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                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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              <text>Jacob Bard-Rosenberg</text>
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                <text>Joseph Tobin, Aims of Industry</text>
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                <text>1969-11-01</text>
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                <text>DEAB/ABI/1#45</text>
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                <text>The Extremists Move In</text>
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                <text>Reading Room|Justin Katko</text>
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                <text>Archive Storage Room|Anna Davin</text>
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                <text>Connecting Women in the Community - A Handbook for Programs</text>
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                  <text>Chroma was an queer literary journal that ran between 2004 and 2010, publishing poetry, prose and visual artwork. It’s content included work by over 200 lesbian, gay, bisexual, and transgender authors and artists. A set of copies of the journal, alongside proofs, surrounding materials, and ephemera were deposited at MayDay Rooms by the editor Shaun Levin.&#13;
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                <text>Judith Barrington, Anna Bendix, Jay Bernard, Jade Brooks, Jennifer Camper, Ching-In Chen, Donna Collier, Simon Croft, Peter Dube, Ben Fergusson, Merry Gangemi, Carl Gopal, Marita Gootee, Elizabeth Horan, Josh McNey, Catherine McNeil, Susan Massotty, Eduardo Muslip, Achy Obejas, Elisabeth Ohlson Wallin, William Reichard, Astrid H. Roemer, Matthew Stradling, Phillip Tang, Robyn Vinten, Andrew Warburton, Gregory Woods, Shaun Levin, Saradha Soobrayen, Andras Gerevich, Sophie Mayer, Michael Upton, Raffaele Teo</text>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                <text>Judy Quinlan</text>
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                <text>New York Wages For Housework Committee</text>
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                <text>"A Todos Los Gobiernos"</text>
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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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              <text>Silvia Federici</text>
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              <text>German translation of 'Notice to All Governments'</text>
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            <name>Format</name>
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                <text>Judy Quinlan</text>
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              <elementText elementTextId="3264">
                <text>Kampagne fur Lohn fur Hausarbeit</text>
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            <name>Identifier</name>
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                <text>WFH/SF/1#4</text>
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            <description>A name given to the resource</description>
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                <text>"An Alle Regierungen"</text>
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              <description>A name given to the resource</description>
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                  <text>Radical and Militant Poetry</text>
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                <text>Juha Virtanen</text>
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                <text>Reading Room|David Ashford</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Back Channel Apraxia</text>
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  <item itemId="6917" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Julian Roberts</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="73249">
                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Archive Storage Room|Terry Dennett</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ideology and the University</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
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              <text>Alex Bird</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Storage Room</text>
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              <text>Jacob Bard-Rosenberg</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>6311</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="17895">
                <text>Julienne Dickey, Campaign for Press &amp; Broadcasting Freedom London Women's Group</text>
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            <name>Date Accepted</name>
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            <elementTextContainer>
              <elementText elementTextId="17896">
                <text>2020-12-31</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1985-01-01</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="17899">
                <text>DEAB/ABI/1#44</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17900">
                <text>Women in Focus, Guidelines for eliminating media sexism</text>
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  <item itemId="1679" public="1" featured="0">
    <collection collectionId="47">
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              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera- Black Struggle</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="44301">
                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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              <text>William Shankly</text>
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              <text>HS</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>3039</text>
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                <text>Book</text>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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                <text>Just Space - Towards a Community- Led Plan for London- Policy directions and proposals</text>
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