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                  <text>Our Psychogeography Collection is primarily composed of materials produced by the London Psychogeographical Association, which was first mooted in 1957 by the British artist Ralph Rumney, who was amicably expelled from the Situationist International for his failure to deliver a psychogeographical report on Venice. Just as the report eventually surfaced in accordance with its own timescale, this psychogeographic project was reinvoked in the early 1990s as the LPA East London Section by Fabian Tompsett. After 35 years of non-existence, a series of newsletters and pamphlets began to be issued to report on the persistences of ruling class power and on free associational drifts through history. With an open non-sectarian context and contributions from writers associated with the Luther Blissett multiple name, the LPA newsletters regularly displayed a humour reminiscent of Class War and added to this a parodic erudition to some degree aimed at exposing the pretensions and callousness of a western enlightenment tradition and how this persistently feeds into blunting the left opposition. LPA activities included trips to destinations of psychogeographic interest (including an American Civil War battlefield in London’s Globe Town), the organisation of three-sided football matches and the inauguration of bus stop competitions. Open Up The South East Passage!&#13;
&#13;
The collection also includes newsletters, leaflets and posters created by other groups from around the country, including the Poetry Field Club, Equi-Phallic Alliance, Manchester Area Psychogeographic and the Nottingham Psychogeographical Unit.&#13;
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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                  <text>The Zerowork publishing group was formed in 1974 and could be said to have been informed by an early take up of Italian autonomist theory. Writing in the general introduction to the Zerowork website, Harry Cleaver, says: “Each of us had long been involved in various political struggles in the United States, in Canada, in England, and in Italy. Those struggles, as usual, always included debates over theoretical issues and those debates continued within our collective during the preparation of the first issue of the journal.” The first issue was published in upstate New York in 1975 and at the outset declared: “The present capitalist crisis has made the problem or working class revolutionary organization more urgent. But any discussion of revolutionary action must be based upon an analysis of the present relation of the working class to capital.” The analysis, carried out over two issues of the journal, has the working class rejection of wage labour as an underlying catalyst. A full run of the Zerowork journal as well as primary documents and pamphlets found their way to Mayday Rooms courtesy of Peter Linebaugh.</text>
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                  <text>As part of the Unionising Workshop held at Flaxman Lodge in June 2004 a collection of materials (newsletters, leaflets, letters etc.) relating to the Artist Union (1972-1984) was gathered by Jakob Jakobsen and Anthony Davies. The Artist Union was set up to promote the role of artists in society as a force for social change (‘Art is Work’) and developed several work groups including a Women’s Workshop and an Artists in Education Workshop. The first chair of the AU was artist Mary Kelly along with Gustav Metzger as vice-chair. An initial plan to be affiliated to the TUC was later rejected. In 1974 a proposal was made to reform the Arts Council and by 1977 the AU had launched the discussion paper *Wages for Artists*? &#13;
&#13;
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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                <text>Black Book of the Political Police in Britain, a PIG publication</text>
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          <description>Unique ID</description>
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                <text>Towards an Insurrectionary Transfeminism</text>
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                  <text>Reclaim The Streets &amp; Associated</text>
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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          <name>UID</name>
          <description>Unique ID</description>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <description>Previous identifier</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>This is Not America</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1994</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Leaflet</text>
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            <description>A language of the resource</description>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="79782">
                <text>28.11.2025</text>
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        <name>1990s</name>
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      <tag tagId="42">
        <name>Anti/Alter-Globalisation</name>
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        <name>Direct Action</name>
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  <item itemId="6902" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Reading Room|Emma Smith</text>
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                <text>Beasts of Burden</text>
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              <description>An account of the resource</description>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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                <text>Anthony Alexandrovicz, Mark Leech</text>
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                <text>Anthony Davis, Nils Norman, Howard Slater</text>
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                <text>2014-04-01</text>
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                <text>School of Walls &amp; Space</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Going Fragile Workshop, January 18-22, 2010</text>
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                <elementText elementTextId="2043">
                  <text>As an educational charity MayDay Rooms is gathering material around experimental forms and countervailing notions of education. This includes material on the history of radical teaching practices as well as the more recent practical explorations of radical educators today. MayDay’s remit in this area spans primary and secondary education, universities, art schools and self-instituted projects. This collection has recently been supplemented by a loan of material from Libertarian Education that has been upholding the theme of “education as liberation” since its inception in 1966.</text>
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              <text>William Shankly</text>
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            <name>Format</name>
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                <text>Anthony Davis, Nils Norman, Howard Slater</text>
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                <text>School of Walls &amp; Space &amp; Night Class</text>
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                <text>CE/WS/1#21</text>
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            <element elementId="50">
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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      <name>Physical Object</name>
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              <text>Giles Lane</text>
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              <text>Leaflet connected to the anti-nuclear direct actions in Ahaus in 1998</text>
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              <text>Office Room</text>
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                <text>(K)einer mus der Bluthund sein</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Anti-Atom-Gruppe Bergisches Land</text>
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                <text>Anti-Atom-Gruppe Bergisches Land</text>
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                <text>1998</text>
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                <text>leaflet</text>
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                <text>German</text>
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              <elementText elementTextId="150532">
                <text>30.05.25</text>
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        <name>1990s</name>
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        <name>Anti-Nuclear Movement</name>
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        <name>Direct Action</name>
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        <name>Environmentalism</name>
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        <name>Radical Ecology</name>
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                  <text>Miscellaneous Pamphlets</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <description>An account of the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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                <text>Reading Room|William Shankly</text>
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            <name>Title</name>
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                <text>Anti-Clockwise Issues 6/9/11/20</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Anti Globalisation Protests and related</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>MS/AGP/0009</text>
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          <name>Depositor</name>
          <description/>
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              <text>Matt Salusbury</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <name>Catalogued by</name>
          <description/>
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              <text>LR</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>September 28th Antiwar Demo</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Anticapitalist Bloc</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="32501">
                <text>2002</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Leaflet</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>20.10.2022</text>
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        <name>2000s</name>
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      <tag tagId="46">
        <name>Direct Action</name>
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      <tag tagId="43">
        <name>Peace Movement</name>
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