5 50 7320 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by HS Comments Colour photocopy of photographs UID Unique ID 646 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Anon Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Date A point or period of time associated with an event in the lifecycle of the resource 1975-11-14 Identifier An unambiguous reference to the resource within a given context WFH/SF/1#52 Title A name given to the resource Opening of New York Wages for Housework Office Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 647 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Date A point or period of time associated with an event in the lifecycle of the resource 2009 Identifier An unambiguous reference to the resource within a given context WFH/SF/1#44 Title A name given to the resource Midnight Notes at Thirty Years https://catalogue.maydayrooms.org/files/original/d618f2a7690942b5d32751ad31b9c61d.pdf 1f336485b3a375c68a51dd6b831090e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 648 Digital Collection https://archive.leftove.rs/documents/CM/1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Journal Creator An entity primarily responsible for making the resource Unknown Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Date A point or period of time associated with an event in the lifecycle of the resource 1975 Identifier An unambiguous reference to the resource within a given context WFH/SF/1#59 Title A name given to the resource Radical America https://catalogue.maydayrooms.org/files/original/fd35832cbf60d5622903c0c0dd36aa12.pdf 60dd022876f32a8458d096a7c20b9e9e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wages for Housework (NYC) Description An account of the resource The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Silvia Federici Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 649 Digital Collection https://archive.leftove.rs/documents/BM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-27 Date A point or period of time associated with an event in the lifecycle of the resource 1981 Identifier An unambiguous reference to the resource within a given context WFH/SF/1#34 Title A name given to the resource The Italian Inquisition Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1837 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 12/01/95 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#1 Title A name given to the resource Dockers Charter No.2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1838 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 01/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#2 Title A name given to the resource Dockers Charter No.3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1839 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 02/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#3 Title A name given to the resource Dockers Charter No.4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1840 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 03/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#4 Title A name given to the resource Dockers Charter No.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1841 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 05/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#5 Title A name given to the resource Dockers Charter No.6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1842 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 06/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#6 Title A name given to the resource Dockers Charter No.7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1843 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 09/28/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#7 Title A name given to the resource Dockers Charter Anniversary Special Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1844 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 09/16/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#8 Title A name given to the resource Dockers Charter TUC Special Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1845 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 11/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#9 Title A name given to the resource Dockers Charter No.11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1846 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 11/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#10 Title A name given to the resource Dockers Charter No.11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1847 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 11/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#11 Title A name given to the resource Dockers Charter No.11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1848 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 12/01/96 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#12 Title A name given to the resource Dockers Charter No.12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1849 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 03/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#13 Title A name given to the resource Dockers Charter No.13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1850 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 04/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#14 Title A name given to the resource Dockers Charter No.14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1851 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 06/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#15 Title A name given to the resource Dockers Charter No.16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1852 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 06/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#16 Title A name given to the resource Dockers Charter No.16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1853 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 07/17/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#17 Title A name given to the resource Dockers Charter No.17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1854 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 09/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#18 Title A name given to the resource Dockers Charter No.18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1855 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 09/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#19 Title A name given to the resource Dockers Charter No.19 – Second Anniversary Special Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1856 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 10/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#20 Title A name given to the resource Dockers Charter No.20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1857 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 11/01/97 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#21 Title A name given to the resource Dockers Charter No.21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1858 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 02/01/98 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#22 Title A name given to the resource Dockers Charter No.23 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1859 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 02/01/98 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#23 Title A name given to the resource Dockers Charter No.23 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 04/01/98 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#24 Title A name given to the resource Dockers Charter No.24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Brian Ashton Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 1861 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Newspaper Creator An entity primarily responsible for making the resource Various Date Created Date of creation of the resource. 01/19/15 Date A point or period of time associated with an event in the lifecycle of the resource 05/01/98 Language A language of the resource eng Publisher An entity responsible for making the resource available Liverpool Docks Shop Stewards' Committee Identifier An unambiguous reference to the resource within a given context DC/BA/1#25 Title A name given to the resource Dockers Charter No.25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dockers Charter Description An account of the resource One of the longest industrial disputes in working class history, the Liverpool Dockers dispute 1995-98, was a strong indicator that working class organisation and struggle could still exist in the post-Thatcher era of ‘legal’ union gagging. Following the sacking of 80 Dockers employed by Torside, all 329 Dockers employed by the Mersey Docks and Harbour Company refused to cross the picket line and were sacked. MayDay Rooms would like to thank Brian Ashton for copies of the Dockers Charter, a monthly newspaper produced by the Liverpool Docks Shop Stewards’ Committee. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Tony Wood Location The location of the interview Archive Storage Room Catalogued by HS UID Unique ID 2852 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Pauline Bradley & Chris Knight Date Created Date of creation of the resource. 06/18/15 Language A language of the resource eng Publisher An entity responsible for making the resource available Radical Anthropology Group in association with Haringey Trades Union Council and the sacked Liverpool Dockers Identifier An unambiguous reference to the resource within a given context DC/TOW/1#26 Title A name given to the resource Another World Is Possible Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments "1st Day Introductory Letter" as noted by Peter Venn 8/23/14 UID Unique ID 1297 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Correspondence Creator An entity primarily responsible for making the resource Atkins, Evans, Harvey, Jones Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1970-09-27 Identifier An unambiguous reference to the resource within a given context AC//1#17 Title A name given to the resource 1st Day Introductory Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments  * Folder, Instructions, Photographs * "...also associated with 'table' sculpture..." as noted by Peter Venn    8/23/2014 UID Unique ID 1298 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Miscellaneous Creator An entity primarily responsible for making the resource Unknown Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1973-06-29 Identifier An unambiguous reference to the resource within a given context AC//1#16 Title A name given to the resource Work/Exhibition space project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL UID Unique ID 1299 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Correspondence Creator An entity primarily responsible for making the resource 1st year staff Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1971-03-16 Identifier An unambiguous reference to the resource within a given context AC//1#15 Title A name given to the resource Sitting Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments "A letter appears on the studio wall unprompted/unsigned & my response put up next to it a few days later." as noted by Peter Venn 8/23/14 UID Unique ID 1300 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Correspondence Creator An entity primarily responsible for making the resource Peter Venn, unknown Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1971-10 Identifier An unambiguous reference to the resource within a given context AC//1#14 Title A name given to the resource Unprompted letter exchange Student and Staff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments * Letter and instructions * "I don't recall taking part in this myself." as noted by Peter Venn 8/23/14 UID Unique ID 1301 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Miscellaneous Creator An entity primarily responsible for making the resource Group A Staff Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1972-03-14 Identifier An unambiguous reference to the resource within a given context AC//1#13 Title A name given to the resource Sculpture Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments * card game description and scores * "Students began to devise game-like situations for themselves this is one." as noted by Peter Venn 8/23/14 UID Unique ID 1302 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Miscellaneous Creator An entity primarily responsible for making the resource Students Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1972-04 Identifier An unambiguous reference to the resource within a given context AC//1#12 Title A name given to the resource Student designed game Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments "PV & JB a challenge to staff to elicit a definite response." as noted by Peter Venn 8/23/14 UID Unique ID 1303 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Correspondence Creator An entity primarily responsible for making the resource Peter Venn, John Burke, Group A Staff Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1971-01 Identifier An unambiguous reference to the resource within a given context AC//1#11 Title A name given to the resource Peter Venn and John Burke challenge staff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL UID Unique ID 1304 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Correspondence Creator An entity primarily responsible for making the resource Various Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1972 Identifier An unambiguous reference to the resource within a given context AC//1#10 Title A name given to the resource Evidence of Sculpted Works Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments "PV application to join Manydeed & letters in return." as noted by Peter Venn 8/23/14 UID Unique ID 1305 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Correspondence Creator An entity primarily responsible for making the resource Various Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context AC//1#9 Title A name given to the resource Peter Venn's Application to Manydeed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments Photographs, Report UID Unique ID 1306 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Miscellaneous Creator An entity primarily responsible for making the resource Peter Venn Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1972-11 Identifier An unambiguous reference to the resource within a given context AC//1#8 Title A name given to the resource Peter Venn Independent Work October/November 1972 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments "Essential Equipment Peter Venn." as noted by Peter Venn 8/23/14 UID Unique ID 1307 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Instructions Creator An entity primarily responsible for making the resource Group A Staff Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context AC//1#7 Title A name given to the resource Essential Equipment Project Peter Venn Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments * Poster maps * "Ian Kirkwood & I were in different year groups & had become friends. We struggled to engage our shared interest in philosophy [we] made these maps as we had our conversations. Ian's is the very nice handwriting!" As noted by Peter Venn 8/23/14 UID Unique ID 1308 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Miscellaneous Creator An entity primarily responsible for making the resource Peter Venn Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-05 Identifier An unambiguous reference to the resource within a given context AC//1#6 Title A name given to the resource Conversation Map Peter Venn and Ian Kirkwood Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments * Photographs, Report * "There was a requirement to present something at the end of the course. This is something I made then. An object! This was meaningful to me since I'd always wanted to make objects & many others did other things during the 3 years." as noted by Peter Venn 8/23/2014 UID Unique ID 1309 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Miscellaneous Creator An entity primarily responsible for making the resource Peter Venn Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1973-06-18 Identifier An unambiguous reference to the resource within a given context AC//1#5 Title A name given to the resource Sculpture Project report Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL UID Unique ID 1310 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Poster Creator An entity primarily responsible for making the resource Peter Venn Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Identifier An unambiguous reference to the resource within a given context AC//1#4 Title A name given to the resource Unnoted print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments Draft, Poster UID Unique ID 1311 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Miscellaneous Creator An entity primarily responsible for making the resource Peter Venn Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Identifier An unambiguous reference to the resource within a given context AC//1#3 Title A name given to the resource Project Drafts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments Correspondence, misc., Notes UID Unique ID 1312 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Miscellaneous Creator An entity primarily responsible for making the resource Peter Venn Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1972 Identifier An unambiguous reference to the resource within a given context AC//1#2 Title A name given to the resource Manydeed file Peter Venn Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Peter Venn (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL UID Unique ID 1313 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Photographs Creator An entity primarily responsible for making the resource Peter Venn Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Identifier An unambiguous reference to the resource within a given context AC//1#1 Title A name given to the resource Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor John Burke (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL UID Unique ID 1314 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Miscellaneous Creator An entity primarily responsible for making the resource Various Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Identifier An unambiguous reference to the resource within a given context AC//1#1 Title A name given to the resource Miscellaneous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor John Burke (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL UID Unique ID 1315 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Correspondence Creator An entity primarily responsible for making the resource Various Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1972 Identifier An unambiguous reference to the resource within a given context AC//1#2 Title A name given to the resource John Burke unsorted correspondence Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor John Burke (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL UID Unique ID 1316 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Correspondence Creator An entity primarily responsible for making the resource Various Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1971 Identifier An unambiguous reference to the resource within a given context AC//1#3 Title A name given to the resource John Burke personal stuff