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              <description>A name given to the resource</description>
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                  <text>Solidarity Pamphlets</text>
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                  <text>The libertarian socialist group Solidarity was set up in 1960 by former members of a British Trotskyist organisation, the Socialist Labour League. Under the intellectual influence of Chris Pallis (a.k.a. Maurcie Brinton), members adopted a political perspective close to that of Socialisme ou Barbarie in France. Solidarity adopted a critique of contemporary capitalism from this French sister organisation, which emphasised its increasingly bureaucratic qualities. Both groups also developed a libertarian socialist perspective, which became increasingly distant from Marxism without abandoning a comitment to revolutionary politics. MayDay Rooms holds an incomplete collection of Solidarity pamphlets and issues of the group’s eponymous journal.</text>
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          <name>Depositor</name>
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              <text>Pagliacci Rossi</text>
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              <text>Solidarity pamphlet no.50</text>
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              <text>Archive room</text>
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          <name>Catalogued by</name>
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              <text>LR</text>
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            <name>Identifier</name>
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                <text>PR/SP/0040</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="50857">
                <text>A contribution to the critique of Marx</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="50858">
                <text>John Crump</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Solidarity</text>
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            <name>Date</name>
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              <elementText elementTextId="50860">
                <text>1976</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>pamphlet</text>
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            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Date Submitted</name>
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                <text>16.02.2024</text>
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        <name>1970</name>
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        <name>Libertarian Communist</name>
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        <name>Marxism</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera - Catherine Pozzo di Borgo</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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              <text>Catherine Pozzo di Borgo</text>
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              <text>Jacob Bard-Rosenberg</text>
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              <text>4335</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Typescript</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Digby Jacks, Communist Party National Student Committee</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2017-07-21</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CPD/CPD/1#31</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Contribution to the Discussion at the RSSF Conference</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Countering Education</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>As an educational charity MayDay Rooms is gathering material around experimental forms and countervailing notions of education. This includes material on the history of radical teaching practices as well as the more recent practical explorations of radical educators today. MayDay’s remit in this area spans primary and secondary education, universities, art schools and self-instituted projects. This collection has recently been supplemented by a loan of material from Libertarian Education that has been upholding the theme of “education as liberation” since its inception in 1966.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
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              <text>Sam Monks</text>
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          <description>The location of the interview</description>
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              <text>Reading Room</text>
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              <text>1</text>
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          <name>Catalogued by</name>
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              <text>HS</text>
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          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="14986">
              <text>3185</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="14977">
                <text>Pamphlet</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="14980">
                <text>Anon</text>
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          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="14981">
                <text>2015-04-24</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="14983">
                <text>BM Combustion</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CE/SM/1#28</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Critique of Current Education Policy and Schooling</text>
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  </item>
  <item itemId="6872" public="1" featured="0">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="7">
                  <text>Miscellaneous Pamphlets</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Uncontrollable' From the Iron Column</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="73024">
                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="73025">
                <text>Pamphlet</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|William Shankly</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="73027">
                <text>A Day Mournful and Overcast</text>
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  </item>
  <item itemId="309" public="1" featured="0">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Wages for Housework (NYC)</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="3572">
              <text>Silvia Federici</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Storage Room</text>
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              <text>1</text>
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          <name>Catalogued by</name>
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            <elementText elementTextId="3580">
              <text>HS</text>
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          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="3584">
              <text>603</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3573">
                <text>Press Clipping</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3576">
                <text>Anon</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="3577">
                <text>2015-03-17</text>
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          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="3578">
                <text>2013-01-27</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="3579">
                <text>1975-12-24</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="3581">
                <text>The Phoenix</text>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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                <text>Anthony Alexandrovicz, Mark Leech</text>
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                <text>9.06.2023</text>
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                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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                <text>A.Sivanandan</text>
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                <text>Pluto Press</text>
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                <text>A Different Hunger - Writings on Black Resistance</text>
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                <text>A Few Lessons Of The Miners" Strike 1972</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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                <text>A Fiesta for Life against Death</text>
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                <text>Disarm DSEi</text>
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                <text>Poster</text>
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                <text>20.10.2022</text>
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        <name>Free Party Movement</name>
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        <name>Peace Movement</name>
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        <name>Technology</name>
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                  <text>MayDay Rooms collection of materials related to the Committee for Academic Freedom in Africa and the group that has gathered around it has led to a deposit of activist materials based around de-coloniality, reparations campaigns and debt cancellation. Many of those UK-based activists involved with Jubilee 2000 gathered at MayDay Rooms in November 2015 for a consultative dialogue entitled ‘Afrika in Debt Bondage.’ Thanks to Kofi Klu for this assortment of flyers, posters, magazine and texts.</text>
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                <text>Steve Cohen</text>
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                <text>Viraj Mendis Defence Campaign</text>
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                <text>A Hard Act To Follow - The Immigration Act 1988</text>
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              <text>Martin Yarnit</text>
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            <description>A name given to the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Jenny Earle</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
          <elementTextContainer>
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              <text>Neil Gordon Orr</text>
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          <name>Folder</name>
          <description/>
          <elementTextContainer>
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              <text>Justice for Casement Park Accused</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <description/>
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              <text>LR</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>NGO/IS68/0044</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A major miscarriage of justice leaflet</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="44808">
                <text>Committee on the Administration of Justice</text>
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            <name>Date</name>
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                <text>1990s</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="44810">
                <text>Leaflet</text>
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              <elementText elementTextId="44812">
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            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="44815">
                <text>13.01.2023</text>
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        <name>1990s</name>
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        <name>Irish Struggles</name>
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      <tag tagId="69">
        <name>Prison Resistance</name>
      </tag>
      <tag tagId="44">
        <name>State Monitoring</name>
      </tag>
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              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera- Black Struggle</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="44301">
                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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            </element>
          </elementContainer>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
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              <text>Sam Monks</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Reading Room</text>
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        <element elementId="95">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="19691">
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>3400</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <elementContainer>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19689">
                <text>Flyer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19692">
                <text>Various</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="19693">
                <text>2015-04-24</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="19695">
                <text>Tottenham Three Families Campaign</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="19696">
                <text>/SM</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19697">
                <text>A Miscarriage of Justice: The Case of the Tottenham Three</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="1480" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2063">
                  <text>Continuing with the moniker of ‘dissenting ephemera’ coined by East London Big Flame this sizeable collection of independent publications is available to be consulted in MayDay Room’s Reading Room. This collection reflects the last surge of small press activity before the rise of the internet and its various web publishing platforms. Amongst a wide variery of magazines and journals collected here can be found Here &amp; Now, Common Sense, Counter Information, Emergency, Anti-Clockwise, Communist Headache, Proletarian Gob, Lobster, Trouble &amp; Strife, Mute, Girl Frenzy and many more.&#13;
&#13;
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            </element>
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    </collection>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
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              <text>56a Duplicates Committee</text>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Reading Room</text>
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          <description/>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="16583">
              <text>3119</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16574">
                <text>Flyer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16577">
                <text>Anon</text>
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            </elementTextContainer>
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          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="16578">
                <text>2015-06-24</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Red Menace</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
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                <text>DE/FDC</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16582">
                <text>A Necklace For Every Exploiter!</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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  <item itemId="14166" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2067">
                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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              </elementTextContainer>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="150429">
              <text>GL/EA/0464</text>
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          </elementTextContainer>
        </element>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
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              <text>Giles Lane</text>
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          </elementTextContainer>
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              <text>Poster for an event at the Jan Rebane Centre in Brixton (squatted 1995, evicted 1998)</text>
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        </element>
        <element elementId="102">
          <name>External Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="150437">
              <text> </text>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="150438">
              <text>Office Room</text>
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          </elementTextContainer>
        </element>
        <element elementId="94">
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          <description/>
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              <text>AJ</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>A Night of Riotous Music with Casey Neil</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>1997</text>
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          <element elementId="42">
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>poster</text>
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            <description>A language of the resource</description>
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            <elementTextContainer>
              <elementText elementTextId="150440">
                <text>30.05.25</text>
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        <name>Direct Action</name>
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      <tag tagId="56">
        <name>Radical Ecology</name>
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        <name>Squatting</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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        <element elementId="96">
          <name>Depositor</name>
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              <text>Sara Chambers</text>
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          <description>The location of the interview</description>
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        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SC/TOM/0152</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>A parade for peace and British withdrawal</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42780">
                <text>Time to Go!</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
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            <elementTextContainer>
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                <text>June 1994</text>
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                  <text>Chroma was an queer literary journal that ran between 2004 and 2010, publishing poetry, prose and visual artwork. It’s content included work by over 200 lesbian, gay, bisexual, and transgender authors and artists. A set of copies of the journal, alongside proofs, surrounding materials, and ephemera were deposited at MayDay Rooms by the editor Shaun Levin.&#13;
&#13;
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                <text>A party for posers and wallflowers</text>
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              <description>An account of the resource</description>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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                <text>Pamphlet</text>
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                <text>A Plan For Action</text>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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              <text>Becka Hudson</text>
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            <description>A name given to the resource</description>
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                <text>A plea on behalf of John Perotti </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Howard Slater</text>
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                <text>9.06.2023</text>
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        <name>Prison Resistance</name>
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              <description>An account of the resource</description>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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                  <text>Jenny Earle</text>
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              <text>Sara Chambers</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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          <name>Catalogued by</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A policy for lesbian,gay and bisexual equality</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Sinn Fein </text>
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            <name>Date</name>
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                <text>1996</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Booklet</text>
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            <description>A language of the resource</description>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="36513">
                <text>27.10.2022</text>
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        <name>1990s</name>
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      <tag tagId="22">
        <name>Queer Movements</name>
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      <tag tagId="9">
        <name>Republicanism</name>
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                  <text>Dissenting Ephemera- Black Struggle</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="44301">
                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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                <text>A Portrait of English Racism</text>
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                <text>A Primitivist Primer</text>
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                <text>John Moore</text>
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                <text>Dead Trees Earth First!</text>
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                  <text>As part of the Unionising Workshop held at Flaxman Lodge in June 2004 a collection of materials (newsletters, leaflets, letters etc.) relating to the Artist Union (1972-1984) was gathered by Jakob Jakobsen and Anthony Davies. The Artist Union was set up to promote the role of artists in society as a force for social change (‘Art is Work’) and developed several work groups including a Women’s Workshop and an Artists in Education Workshop. The first chair of the AU was artist Mary Kelly along with Gustav Metzger as vice-chair. An initial plan to be affiliated to the TUC was later rejected. In 1974 a proposal was made to reform the Arts Council and by 1977 the AU had launched the discussion paper *Wages for Artists*? &#13;
&#13;
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            <description>Date of creation of the resource.</description>
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                <text>2017-10-19</text>
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              <description>An account of the resource</description>
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                  <text>A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group.</text>
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                <text>A Public Appeal from LSE Students</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Women's Liberation Movement</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="30795">
                  <text>Jenny Earle</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="29716">
              <text>JE/WLM/0024</text>
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        <element elementId="96">
          <name>Depositor</name>
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              <text>Jenny Earle</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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          <name>Catalogued by</name>
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              <text>LR</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="29718">
                <text>A Report</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="29719">
                <text>GLC Women's Committee</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="29720">
                <text>1984</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>report</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="29725">
                <text>23.09.2022</text>
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        <name>1980s. Feminism</name>
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        <name>Community Campaigns</name>
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        <name>Municipalism</name>
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Troops Out Movement</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
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              <text>Aly Renwick</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <name>Catalogued by</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>AR/TOM/0003</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="46098">
                <text>A resources guide to the North of Ireland</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="46099">
                <text>Information on Ireland</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="46100">
                <text>1985</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="46101">
                <text>Booklet</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="46102">
                <text>English</text>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="46105">
                <text>1.02.2023</text>
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        <name>1980s</name>
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        <name>Irish Struggles</name>
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        <name>Republicanism</name>
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  <item itemId="7720" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="50">
                  <text>Women's Labour History (USA)</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="77292">
                <text>Various</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="77293">
                <text>Women's Labour History (USA)</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77294">
                <text>Pamphlet</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="77295">
                <text>Archive Storage Room|Anna Davin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77296">
                <text>A Reunion of Shoe Workers</text>
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  </item>
  <item itemId="881" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="56">
                  <text>Dissenting Ephemera - Catherine Pozzo di Borgo</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="44297">
                  <text>A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group.</text>
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        <element elementId="96">
          <name>Depositor</name>
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              <text>Catherine Pozzo di Borgo</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="10001">
              <text>Archive Storage Room</text>
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        <element elementId="95">
          <name>Number of Items</name>
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          <elementTextContainer>
            <elementText elementTextId="10002">
              <text>1</text>
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          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10005">
              <text>Jacob Bard-Rosenberg</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="10008">
              <text>4337</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10000">
                <text>Typescript</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10003">
                <text>Simon Clarke</text>
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            </elementTextContainer>
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          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="10004">
                <text>2017-07-21</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="10006">
                <text>CPD/CPD/1#32</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10007">
                <text>A Revolutionary Students' Organisation</text>
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            </elementTextContainer>
          </element>
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  <item itemId="7957" public="1" featured="0">
    <collection collectionId="135">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="78734">
                  <text>Woodcraft Folk</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="78735">
                  <text>The Woodcraft Folk were established in 1925 as a radical pacifist youth movement by and for the working class. Today, it exists as a co-operative educational charity guided by slogans such as education for social change, span the world with friendship, and youth is not wasted on the young. This collection emerges from the international camp held in 2025 for the 100th anniversary of the Woodcraft Folk. It includes: handbooks for mass catering; a risograph newspaper printed and distributed in a field; and guides to political workshops and activities for children and young people. &#13;
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="78736">
                  <text>Delilah Wallbank</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="79154">
              <text>DW/WF/0020</text>
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          <name>Depositor</name>
          <description/>
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            <elementText elementTextId="79155">
              <text>Delilah Wallbank</text>
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          <name>Comments</name>
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              <text>Folds out into an A3 poster</text>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="79162">
              <text>Digitisation Room</text>
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          <name>Catalogued by</name>
          <description/>
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            <elementText elementTextId="79163">
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Rough Guide to DF History, 4th Edition</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="79157">
                <text>Delilah Wallbank</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="79158">
                <text>2025</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="79159">
                <text>Zine</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="79160">
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          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="79164">
                <text>11.09.2025</text>
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    <tagContainer>
      <tag tagId="99">
        <name>2020s</name>
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      <tag tagId="127">
        <name>Co-operative Movement</name>
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      <tag tagId="40">
        <name>History from Below</name>
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  <item itemId="7395" public="1" featured="0">
    <collection collectionId="30">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Scratch Orchestra</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2114">
                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                <text>A Talk By a West Papuan Tribesman: Fighting Indonesia in the Forest</text>
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                  <text>Established in the Spring of 1991 by George Caffentzis and Silvia Federici, the Committee for Academic Freedom in Africa consisted of “people teaching and studying in North America and Europe who are concerned with the increasing violations of academic freedom that are taking place in African Universities.” Throughout its twelve year history they published a newsletter that featured “action alerts” about student struggles on African campuses and documented the impact of World Bank and IMF policies on African education. Amongst CAFA’s aims was to establish an “action-network” to respond to emergencies and to lobby often quietistic teachers’ unions. The comprehensive archive, lodged with MayDay Rooms by Silvia and George, contains, across three boxes, a full set of newsletters, correspondence, supporting documents, press-clippings from many African countries and a series of articles by writers who contributed to the CAFA project.</text>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>New York Wages For Housework Committee</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="3408">
                <text>WFH/SF/1#85</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Woman's Home Is Not Her Castle</text>
              </elementText>
            </elementTextContainer>
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