the interview</description>
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          <description/>
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          <description/>
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              <text>Jacob Bard-Rosenberg</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>3999</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Flyer</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2016-10-06</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>DET/ME#19</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Autonomous Centre of Edinburgh</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Eco Anarchist Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2067">
                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <description>Unique ID</description>
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                <text>Autonomous Self-Organization and Anarchist Intervention: A Tension in Practice</text>
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            <name>Creator</name>
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                <text>Venomous Butterfly Publications</text>
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                <text>16.05.2025</text>
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        <name>2000s</name>
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        <name>Anarchism</name>
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              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>MS/AGP/0103</text>
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        <element elementId="96">
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              <text>Matt Salusbury</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Autonomous Spaces,2004</text>
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            <name>Creator</name>
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                <text>20.10.2022</text>
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        <name>2003s</name>
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      <tag tagId="42">
        <name>Anti/Alter-Globalisation</name>
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      <tag tagId="63">
        <name>Undergroud Press</name>
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            <element elementId="41">
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2063">
                  <text>Continuing with the moniker of ‘dissenting ephemera’ coined by East London Big Flame this sizeable collection of independent publications is available to be consulted in MayDay Room’s Reading Room. This collection reflects the last surge of small press activity before the rise of the internet and its various web publishing platforms. Amongst a wide variery of magazines and journals collected here can be found Here &amp; Now, Common Sense, Counter Information, Emergency, Anti-Clockwise, Communist Headache, Proletarian Gob, Lobster, Trouble &amp; Strife, Mute, Girl Frenzy and many more.&#13;
&#13;
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      <elementContainer>
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              <text>William Shankly</text>
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          <name>UID</name>
          <description>Unique ID</description>
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            <elementTextContainer>
              <elementText elementTextId="15916">
                <text>Magazine</text>
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                <text>1998-01-01</text>
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                <text>DE/WS</text>
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            <description>A name given to the resource</description>
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                <text>Autotoxicity - Fifth Assault</text>
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            <element elementId="50">
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            <element elementId="41">
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              <description>An account of the resource</description>
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                <elementText elementTextId="2082">
                  <text>Copies of the early issues of History Workshop: A Journal of Socialist Historians, donated by Anna Davin of the founding editorial collective. The history workshop movement emerged in the ferment of the 1960s, animated, according to its Ruskin-based presiding spirit Raphael Samuel, by the “the belief that history is or ought to be a collaborative enterprise, one in which the researcher, the archivist, the curator and the teacher, the ‘do-it-yourself’ enthusiast and the local historian, the family history societies and the individual archaeologist, should all be regarded as equally engaged.” (History Workshop: A Collecteana, 1967-1991, Documents, Memoirs, Critique and cumulative index to History Workshop Journal. Ruskin College. pp. 1V.) A brief history of the movement can be found at: http://www.historyworkshop.org.uk/the-history-of-history-workshop/, including a bibliography.</text>
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          <name>Depositor</name>
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          <elementTextContainer>
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              <text>Anna Davin</text>
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          <description>The location of the interview</description>
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              <text>2380</text>
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        <elementContainer>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26922">
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Lega dei Comunisiti Marxisti-Leninisti</text>
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            </elementTextContainer>
          </element>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
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                <text>HWJ/ADV/4#13</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="26929">
                <text>Avanti Verso L'Unita' Dei Marxists-Leninisti Per La Costruzione Del Parito</text>
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      <elementSetContainer>
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              <description>An account of the resource</description>
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                <elementText elementTextId="2084">
                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <elementTextContainer>
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              <text>Fani Arampatzidou</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>FA</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="12721">
              <text>4612</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12713">
                <text>Flyer</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="12716">
                <text>Axe the Housing Act</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="12717">
                <text>2017-12-13</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="12720">
                <text>Axe the Housing Act - Homes for All- Justice for Grenfell</text>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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              <elementText elementTextId="13463">
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                <text>Aylesbury Leaseholders - UK premiere of the documentary Concrete Soldiers uk</text>
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera- Black Struggle</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="44301">
                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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        <element elementId="96">
          <name>Depositor</name>
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              <text>56a Duplicates Committee</text>
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          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="18596">
              <text>Reading Room</text>
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        <element elementId="95">
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          <elementTextContainer>
            <elementText elementTextId="18597">
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            <elementText elementTextId="18601">
              <text>HS</text>
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          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="18605">
              <text>3014</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Magazine</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="18598">
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          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="18599">
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                <text>1988-10-01</text>
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                <text>Azania Worker</text>
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                <text>/FDC</text>
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                <text>Azania Worker No.11/12</text>
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              <description>An account of the resource</description>
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                  <text>Formed in the early 70s by ex-tutors and students from several London Art Colleges, the Poster Film Collective produced a series of hand-printed posters in support of political campaigns and a comprehensive series of educational posters that challenged hegemonic views of history. MayDay Rooms is pleased to be hosting a part of Andrew Darley’s collection which comprises of a set of posters titled “Between Future and Past” (aka ‘the feminist series’) and its attendant teaching handbook. Other material deposited by ex-participant Andy includes correspondence and documentation relating to many areas of the Poster Film Collective’s practice.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Poster Film Collective</text>
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            <name>Format</name>
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                <text>Flyer</text>
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                <text>Archive Storage Room|Andrew Darley</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>B.U.G.A U.P Autumn Catalogue</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Dan Chatterton</text>
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            <description>An account of the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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                <text>Archive Storage Room|William Shankly</text>
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                <text>Babies and Bunny Rabbits  A Popular Educator</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Radical and Militant Poetry</text>
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                <text>Juha Virtanen</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="77703">
                <text>Radical and Militant Poetry</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="77704">
                <text>Book</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Reading Room|David Ashford</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="77706">
                <text>Back Channel Apraxia</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Continuing with the moniker of ‘dissenting ephemera’ coined by East London Big Flame this sizeable collection of independent publications is available to be consulted in MayDay Room’s Reading Room. This collection reflects the last surge of small press activity before the rise of the internet and its various web publishing platforms. Amongst a wide variery of magazines and journals collected here can be found Here &amp; Now, Common Sense, Counter Information, Emergency, Anti-Clockwise, Communist Headache, Proletarian Gob, Lobster, Trouble &amp; Strife, Mute, Girl Frenzy and many more.&#13;
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                  <text>Given impetus by the current wave of housing struggles, the sapping of space in metropolitan environments and the visit to MDR of squatting historian Alan Moore, MayDay Rooms have gathered a small collection of materials relating to the politics of squatting and occupations. Thanks to the 56a Duplicates Committee for providing MayDay Rooms with gems such as Crowbar and Squall and for practical guides such as the Squatters Handbook. This collection also contains information on the London Street Commune of the late 60s and has lately been supplemented by the ‘Options For Dealing With Squatting’ project.</text>
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                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Book</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Ziauddin Sardar</text>
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          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2015-08-17</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2008-09-11</text>
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            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="19405">
                <text>Granta</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="19406">
                <text>/</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Balti Britain - A Journey Through The British Asian Experience</text>
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            </elementTextContainer>
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