62 50 7320 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scratch Orchestra Description An account of the resource The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael Parsons Description An account of the resource Scratch Orchestra Format The file format, physical medium, or dimensions of the resource Correspondence Source A related resource from which the described resource is derived Archive Storage Room|Stefan Szczelkun Title A name given to the resource [Letter from Michael Parsons] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scratch Orchestra Description An account of the resource The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael Parsons Description An account of the resource Scratch Orchestra Format The file format, physical medium, or dimensions of the resource Correspondence Source A related resource from which the described resource is derived Archive Storage Room|Stefan Szczelkun Title A name given to the resource [Letter from Michael Parsons] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scratch Orchestra Description An account of the resource The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael Parsons Description An account of the resource Scratch Orchestra Format The file format, physical medium, or dimensions of the resource Correspondence Source A related resource from which the described resource is derived Archive Storage Room|Stefan Szczelkun Title A name given to the resource [Letter from Michael Parson] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scratch Orchestra Description An account of the resource The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael Parsons Description An account of the resource Scratch Orchestra Format The file format, physical medium, or dimensions of the resource Press Clipping Source A related resource from which the described resource is derived Archive Storage Room|Stefan Szczelkun Title A name given to the resource The Politics of Composing, Performing and Listening Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Pamphlets Description An account of the resource Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael Seidman Description An account of the resource Miscellaneous Pamphlets Format The file format, physical medium, or dimensions of the resource Pamphlet Source A related resource from which the described resource is derived Archive Storage Room|William Shankly Title A name given to the resource Work and Revolution: Workers' Control in the Spanish Civil War Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Pamphlets Description An account of the resource Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael Seidman Description An account of the resource Miscellaneous Pamphlets Format The file format, physical medium, or dimensions of the resource Pamphlet Source A related resource from which the described resource is derived Archive Storage Room|William Shankly Title A name given to the resource Towards a History of Workers' Resistance to Work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Association of Autonomous Astronauts Description An account of the resource Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. UID Unique ID JE/AAA/0015 Depositor John Eden Location The location of the interview Archive Room Catalogued by LR Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Al Link la Nasa dei Poveri Creator An entity primarily responsible for making the resource Michele Pompei Date A point or period of time associated with an event in the lifecycle of the resource 1998 Format The file format, physical medium, or dimensions of the resource newsclipping xero Language A language of the resource Italian Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 4.09.2024 1990s Experimental Culture Radical Arts Situationist Technology Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irish Struggles after 1968 Description An account of the resource A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’. Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters. Contributor An entity responsible for making contributions to the resource Jenny Earle Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Neil Gordon Orr Folder 1990s An Phoblacht/Republican News Comments An Phoblacht/Republican News, 18.08.1994 Location The location of the interview Archive Room Catalogued by LR Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context NGO/IS68/0070 Title A name given to the resource Cheering marchers say Britain must go article Creator An entity primarily responsible for making the resource Mick Naughton Date A point or period of time associated with an event in the lifecycle of the resource 18.08.1994 Format The file format, physical medium, or dimensions of the resource Article clipping Language A language of the resource English Date Modified Date on which the resource was changed. 13.01.2023 1990s Irish Struggles Republicanism Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL UID Unique ID 542 Digital Collection https://archive.leftove.rs/documents/AFEZ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Book Creator An entity primarily responsible for making the resource Midnight Notes Collective Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1991 Publisher An entity responsible for making the resource available Autonomedia Identifier An unambiguous reference to the resource within a given context MN/GC/1#24 Title A name given to the resource Midnight Oil: Work, Energy, War, 1973-1992 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midnight Notes Description An account of the resource The Midnight Notes collective, which marked a coming together of various radical strands of US left politics, began publishing its journal in 1979. The strands that comprised it could be said to have been influenced by the late 60s protest movements that included anti-colonial struggles, Italian autonomist Marxism and the Women’s Liberation Movement. A retrospective text from 2009, entitled ‘High Entropy Workers Unite!’, describes the project as having been “an anomaly in the United States Left” that had at its inception a concern to “theorise social struggles and class composition”. Internationalist in outlook it maintained a class perspective as it charted the changing crises of capitalism, changes that are reflected in the themed issues of its journal: the anti-nuclear movement, the work/energy crisis, technological revolution, globalisation, the new enclosures. A full set of these journals as well as associated pamphlets, correspondence and ephemera covering the period 1979 to 2009 were kindly donated by George Caffentzis. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor George Caffentzis Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by RL Comments Photocopy UID Unique ID 549 Digital Collection https://archive.leftove.rs/documents/AFCF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Book Creator An entity primarily responsible for making the resource Midnight Notes Collective Date Created Date of creation of the resource. 2015-03-17 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2013-01-26 Date A point or period of time associated with an event in the lifecycle of the resource 1985 Publisher An entity responsible for making the resource available Elephant Editions Identifier An unambiguous reference to the resource within a given context MN/GC/1#31 Title A name given to the resource Strange Victories Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dissenting Ephemera 1980-2000 Description An account of the resource Continuing with the moniker of ‘dissenting ephemera’ coined by East London Big Flame this sizeable collection of independent publications is available to be consulted in MayDay Room’s Reading Room. This collection reflects the last surge of small press activity before the rise of the internet and its various web publishing platforms. Amongst a wide variery of magazines and journals collected here can be found Here & Now, Common Sense, Counter Information, Emergency, Anti-Clockwise, Communist Headache, Proletarian Gob, Lobster, Trouble & Strife, Mute, Girl Frenzy and many more. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor William Shankly Location The location of the interview Reading Room Number of Items 1 Catalogued by HS UID Unique ID 2454 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Mike Davis Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2014-03-31 Date A point or period of time associated with an event in the lifecycle of the resource 1992-12-01 Publisher An entity responsible for making the resource available Open Magazine, Pamphlet Series Identifier An unambiguous reference to the resource within a given context DE/WS Title A name given to the resource Urban Control - The Ecology of Fear Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dissenting Ephemera- Black Struggle Description An account of the resource A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race & Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Newham Monitoring Project Location The location of the interview Reading Room Number of Items 1 Catalogued by HS UID Unique ID 3363 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Book Creator An entity primarily responsible for making the resource Mike Phillips & Trevor Phillips Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-08-17 Date A point or period of time associated with an event in the lifecycle of the resource 1998-04-21 Publisher An entity responsible for making the resource available Harper Collins Identifier An unambiguous reference to the resource within a given context / Title A name given to the resource Windrush - The Irrestible Rise of Multi-Racial Britain Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Radical and Militant Poetry Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Mike Wallace-Hadrill Description An account of the resource Radical and Militant Poetry Format The file format, physical medium, or dimensions of the resource Chapbook Source A related resource from which the described resource is derived Reading Room|Justin Katko Title A name given to the resource Instar Zero Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dissenting Ephemera - Keir Milburn Description An account of the resource a box of issues of Solidarity, as well as a number of items from the Swansea section of Solidarity, of which Milburn’s father was a member. The box also contains a number of anarchist pamphlets, zines, and newssheets chiefly from Wales, dating from the 1980s. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Keir Milburn Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by Jacob Bard-Rosenberg UID Unique ID 5914 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Mikhail Bakunin, Coptic Press, Cuddon's Cosmopolitan Review Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2019-07-18 Date A point or period of time associated with an event in the lifecycle of the resource 1968-01-01 Identifier An unambiguous reference to the resource within a given context DEKM/KMI/1#25 Title A name given to the resource The Criticism of State Socialism Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dissenting Ephemera – Steve Graby Description An account of the resource A collection of radical ephemera, including pamphlets and journals. This collection comprises mainly anarchist materials produced the mid-2000s to the mid-2010s. The collection includes issues of the journals Shift Magazine and Turbulence, which contain important theoretical contributions on direct action in Britain, from the height of Climate Camp, through the financial crisis, through to the beginnings of the Student Movement and the anti-austerity protests that followed. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Steve Graby Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by Jacob Bard-Rosenberg UID Unique ID 6227 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Mikhail Bakunin, Zabalaza Books Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2020-10-29 Identifier An unambiguous reference to the resource within a given context DESG/SGR/1#3 Title A name given to the resource Power and Authority Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dissenting Ephemera - Keir Milburn Description An account of the resource a box of issues of Solidarity, as well as a number of items from the Swansea section of Solidarity, of which Milburn’s father was a member. The box also contains a number of anarchist pamphlets, zines, and newssheets chiefly from Wales, dating from the 1980s. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Keir Milburn Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by Jacob Bard-Rosenberg UID Unique ID 5892 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Pamphlet Creator An entity primarily responsible for making the resource Militant, Peter Taaffe Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2019-07-18 Date A point or period of time associated with an event in the lifecycle of the resource 1981-12-01 Identifier An unambiguous reference to the resource within a given context DEKM/KMI/1#3 Title A name given to the resource Militant - What we stand for Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource HMP Description An account of the resource This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Howard Slater Folder HMP 1989-1992, Strangeways prison occupation Location The location of the interview Archive Room Catalogued by Becka Hudson Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context HS/HMP/0131 Title A name given to the resource Special Report Major Tranquilisers, the price of tranquility Creator An entity primarily responsible for making the resource MIND Publisher An entity responsible for making the resource available MIND: National Association for Mental Health Date Created Date of creation of the resource. 1970s Format The file format, physical medium, or dimensions of the resource Report Language A language of the resource English Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 9.06.2023 1970s Anti-Psychiatry Prison Resistance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource HMP Description An account of the resource This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Howard Slater Folder HMP 1989-1992, Strangeways prison occupation Location The location of the interview Archive Room Catalogued by Becka Hudson Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context HS/HMP/0132 Title A name given to the resource Special Report ECT Pros, Cons and Consequences Creator An entity primarily responsible for making the resource MIND Publisher An entity responsible for making the resource available MIND: National Association for Mental Health Date Created Date of creation of the resource. 1970S Format The file format, physical medium, or dimensions of the resource Report Language A language of the resource English Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 9.06.2023 1970s Anti-Psychiatry Prison Resistance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Pamphlets Description An account of the resource Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Mixed Ability Working Group Description An account of the resource Miscellaneous Pamphlets Format The file format, physical medium, or dimensions of the resource Pamphlet Source A related resource from which the described resource is derived Archive Storage Room|Anna Davin Title A name given to the resource School Under Siege Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eco Anarchist Collection Description An account of the resource Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First! Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. UID Unique ID GL/EA/0413 Depositor Giles Lane Location The location of the interview Office Room Catalogued by AJ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I do not care what anyone else says, I think Earth First! Is ace! Creator An entity primarily responsible for making the resource mootrant[at]yahoo.co.uk Publisher An entity responsible for making the resource available mootrant[at]yahoo.co.uk Date A point or period of time associated with an event in the lifecycle of the resource Format The file format, physical medium, or dimensions of the resource zine Language A language of the resource English Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 23.05.2025 Anarchism Direct Action Environmentalism Radical Ecology Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eco Anarchist Collection Description An account of the resource Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First! Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. UID Unique ID GL/EA/0587 Depositor Giles Lane Comments Comic book account of Brighton activists trip to Ahaus anti-nuke protests in Germany. Reproduced from Morgenmuffel zine External Links Location The location of the interview Office Room Catalogued by AJ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource March 98 Germany Creator An entity primarily responsible for making the resource Morgenmuffel Publisher An entity responsible for making the resource available Morgenmuffel Date A point or period of time associated with an event in the lifecycle of the resource 1998 Format The file format, physical medium, or dimensions of the resource leaflet Language A language of the resource English Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 4.07.25 1990s Anti-Nuclear Movement Direct Action Environmentalism Radical Ecology Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reclaim The Streets & Associated Description An account of the resource Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. UID Unique ID MS/RTS/0011 Depositor Matt Salusbury Location The location of the interview Archive Room Catalogued by LR Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Get rid of the Royals Creator An entity primarily responsible for making the resource Movement Against the Monarchy Date A point or period of time associated with an event in the lifecycle of the resource 1998 Format The file format, physical medium, or dimensions of the resource Sticker Language A language of the resource English Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 20.10.2022 1990s Anti/Alter-Globalisation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eco Anarchist Collection Description An account of the resource Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First! Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. UID Unique ID GL/EA/0424 Depositor Giles Lane Comments written by the collective formerly known as Collectable Anorak Location The location of the interview Office Room Catalogued by AJ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Communique from Working Class Earth First Creator An entity primarily responsible for making the resource Mozaz, Buffo, Arry Publisher An entity responsible for making the resource available Urban Paranoia Date A point or period of time associated with an event in the lifecycle of the resource 1999 Format The file format, physical medium, or dimensions of the resource leaflet Language A language of the resource English Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 23.05.2025 1990s Anarchism Direct Action Environmentalism Radical Ecology Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women's Liberation Movement Contributor An entity responsible for making contributions to the resource Jenny Earle Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. UID Unique ID FL/WLM/0125 Depositor The Feminist Library Location The location of the interview Archive Room Catalogued by LR Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mukti, 1986, no.5 Creator An entity primarily responsible for making the resource MuktiCollective Publisher An entity responsible for making the resource available MuktiCollective Date A point or period of time associated with an event in the lifecycle of the resource 1986 Format The file format, physical medium, or dimensions of the resource magazine Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 29.01.2025 1980s Feminism Migrant Organising Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource HMP Description An account of the resource This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Mike Ballard and Brian Ashton Location The location of the interview Archive Room Catalogued by Becka Hudson Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context HS/HMP/0040 Title A name given to the resource Inside Story, 1973, no.7 Creator An entity primarily responsible for making the resource Multiple Publisher An entity responsible for making the resource available Alternative Publishing Co Date Created Date of creation of the resource. 1973 Format The file format, physical medium, or dimensions of the resource Magazine Language A language of the resource English Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 9.06.2023 1970s Prison Resistance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource HMP Description An account of the resource This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Howard Slater Location The location of the interview Archive Room Catalogued by Becka Hudson Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context HS/HMP/0001 Title A name given to the resource Death Blossoms Reflections from a prisoner of conscience Creator An entity primarily responsible for making the resource Mumia Abu Jamal Publisher An entity responsible for making the resource available South End Press Date Created Date of creation of the resource. 1996 Format The file format, physical medium, or dimensions of the resource Book Language A language of the resource English Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 9.06.2023 1990s black liberation Prison Resistance State Violence Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Solidarity Pamphlets Description An account of the resource The libertarian socialist group Solidarity was set up in 1960 by former members of a British Trotskyist organisation, the Socialist Labour League. Under the intellectual influence of Chris Pallis (a.k.a. Maurcie Brinton), members adopted a political perspective close to that of Socialisme ou Barbarie in France. Solidarity adopted a critique of contemporary capitalism from this French sister organisation, which emphasised its increasingly bureaucratic qualities. Both groups also developed a libertarian socialist perspective, which became increasingly distant from Marxism without abandoning a comitment to revolutionary politics. MayDay Rooms holds an incomplete collection of Solidarity pamphlets and issues of the group’s eponymous journal. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Pagliacci Rossi Comments Solidarity pamphlet no.49 Location The location of the interview Archive room Catalogued by LR Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context PR/SP/0039 Title A name given to the resource On Spontaneity and Organisation Creator An entity primarily responsible for making the resource Murray Bookchin Publisher An entity responsible for making the resource available Solidarity Format The file format, physical medium, or dimensions of the resource pamphlet Language A language of the resource English Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 16.02.2024 1970 Libertarian Communist Marxism Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Pamphlets Description An account of the resource Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Murray Bookchin Description An account of the resource Miscellaneous Pamphlets Format The file format, physical medium, or dimensions of the resource Newsletter Source A related resource from which the described resource is derived Archive Storage Room|Ros Kane Title A name given to the resource Spontaneity and Organisation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Pamphlets Description An account of the resource Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Murray Bookchin Description An account of the resource Miscellaneous Pamphlets Format The file format, physical medium, or dimensions of the resource Pamphlet Source A related resource from which the described resource is derived Archive Storage Room|Ros Kane Title A name given to the resource Anarchy and Organisation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anti Globalisation Protests and related Description An account of the resource Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Edmund Baxter Location The location of the interview Archive Room UID Unique ID EB/AGP/0001 Catalogued by DW Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Above the Law and Behind Closed Gates Creator An entity primarily responsible for making the resource Murray Waas Publisher An entity responsible for making the resource available Open Media Date A point or period of time associated with an event in the lifecycle of the resource 1991 Format The file format, physical medium, or dimensions of the resource Pamphlet Language A language of the resource English Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 2/10/2025 1990s Anti/Alter-Globalisation State Monitoring Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Association of Autonomous Astronauts Description An account of the resource Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. UID Unique ID JE/AAA/0019 Depositor John Eden Location The location of the interview Archive Room Catalogued by LR Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Der Standard, 1998 Creator An entity primarily responsible for making the resource Museum in Progress Date A point or period of time associated with an event in the lifecycle of the resource 1998 Format The file format, physical medium, or dimensions of the resource newspaper Language A language of the resource English Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 4.09.2024 1990s Experimental Culture Radical Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Association of Autonomous Astronauts Description An account of the resource Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. UID Unique ID JE/AAA/0029 Depositor John Eden Location The location of the interview Archive Room Catalogued by LR Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MUTE, 1999, no.14 Creator An entity primarily responsible for making the resource MUTE magazine Date A point or period of time associated with an event in the lifecycle of the resource 1999 Format The file format, physical medium, or dimensions of the resource magazine Language A language of the resource English Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 4.09.2024 1990s Experimental Culture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dissenting Ephemera - Catherine Pozzo di Borgo Description An account of the resource A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Catherine Pozzo di Borgo Location The location of the interview Archive Storage Room Number of Items 1 Catalogued by Jacob Bard-Rosenberg UID Unique ID 4200 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Book Creator An entity primarily responsible for making the resource N.Y. Federation of Anarchists Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2017-07-21 Identifier An unambiguous reference to the resource within a given context CPD/CPD/1#48 Title A name given to the resource Good Soup Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor John Burke (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL UID Unique ID 1317 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Miscellaneous Creator An entity primarily responsible for making the resource n/a Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Identifier An unambiguous reference to the resource within a given context AC//1#4 Title A name given to the resource John Burke Negatives (Manydeed, 'A' Course) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor John Burke (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL UID Unique ID 1318 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Photograph Creator An entity primarily responsible for making the resource n/a Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Identifier An unambiguous reference to the resource within a given context AC//1#5 Title A name given to the resource Untitled Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor John Burke (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL Comments Letters, minutes, Notes UID Unique ID 1319 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Miscellaneous Creator An entity primarily responsible for making the resource n/a Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Date A point or period of time associated with an event in the lifecycle of the resource 1972 Identifier An unambiguous reference to the resource within a given context AC//1#6 Title A name given to the resource John Burke Student Rep Material ? Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor John Burke (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL UID Unique ID 1331 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Photographs Creator An entity primarily responsible for making the resource n/a Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Identifier An unambiguous reference to the resource within a given context AC//2#2 Title A name given to the resource Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A' Course Description An account of the resource In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor John Burke (Anthony Davies) Location The location of the interview Archive Storage Room Catalogued by RL UID Unique ID 1341 Digital Collection https://archive.leftove.rs/documents/grid/created/group=='A'_Course Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Photographs Creator An entity primarily responsible for making the resource n/a Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-18 Identifier An unambiguous reference to the resource within a given context AC//2#12 Title A name given to the resource Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Corners Description An account of the resource In 1973, behind a shopfront at 113 Roman Road, London E1, four young filmmakers – Joanna Davis, Mary Pat Leece, Ronald Peck and Wilf Thust – set up a cinema and production studio with the aim of introducing “films and filmmaking to those who had previously been excluded from the whole practice”. In the context of a polarised and politically charged Bethnal Green of the 1970s, many local children and young adults found at Four Corners – and in Wilf Thust’s workshops in particular – a sanctuary where they could explore forms of self-representation and develop vocabularies of commonality, resistance and dissent. These sentiments are shared by MayDay Rooms and since late 2013, Wilf has ‘reopened the account’ – together with some of those involved in the 1970’s workshops and many others – making collaborative use of his film output, notebooks, and photographs. This process, which takes the form of screenings, meetings and workshops, will continue over the next few years. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Wilf Thust Location The location of the interview Archive Storage Room Number of Items 1 UID Unique ID 1475 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Magnetic sound recording film Creator An entity primarily responsible for making the resource n/a Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-17 Date A point or period of time associated with an event in the lifecycle of the resource 1973-08-31 Identifier An unambiguous reference to the resource within a given context FCGW/WT/4#17 Title A name given to the resource Sound: playground film/'cut outs' see it Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Corners Description An account of the resource In 1973, behind a shopfront at 113 Roman Road, London E1, four young filmmakers – Joanna Davis, Mary Pat Leece, Ronald Peck and Wilf Thust – set up a cinema and production studio with the aim of introducing “films and filmmaking to those who had previously been excluded from the whole practice”. In the context of a polarised and politically charged Bethnal Green of the 1970s, many local children and young adults found at Four Corners – and in Wilf Thust’s workshops in particular – a sanctuary where they could explore forms of self-representation and develop vocabularies of commonality, resistance and dissent. These sentiments are shared by MayDay Rooms and since late 2013, Wilf has ‘reopened the account’ – together with some of those involved in the 1970’s workshops and many others – making collaborative use of his film output, notebooks, and photographs. This process, which takes the form of screenings, meetings and workshops, will continue over the next few years. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Wilf Thust Location The location of the interview Archive Storage Room Number of Items 1 UID Unique ID 1476 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Magnetic sound recording film Creator An entity primarily responsible for making the resource n/a Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-17 Date A point or period of time associated with an event in the lifecycle of the resource 1973-08-31 Identifier An unambiguous reference to the resource within a given context FCGW/WT/4#18 Title A name given to the resource Sound: Stealband [sic], sylvestes [sic], dubbing sheet Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Corners Description An account of the resource In 1973, behind a shopfront at 113 Roman Road, London E1, four young filmmakers – Joanna Davis, Mary Pat Leece, Ronald Peck and Wilf Thust – set up a cinema and production studio with the aim of introducing “films and filmmaking to those who had previously been excluded from the whole practice”. In the context of a polarised and politically charged Bethnal Green of the 1970s, many local children and young adults found at Four Corners – and in Wilf Thust’s workshops in particular – a sanctuary where they could explore forms of self-representation and develop vocabularies of commonality, resistance and dissent. These sentiments are shared by MayDay Rooms and since late 2013, Wilf has ‘reopened the account’ – together with some of those involved in the 1970’s workshops and many others – making collaborative use of his film output, notebooks, and photographs. This process, which takes the form of screenings, meetings and workshops, will continue over the next few years. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Wilf Thust Location The location of the interview Archive Storage Room Number of Items 1 UID Unique ID 1477 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Photographs Creator An entity primarily responsible for making the resource n/a Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-17 Date A point or period of time associated with an event in the lifecycle of the resource 1973-08-31 Identifier An unambiguous reference to the resource within a given context FCGW/WT/4#3 Title A name given to the resource [photographs] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Corners Description An account of the resource In 1973, behind a shopfront at 113 Roman Road, London E1, four young filmmakers – Joanna Davis, Mary Pat Leece, Ronald Peck and Wilf Thust – set up a cinema and production studio with the aim of introducing “films and filmmaking to those who had previously been excluded from the whole practice”. In the context of a polarised and politically charged Bethnal Green of the 1970s, many local children and young adults found at Four Corners – and in Wilf Thust’s workshops in particular – a sanctuary where they could explore forms of self-representation and develop vocabularies of commonality, resistance and dissent. These sentiments are shared by MayDay Rooms and since late 2013, Wilf has ‘reopened the account’ – together with some of those involved in the 1970’s workshops and many others – making collaborative use of his film output, notebooks, and photographs. This process, which takes the form of screenings, meetings and workshops, will continue over the next few years. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Wilf Thust Location The location of the interview Archive Storage Room Number of Items 1 Comments MDR Bulletins, Photographs UID Unique ID 1478 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Miscellaneous Creator An entity primarily responsible for making the resource n/a Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 2015-03-17 Identifier An unambiguous reference to the resource within a given context FCGW/WT/4#2 Title A name given to the resource [MDR Bulletin & Miscellaneous] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource History Workshop Journal & Associated Description An account of the resource Copies of the early issues of History Workshop: A Journal of Socialist Historians, donated by Anna Davin of the founding editorial collective. The history workshop movement emerged in the ferment of the 1960s, animated, according to its Ruskin-based presiding spirit Raphael Samuel, by the “the belief that history is or ought to be a collaborative enterprise, one in which the researcher, the archivist, the curator and the teacher, the ‘do-it-yourself’ enthusiast and the local historian, the family history societies and the individual archaeologist, should all be regarded as equally engaged.” (History Workshop: A Collecteana, 1967-1991, Documents, Memoirs, Critique and cumulative index to History Workshop Journal. Ruskin College. pp. 1V.) A brief history of the movement can be found at: http://www.historyworkshop.org.uk/the-history-of-history-workshop/, including a bibliography. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Anna Davin Location The location of the interview Archive Storage Room Number of Items 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Cover Creator An entity primarily responsible for making the resource n/a Identifier An unambiguous reference to the resource within a given context HWJ/ADV/4#19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource History Workshop Journal & Associated Description An account of the resource Copies of the early issues of History Workshop: A Journal of Socialist Historians, donated by Anna Davin of the founding editorial collective. The history workshop movement emerged in the ferment of the 1960s, animated, according to its Ruskin-based presiding spirit Raphael Samuel, by the “the belief that history is or ought to be a collaborative enterprise, one in which the researcher, the archivist, the curator and the teacher, the ‘do-it-yourself’ enthusiast and the local historian, the family history societies and the individual archaeologist, should all be regarded as equally engaged.” (History Workshop: A Collecteana, 1967-1991, Documents, Memoirs, Critique and cumulative index to History Workshop Journal. Ruskin College. pp. 1V.) A brief history of the movement can be found at: http://www.historyworkshop.org.uk/the-history-of-history-workshop/, including a bibliography. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Anna Davin Location The location of the interview Archive Storage Room Number of Items 1 UID Unique ID 2386 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Cover Creator An entity primarily responsible for making the resource n/a Identifier An unambiguous reference to the resource within a given context HWJ/ADV/4#19 Title A name given to the resource De los Andenes a las fabricas once anos decisivos (1919-1930) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventory Description An account of the resource This journal for fierce sociology, for finding, losing and collecting, first appeared in the mid ‘90s and continued in various forms for a decade. The journal was the spine of Inventory, a thread enabling it to shapeshift into posters, stickers, radio broadcasts, films and installations. At the outset they declared an independence from categorical norming and hierarchical dogma: “Our material has been collected from the four corners of the floating city, and no object, text, picture has been held in higher esteem than the other.” This lack of restriction gave room for its writers to wriggle free from disciplines and invent true stories from material found lodged in the cracks of the tarmac and in the pot holes of the set text. Inventory recently resurfaced in the Fleet Street Area and left us copies of their journal (1995-2005) as well as a box of ephemera that has been dubbed the Inventory ‘Time Box’. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource n/a Description An account of the resource Inventory Format The file format, physical medium, or dimensions of the resource Journal Source A related resource from which the described resource is derived Archive Storage Room|Adam Scrivener', u'Paul Claydon Title A name given to the resource Inventory Vol. 5 No. 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventory Description An account of the resource This journal for fierce sociology, for finding, losing and collecting, first appeared in the mid ‘90s and continued in various forms for a decade. The journal was the spine of Inventory, a thread enabling it to shapeshift into posters, stickers, radio broadcasts, films and installations. At the outset they declared an independence from categorical norming and hierarchical dogma: “Our material has been collected from the four corners of the floating city, and no object, text, picture has been held in higher esteem than the other.” This lack of restriction gave room for its writers to wriggle free from disciplines and invent true stories from material found lodged in the cracks of the tarmac and in the pot holes of the set text. Inventory recently resurfaced in the Fleet Street Area and left us copies of their journal (1995-2005) as well as a box of ephemera that has been dubbed the Inventory ‘Time Box’. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource n/a Description An account of the resource Inventory Format The file format, physical medium, or dimensions of the resource Miscellaneous Source A related resource from which the described resource is derived Archive Storage Room|Adam Scrivener', u'Paul Claydon Title A name given to the resource [Assorted Stickers and other Ephemera I] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventory Description An account of the resource This journal for fierce sociology, for finding, losing and collecting, first appeared in the mid ‘90s and continued in various forms for a decade. The journal was the spine of Inventory, a thread enabling it to shapeshift into posters, stickers, radio broadcasts, films and installations. At the outset they declared an independence from categorical norming and hierarchical dogma: “Our material has been collected from the four corners of the floating city, and no object, text, picture has been held in higher esteem than the other.” This lack of restriction gave room for its writers to wriggle free from disciplines and invent true stories from material found lodged in the cracks of the tarmac and in the pot holes of the set text. Inventory recently resurfaced in the Fleet Street Area and left us copies of their journal (1995-2005) as well as a box of ephemera that has been dubbed the Inventory ‘Time Box’. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource n/a Description An account of the resource Inventory Format The file format, physical medium, or dimensions of the resource Miscellaneous Source A related resource from which the described resource is derived Archive Storage Room|Adam Scrivener', u'Paul Claydon Title A name given to the resource [Assorted Stickers and other Ephemera II] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventory Description An account of the resource This journal for fierce sociology, for finding, losing and collecting, first appeared in the mid ‘90s and continued in various forms for a decade. The journal was the spine of Inventory, a thread enabling it to shapeshift into posters, stickers, radio broadcasts, films and installations. At the outset they declared an independence from categorical norming and hierarchical dogma: “Our material has been collected from the four corners of the floating city, and no object, text, picture has been held in higher esteem than the other.” This lack of restriction gave room for its writers to wriggle free from disciplines and invent true stories from material found lodged in the cracks of the tarmac and in the pot holes of the set text. Inventory recently resurfaced in the Fleet Street Area and left us copies of their journal (1995-2005) as well as a box of ephemera that has been dubbed the Inventory ‘Time Box’. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource n/a Description An account of the resource Inventory Format The file format, physical medium, or dimensions of the resource Box Source A related resource from which the described resource is derived Adam Scrivener', u'Paul Claydon Title A name given to the resource Box 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inventory Description An account of the resource This journal for fierce sociology, for finding, losing and collecting, first appeared in the mid ‘90s and continued in various forms for a decade. The journal was the spine of Inventory, a thread enabling it to shapeshift into posters, stickers, radio broadcasts, films and installations. At the outset they declared an independence from categorical norming and hierarchical dogma: “Our material has been collected from the four corners of the floating city, and no object, text, picture has been held in higher esteem than the other.” This lack of restriction gave room for its writers to wriggle free from disciplines and invent true stories from material found lodged in the cracks of the tarmac and in the pot holes of the set text. Inventory recently resurfaced in the Fleet Street Area and left us copies of their journal (1995-2005) as well as a box of ephemera that has been dubbed the Inventory ‘Time Box’. Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource n/a Description An account of the resource Inventory Format The file format, physical medium, or dimensions of the resource Box Source A related resource from which the described resource is derived Adam Scrivener', u'Paul Claydon Title A name given to the resource Box 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Irish Struggles after 1968 Description An account of the resource A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’. Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters. Contributor An entity responsible for making contributions to the resource Jenny Earle Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Depositor Sara Chambers Folder Danny McNamee Campaign Location The location of the interview Archive Room Catalogued by LR Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context SC/IS68/0017 Title A name given to the resource Letter sent to Mps and list of parliamentary questions Creator An entity primarily responsible for making the resource Nadine Finch Date A point or period of time associated with an event in the lifecycle of the resource 1990 Format The file format, physical medium, or dimensions of the resource Letter Language A language of the resource English Date Accepted Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal). 27.10.2022 1990s IrishStruggles Prison Resistence Republicanism State Monitoring