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                  <text>The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis.</text>
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                <text>Team Colours Collective</text>
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                <text>MN/GC/1#23</text>
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                <text>High Entropy Workers Unite! A Team Colors Comment on 30 Years of Midnight Notes</text>
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                <text>Radical Posters</text>
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                <text>Plan Chest|Martin Yarnit</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|William Shankly</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>High Time For Bed</text>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="78338">
                <text>Tony Harrold</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Format</name>
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                <text>24/10/2025</text>
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                <text>5/11/2025</text>
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        <name>2020s</name>
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        <name>Housing Struggles</name>
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        <name>Radical Architecture</name>
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              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The libertarian socialist group Solidarity was set up in 1960 by former members of a British Trotskyist organisation, the Socialist Labour League. Under the intellectual influence of Chris Pallis (a.k.a. Maurcie Brinton), members adopted a political perspective close to that of Socialisme ou Barbarie in France. Solidarity adopted a critique of contemporary capitalism from this French sister organisation, which emphasised its increasingly bureaucratic qualities. Both groups also developed a libertarian socialist perspective, which became increasingly distant from Marxism without abandoning a comitment to revolutionary politics. MayDay Rooms holds an incomplete collection of Solidarity pamphlets and issues of the group’s eponymous journal.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive room</text>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>History and Revolution</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="50766">
                <text>Paul Cardan</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Solidarity</text>
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            <name>Date</name>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="50774">
                <text>16.02.2024</text>
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        <name>1970</name>
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      <tag tagId="95">
        <name>Libertarian Communist</name>
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        <name>Marxism</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Women's Labour History (USA)</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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                <text>Jeremy Brecher</text>
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            <description>An account of the resource</description>
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                <text>Women's Labour History (USA)</text>
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                <text>Archive Storage Room|Anna Davin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>History From Below - How to Uncover and Tell the Story of Your Community, Association, or Union</text>
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            <element elementId="50">
              <name>Title</name>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>02-03-2022</text>
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                  <text>Kennington Park's ‘hidden past’ is tightly linked with radical working-class history that pivoted on the Enclosure of Kennington Common in the mid-19th century and its subsequent landscaping as a Victorian Royal Park.The key ‘hidden’ event, absent from the official narrative, is the Chartist monster rally of 10th April 1848, which happened during the European "year of revolutions". &#13;
&#13;
Stefan Szczelkun's materials, housed at MDR, present an attempt to change public perception of this public space. Stefan conducted an informal ethnographic inquiry into the park's working-class past and the recent attempts to erase it. The documents collected reflect his multidisciplinary engagement in various projects and groups active around Kennington Park in the 90s and 2000s. From slides, maps, drawings, news clippings to self-published pamphlets, Radical Southwark ephemera, RTS leaflets and Friends of Kennington Park minutes – the collected materials are a valuable resource for anyone willing to research the contested history of one of London's landmark public spaces.</text>
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                <text>History of Chartism materials</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Holloway For Beginners </text>
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                <text>Various</text>
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                <text>Snowball Campaign</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Guide </text>
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                <text>9.06.2023</text>
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        <name>Peace Movement</name>
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        <name>Prison Resistance</name>
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              <description>An account of the resource</description>
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                  <text>Queeruption was a rolling international DIY festival that took place eight times between 1998 and 2000. The intention behind these ad hoc festivals, often based in squats, was the intention to create an ‘opportunity for Queers of all genders and sexualities to gather, celebrate [their] queerness and diversity… and learn from each other’. This collection, coming to MayDay Rooms thanks to John Levin, includes ephemera from the first Queeruption festivals and is supplemented by a selection of queer zines from the 1990s.</text>
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                <text>Fanzine</text>
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              <description>An account of the resource</description>
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                  <text>Queeruption was a rolling international DIY festival that took place eight times between 1998 and 2000. The intention behind these ad hoc festivals, often based in squats, was the intention to create an ‘opportunity for Queers of all genders and sexualities to gather, celebrate [their] queerness and diversity… and learn from each other’. This collection, coming to MayDay Rooms thanks to John Levin, includes ephemera from the first Queeruption festivals and is supplemented by a selection of queer zines from the 1990s.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Gay Left Collective (eds.)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Queeruption &amp; Associated</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Book</text>
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            <name>Source</name>
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                <text>Archive Storage Room|John Levin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Homosexuality: Power and Politics</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>HMP</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2083">
                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>Howard Slater</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="47759">
              <text>Archive Room</text>
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          <description/>
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              <text>Becka Hudson</text>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
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              <elementText elementTextId="47750">
                <text>HS/HMP/0069</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="47752">
                <text>Hopes of end to jail siege are dashed</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47753">
                <text>Michael Morris, Tom Sharratt</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47754">
                <text>The Guardian</text>
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            </elementTextContainer>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>14th April 1990</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47756">
                <text>Newspaper clipping</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="47758">
                <text>English</text>
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            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
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              <elementText elementTextId="47761">
                <text>9.06.2023</text>
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      <tag tagId="37">
        <name>1990s</name>
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      <tag tagId="69">
        <name>Prison Resistance</name>
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      <tag tagId="83">
        <name>State Violence</name>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Anti Globalisation Protests and related</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>MS/AGP/0126</text>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>Matt Salusbury</text>
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          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
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              <text>Archive Room</text>
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          <name>Catalogued by</name>
          <description/>
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              <text>LR</text>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Hoppy Against Tyranny Talking about a Revolutionary</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33662">
                <text>Idea Generation</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="33663">
                <text>2009</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="33664">
                <text>Press Release</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33665">
                <text>English</text>
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          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="33668">
                <text>20.10.2022</text>
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          </element>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="41">
        <name>2000s</name>
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      <tag tagId="52">
        <name>Experimental Culture</name>
      </tag>
      <tag tagId="30">
        <name>Photography</name>
      </tag>
      <tag tagId="45">
        <name>Radical Arts</name>
      </tag>
    </tagContainer>
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  <item itemId="7212" public="1" featured="0">
    <collection collectionId="26">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26">
                  <text>Queeruption &amp; Associated</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2105">
                  <text>Queeruption was a rolling international DIY festival that took place eight times between 1998 and 2000. The intention behind these ad hoc festivals, often based in squats, was the intention to create an ‘opportunity for Queers of all genders and sexualities to gather, celebrate [their] queerness and diversity… and learn from each other’. This collection, coming to MayDay Rooms thanks to John Levin, includes ephemera from the first Queeruption festivals and is supplemented by a selection of queer zines from the 1990s.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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    </collection>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="74723">
                <text>Mark Connorton</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Queeruption &amp; Associated</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Fanzine</text>
              </elementText>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|John Levin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="74727">
                <text>Hormone Frenzy No.2</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="26">
                  <text>Queeruption &amp; Associated</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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                <text>Women's Time  - a newspaper for women on long Island</text>
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                <text>Housework: No experience Necessary</text>
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                  <text>Dissenting Ephemera 1970s – Miscellaneous</text>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The range of this groups political concerns are reflected in the independent publications gathered here which cover, amidst others: Anti-Psychiatry (Humpty Dumpty), Black Struggle (Race Today) and Anti-Fascism (SKAN, CARF, Temporary Hoarding).</text>
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                <text>Flyer</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon</text>
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                <text>2014-10-18</text>
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                <text>Hackney Committee Against Racism</text>
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            <name>Identifier</name>
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                <text>DEM/ELBF/1#52</text>
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                <text>Housing - Who is to Blame?</text>
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              <description>An account of the resource</description>
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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          <name>Depositor</name>
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              <text>Clays Lane</text>
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              <text>Jacob Bard-Rosenberg</text>
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          <description>Unique ID</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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            <description>A name given to the resource</description>
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                <text>Housing Co-ops - Clays Lane Housing Co-operative Limited Revised Rules</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Jenny Earle</text>
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              <text>Susan Egert</text>
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          <description>The location of the interview</description>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>Date of creation of the resource.</description>
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                <text>1973</text>
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                <text>pamphlet</text>
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                <text>16.11.2023</text>
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        <name>1970s</name>
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        <name>Feminism. Housing Struggles</name>
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        <name>Squatting</name>
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              <description>An account of the resource</description>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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            <description>A name given to the resource</description>
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                <text>Housing Workers AAA letter</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>1996</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>letter</text>
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            <description>A language of the resource</description>
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                <text>17.01.2025</text>
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        <name>Experimental Culture</name>
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      <tag tagId="45">
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                  <text>Haringey Solidarity Group (HSG) started life as the Anti-Poll Tax group in Haringey. Once the Poll Tax was defeated most Anti-Poll Tax groups around the country split up. In Haringey we knew there were other issues just as important as the poll tax, so in 1991, we stayed together and change our name to Haringey Solidarity Group (http://www.haringey.org.uk). HSG is a group of local people who feel things need changing and don’t have much faith in politicians and other “so called” leaders to do it for us. Things will only get better for ordinary people when we decide what is best for us. It is not for some boss or so-called leader to decide what they think we need. We believe in doing things for ourselves wherever possible and we try to encourage others to do likewise. We also feel that when ordinary people fight back against the system (be that your boss, the local council or some multi-national company) they need to be supported.</text>
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                <text>How residents defeated the Poll Tax in Haringey, and countrywide...</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Radical History Network</text>
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        <name>History from Below</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera 1970s – Women's Movement</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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              <text>3745</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Discussion Document</text>
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            <name>Creator</name>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2013-09-26</text>
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                <text>Union Of Women for Liberation</text>
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                <text>DEWM/ELBF/1#70</text>
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            <description>A name given to the resource</description>
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                <text>How Sham Socialists Help British Imperialism And Divert The Women's Movement</text>
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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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              <text>Silvia Federici</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="3522">
                <text>Laura Levine</text>
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            <description>Date of creation of the resource.</description>
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                <text>2015-03-17</text>
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            </elementTextContainer>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>2013-01-27</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1978-08-31</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>McCalls</text>
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            <name>Identifier</name>
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                <text>WFH/SF/1#28</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>How should housewives be paid?</text>
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                  <text>Eco Anarchist Collection</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>GL/EA/0614</text>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="152261">
              <text>Giles Lane</text>
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          <elementTextContainer>
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              <text>Map with instructions and written instructions on the reverse.</text>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
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              <text>Office Room</text>
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          <name>Catalogued by</name>
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              <text>AJ</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="152262">
                <text>How to Get to the Earth First! Summer Gathering Evening of June 11th - 18th</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="152263">
                <text>Earth First!</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="152264">
                <text>Earth First!</text>
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            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1996</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="152266">
                <text>leaflet</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="152272">
                <text>11.07.25</text>
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    <tagContainer>
      <tag tagId="37">
        <name>1990s</name>
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      <tag tagId="46">
        <name>Direct Action</name>
      </tag>
      <tag tagId="50">
        <name>Environmentalism</name>
      </tag>
      <tag tagId="56">
        <name>Radical Ecology</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
