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                  <text>Troops Out Movement</text>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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              <text>Sara Chambers</text>
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              <text>Bloody Sunday</text>
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                <text>SC/TOM/0174</text>
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                <text>Sinn Fein letter</text>
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                <text>Aine Connolly</text>
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                <text>Sinn Fein </text>
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                <text>29.11.1989</text>
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                <text>27.10.2022</text>
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                  <text>Chroma was an queer literary journal that ran between 2004 and 2010, publishing poetry, prose and visual artwork. It’s content included work by over 200 lesbian, gay, bisexual, and transgender authors and artists. A set of copies of the journal, alongside proofs, surrounding materials, and ephemera were deposited at MayDay Rooms by the editor Shaun Levin.&#13;
&#13;
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              <text>Shaun Levin</text>
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              <text>Jacob Bard-Rosenberg</text>
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                <text>Akkas Al-Ali, Jake Arnott, Adam Bala, Cabello/Carceller, Bec Chalkley, Wei Kiat Chen, Phyllis Christopher, Ailbhe Darcy, S Dass, Minke Douwesz, Paul Gardiner, Richard Goodson, Rosemary Harris, Kobi Israel, Ashley Jones, Paul Kane, Let Me Feel Your Finger First, Peter McGraith, Emily Moreton, Ruth O'Callaghan, JP Owen, Heena Patel, Selina Rodriges, Helen Sandler, Parminder Sekhon, Joshua Sofaer, Raffaele Teo, fabian thomas, Laura Vroomen, Andrew Warburton, Gregory Woods, Shaun Levin, Cherry Smyth</text>
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                <text>CJ/SL/1/1-1#3</text>
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                <text>Issue 3, Autumn 2005</text>
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                  <text>Socialisme ou Barbarie</text>
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                  <text>a set of journals belonging to the French libertarian socialist organisation- Socialisme ou Barbarie(SoB). SOB’s novel theoretical innovations greatly impacted the discussions of the international communist movement(s) in the latter half of the last century and we are delighted to have a full run in the archive. </text>
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              <text>Pagliacci Rossi</text>
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            <name>Title</name>
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                <text>Antimilitarisme et Revolution</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Alain Brossat,Jean Yves Potel</text>
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                <text>1975</text>
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                <text>book</text>
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                <text>French</text>
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                <text>15.02.2024</text>
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        <name>1970s</name>
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        <name>Libertarian Communist</name>
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              <name>Title</name>
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                  <text>Miscellaneous Pamphlets</text>
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              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Alan Cohen</text>
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                <text>Miscellaneous Pamphlets</text>
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                <text>Archive Storage Room|Radical Anthropology Group</text>
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                <text>Decadence of the Shamans</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Creator</name>
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                <text>Alan Payling</text>
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                <text>Miscellaneous Pamphlets</text>
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                <text>Archive Storage Room|Ros Kane</text>
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                <text>No More OPO</text>
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              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera 1980-2000</text>
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              <description>An account of the resource</description>
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                  <text>Continuing with the moniker of ‘dissenting ephemera’ coined by East London Big Flame this sizeable collection of independent publications is available to be consulted in MayDay Room’s Reading Room. This collection reflects the last surge of small press activity before the rise of the internet and its various web publishing platforms. Amongst a wide variery of magazines and journals collected here can be found Here &amp; Now, Common Sense, Counter Information, Emergency, Anti-Clockwise, Communist Headache, Proletarian Gob, Lobster, Trouble &amp; Strife, Mute, Girl Frenzy and many more.&#13;
&#13;
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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                <text>Albert Beale</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                <text>Alejandro de Acosta</text>
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        <name>2010s</name>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Format</name>
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                <text>Alex Comfort, Freedom Press</text>
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                <text>DSRP/RP/1#17</text>
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            <description>A name given to the resource</description>
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                <text>Delinquency</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Jenny Earle</text>
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              <text>Sheenagh Hull</text>
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                <text>Sexual Relations and the Class Struggle</text>
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                <text>Alexandra Kollontai</text>
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                <text>The Falling Wall Press</text>
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                <text>6/11/2025</text>
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              <text>Jacob Bard-Rosenberg</text>
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                <text>Alexandra Kollontai, Celia Britton, Sheila Rowbotham, Suzie Fleming, Falling Wall Press</text>
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            <elementTextContainer>
              <elementText elementTextId="17689">
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                <text>Women Workers Struggle For Their Rights</text>
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                  <text>Dissenting Ephemera – Alex Bird</text>
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            <element elementId="41">
              <name>Description</name>
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                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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            <name>Format</name>
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                <text>Alexandra Kollontai, Pluto Press</text>
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              <elementText elementTextId="17776">
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                <text>Communism and the Family</text>
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            <element elementId="50">
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                  <text>Italia Rossa</text>
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              <elementTextContainer>
                <elementText elementTextId="2087">
                  <text>Inspired by the fruitful of exchange of Big Flame, Midnight Notes &amp; Zeroworks with Italian political and theoretical developments, MayDay rooms has begun a small collection of Italian language materials and associated translations. These cover the Red Notes project and the early translations of Sergio Bologna and Mario Tronti in Telos Journal. We are grateful to Neinsager for dropping off some Italian language journals including an anthology of autonomist texts from 1974 and to Steve Wright for copies of America Owl and documents pertaining to the Committee Against Repression in Italy. A visit from Giovanni Rubino and Aria Spinelli in March 2015 saw the activation of this collection in the form of a group discussion with Giovanni about some facets of his solidarity-driven artistic work as a muralist at the Alfa Romeo factory and as the instigator of a collective performance at the Edison Factory in Mortedison.</text>
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                <text>Alfred Bonanno, Pippo Stasi</text>
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            <description>An account of the resource</description>
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                <text>Italia Rossa</text>
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                <text>Magazine</text>
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                <text>Archive Storage Room|Sam Monks</text>
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            <description>A name given to the resource</description>
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                <text>In Bergamo: Concerning an Attempted Robbery and a Democratic Frame-up</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Alfredo Bonanno</text>
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              <elementText elementTextId="72659">
                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="72661">
                <text>Archive Storage Room|Ros Kane</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="72662">
                <text>Critique of Syndicalist Methods</text>
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  <item itemId="6892" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Alfredo Bonanno</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73124">
                <text>Miscellaneous Pamphlets</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73125">
                <text>Pamphlet</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="73126">
                <text>Archive Storage Room|William Shankly</text>
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                <text>Critique of Syndicalist Methods</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73353">
                <text>Alfredo M Bonanno</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73354">
                <text>Miscellaneous Pamphlets</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73355">
                <text>Pamphlet</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="73356">
                <text>Archive Storage Room|Mike Ballard</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Critique of Syndicalist Methods</text>
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    <collection collectionId="30">
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            <element elementId="50">
              <name>Title</name>
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                  <text>Scratch Orchestra</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2114">
                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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      <name>Physical Object</name>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="75468">
                <text>Ali Warner</text>
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                  <text>Chroma was an queer literary journal that ran between 2004 and 2010, publishing poetry, prose and visual artwork. It’s content included work by over 200 lesbian, gay, bisexual, and transgender authors and artists. A set of copies of the journal, alongside proofs, surrounding materials, and ephemera were deposited at MayDay Rooms by the editor Shaun Levin.&#13;
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                <text>Alison Aiken, Christopher Barnes, Chris Beckett, Peter Burton, Mauro Cocilio, Steve Cook, Beverley Duguid, Simon Edge, Robert Hamberger, C.A.R. Hills, Christopher James, Mary Lowe, Bertie Marshall, Michele Martinoli, Lisa Matthews, Gerson Nason, Christopher Nield, Dan Noquet, Eduardo Pitta, Ernesto Sarezale, Eamon Somers, Saradha Soobrayen, Francesco Teo, Andrew Warburton, Robin Whitmore, River Wolton, Ajamu X, Tamar Yoseloff, Shaun Levin, Cherry Smyth, Raffaele Teo</text>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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                <text>Alistair Tosh</text>
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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                <text>Critical Mass rides ruled lawful by Lords</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Alita Howe</text>
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        <name>Direct Action</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Anarchist Ephemera</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="2032">
                  <text>Not being centred upon political parties or trade union bureaucracies, which often had their own publishing infrastructures, the anarchist scene was, to a larger degree, concerned with independent publishing. The collection here, gathered from various sources, is indicative of both the local community-based nature of anarchist politics as well as the need to disseminate anarchist ideas and histories.</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>MS/AE/0004</text>
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              <text>Matt Salusbury</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <description>A name given to the resource</description>
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                <text>ALARM!</text>
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            <name>Creator</name>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>An account of the resource</description>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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          <name>UID</name>
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            <name>Title</name>
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                <text>Strange Cults of Our Time</text>
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            <name>Creator</name>
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            <elementTextContainer>
              <elementText elementTextId="65983">
                <text>Amanda Stick</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>article clipping</text>
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            <elementTextContainer>
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                <text>4.09.2024</text>
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        <name>1990s</name>
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        <name>Experimental Culture</name>
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                  <text>Dissenting Ephemera- Black Struggle</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="44301">
                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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              <text>Howard Slater</text>
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          <name>Comments</name>
          <description/>
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            <elementText elementTextId="18771">
              <text>Photocopy&#13;</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>3029</text>
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          <element elementId="42">
            <name>Format</name>
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              <elementText elementTextId="18764">
                <text>Article</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18767">
                <text>Amilcar Cabral</text>
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          </element>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
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            <name>Date</name>
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              <elementText elementTextId="18769">
                <text>1974-05-29</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="18772">
                <text>Transitions</text>
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            <name>Identifier</name>
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              <elementText elementTextId="18773">
                <text>/HS</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18774">
                <text>National Liberation and Culture</text>
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  <item itemId="4169" public="1" featured="0">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Irish Struggles after 1968</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2086">
                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="30796">
                  <text>Jenny Earle</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
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              <text>Neil Gordon Orr</text>
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          <name>Folder</name>
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              <text>Justice for Casement Park Accused</text>
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          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="44791">
              <text>Archive Room</text>
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        </element>
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          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="44792">
              <text>LR</text>
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    </itemType>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="44783">
                <text>NGO/IS68/0042</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="44785">
                <text>Northern Ireland. Fair trial concerns in Casement Park trials</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44786">
                <text>Amnesty International</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44787">
                <text>1993</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44788">
                <text>Report</text>
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            <name>Language</name>
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              <elementText elementTextId="44790">
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            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="44793">
                <text>13.01.2023</text>
              </elementText>
            </elementTextContainer>
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        <name>1990s</name>
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      <tag tagId="7">
        <name>Irish Struggles</name>
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      <tag tagId="69">
        <name>Prison Resistance</name>
      </tag>
      <tag tagId="44">
        <name>State Monitoring</name>
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            <element elementId="50">
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                  <text>Italia Rossa</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2087">
                  <text>Inspired by the fruitful of exchange of Big Flame, Midnight Notes &amp; Zeroworks with Italian political and theoretical developments, MayDay rooms has begun a small collection of Italian language materials and associated translations. These cover the Red Notes project and the early translations of Sergio Bologna and Mario Tronti in Telos Journal. We are grateful to Neinsager for dropping off some Italian language journals including an anthology of autonomist texts from 1974 and to Steve Wright for copies of America Owl and documents pertaining to the Committee Against Repression in Italy. A visit from Giovanni Rubino and Aria Spinelli in March 2015 saw the activation of this collection in the form of a group discussion with Giovanni about some facets of his solidarity-driven artistic work as a muralist at the Alfa Romeo factory and as the instigator of a collective performance at the Edison Factory in Mortedison.</text>
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            <name>Creator</name>
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                <text>An ex-worker from Magneti Marelli</text>
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            <description>An account of the resource</description>
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                <text>Italia Rossa</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="76364">
                <text>Pamphlet</text>
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                <text>Archive Storage Room|Neinsager</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Precari Nati No.2</text>
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              <elementTextContainer>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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              <text>Adam Forman</text>
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          <description>Unique ID</description>
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              <text>AF/IS68/0003</text>
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                <text>An Phoblacht,1975,vol.6no.31</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="64507">
                <text>An Phoblacht</text>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="64508">
                <text>An Phoblacht</text>
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        <name>Anti/Alter-Globalisation</name>
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        <name>Direct Action</name>
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