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        <name>State Violence</name>
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          <description>Unique ID</description>
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        <name>Police Monitoring</name>
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              <description>A name given to the resource</description>
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          <description>Unique ID</description>
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                <text>Festival of Dissent!</text>
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            <name>Creator</name>
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            <name>Date</name>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Anti/Alter-Globalisation</name>
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        <name>Direct Action</name>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>a box of issues of Solidarity, as well as a number of items from the Swansea section of Solidarity, of which Milburn’s father was a member. The box also contains a number of anarchist pamphlets, zines, and newssheets chiefly from Wales, dating from the 1980s.</text>
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                <text>The General Strike 50th Anniversary Souvenir</text>
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                  <text>Reclaim the Streets (RTS) began in London during the 1990s, both as a playful form of protest in the guise of a street party, which was soon replicated across the globe and as a local hub of social and ecological direct action. London RTS published the Financial Crimes for the mobilisation against the International Monetary Fund and World Bank’s Prague Summit in September 2000. The situationist practice of détournement (diversion, hijacking or misappropriation) informed the production of this and other spoof papers, such as the Evading Standards (also issued by RTS for the previous year’s ‘June the 18th’ Carnival against Capital in the City of London). This practice entailed abandoning cultural production itself and instead plundering and closely mimicking existing cultural forms to subvert their original intent for propaganda purposes. MayDay Rooms holds a collection of materials relating to Reclaim the Streets and associated networks.</text>
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            <description>A name given to the resource</description>
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          <description>Unique ID</description>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>Date of creation of the resource.</description>
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            <name>Date</name>
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              <elementText elementTextId="4068">
                <text>Women's Time  - a newspaper for women on long Island</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>WFH/SF/1#26</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Housework: No experience Necessary</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Women's Liberation Movement</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="30795">
                  <text>Jenny Earle</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>JE/WLM/0049</text>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>Jenny Earle</text>
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              <text>Archive Room</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="29981">
                <text>pamphlet</text>
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            <description>A language of the resource</description>
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              <elementText elementTextId="29982">
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="29985">
                <text>23.09.2022</text>
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        <name>1980s</name>
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        <name>Civil Liberties</name>
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      <tag tagId="10">
        <name>Feminism</name>
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  <item itemId="2109" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera 1970s – Miscellaneous</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2061">
                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The range of this groups political concerns are reflected in the independent publications gathered here which cover, amidst others: Anti-Psychiatry (Humpty Dumpty), Black Struggle (Race Today) and Anti-Fascism (SKAN, CARF, Temporary Hoarding).</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>East London Big Flame</text>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Storage Room</text>
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          </elementTextContainer>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="23634">
              <text>1</text>
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              <text>1034</text>
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          <name>Catalogued by</name>
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              <text>HS</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="23632">
                <text>Flyer</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23635">
                <text>Newsreel Collective</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2014-10-18</text>
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            <name>Date</name>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="23639">
                <text>Other Cinema</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>DEM/ELBF/1#33</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Stand Together Grunwick July 11th 1977</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="34414">
                  <text>Troops Out Movement</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34415">
                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="43106">
              <text>Sara Chambers</text>
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          <description/>
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              <text>Bloody Sunday</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <name>Catalogued by</name>
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              <text>LR</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Evidence of English goodwill article clipping</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Niall O'Connor</text>
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                <text>10.02.1990</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>News clipping</text>
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            <description>A language of the resource</description>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="43115">
                <text>27.10.2022</text>
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        <name>1990s</name>
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      <tag tagId="7">
        <name>Irish Struggles</name>
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        <name>Republicanism</name>
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                  <text>Miscellaneous Pamphlets</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <name>Creator</name>
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              <elementText elementTextId="73818">
                <text>Nick Heath</text>
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                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Pamphlet</text>
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                <text>Archive Storage Room|Anthony Davies</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Organisational Platform of the Libertarian Communists</text>
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              <name>Title</name>
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                  <text>HMP</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>Howard Slater</text>
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              <text>HMP 1989-1992, Strangeways prison occupation</text>
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          <description>The location of the interview</description>
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              <text>Becka Hudson</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>HS/HMP/0133</text>
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            <description>A name given to the resource</description>
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                <text>Strangeways 1990 A serious disturbance</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="48466">
                <text>Nicki Jameson, Eric Allison</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="48467">
                <text>Larkin Publications</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1995</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Book</text>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="48474">
                <text>9.06.2023</text>
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      <tag tagId="37">
        <name>1990s</name>
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      <tag tagId="69">
        <name>Prison Resistance</name>
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              <description>A name given to the resource</description>
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                <elementText elementTextId="34414">
                  <text>Troops Out Movement</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34415">
                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
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              <text>Sara Chambers</text>
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          <name>Folder</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="44019">
              <text>Right to Know festival</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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              <text>LR</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="44013">
                <text>SC/TOM/0264</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="44015">
                <text>Ireland, a right to know. A series of video screenings, discussions and exhibitions</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44016">
                <text>Nicola Field; Colin Gleeson; Nina Hutchinson</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>30.05.1989</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="44018">
                <text>Letter</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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              <elementText elementTextId="44023">
                <text>27.10.2022</text>
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        <name>1980s</name>
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      <tag tagId="59">
        <name>Cinema</name>
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      <tag tagId="7">
        <name>Irish Struggles</name>
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      <tag tagId="45">
        <name>Radical Arts</name>
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              <description>A name given to the resource</description>
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                  <text>Radical and Militant Poetry</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="77712">
                <text>Nicolas Spicer</text>
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                <text>Radical and Militant Poetry</text>
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                <text>Reading Room|David Ashford</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lines On The Surface</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="39">
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              <elementText elementTextId="77777">
                <text>Nicolas Spicer</text>
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                <text>Radical and Militant Poetry</text>
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              <elementText elementTextId="77780">
                <text>Reading Room|David Ashford</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="77781">
                <text>Landscape With Forgeries</text>
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              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera – Alex Bird</text>
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              <description>An account of the resource</description>
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                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>Alex Bird</text>
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          <description>The location of the interview</description>
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              <text>1</text>
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          <description/>
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              <text>Jacob Bard-Rosenberg</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>6323</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="18022">
                <text>Pamphlet</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18025">
                <text>Nicolas Walter</text>
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          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="18026">
                <text>2020-12-31</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="18027">
                <text>1969-05-01</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="18029">
                <text>DEAB/ABI/1#3</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Archive Storage Room|Ros Kane</text>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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                  <text>Jenny Earle</text>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                  <text>As an educational charity MayDay Rooms is gathering material around experimental forms and countervailing notions of education. This includes material on the history of radical teaching practices as well as the more recent practical explorations of radical educators today. MayDay’s remit in this area spans primary and secondary education, universities, art schools and self-instituted projects. This collection has recently been supplemented by a loan of material from Libertarian Education that has been upholding the theme of “education as liberation” since its inception in 1966.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                  <text>Chroma was an queer literary journal that ran between 2004 and 2010, publishing poetry, prose and visual artwork. It’s content included work by over 200 lesbian, gay, bisexual, and transgender authors and artists. A set of copies of the journal, alongside proofs, surrounding materials, and ephemera were deposited at MayDay Rooms by the editor Shaun Levin.&#13;
&#13;
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            <description>A name given to the resource</description>
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                <text>Letter to Mps</text>
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                <text>Nina Hutchinson, Jack O'Keefe</text>
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                <text>27.10.2022</text>
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        <name>1990s</name>
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        <name>Republicanism</name>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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                <text>SC/TOM/0126</text>
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            <description>A name given to the resource</description>
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                <text>Understanding the conflict</text>
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            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42505">
                <text>Nina Hutchinson,Ashy McKay,Steve Lord</text>
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                <text>1983</text>
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                <text>Infosheet</text>
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                <text>27.10.2022</text>
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        <name>History from Below</name>
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                  <text>A collection of radical ephemera, including pamphlets and journals. This collection comprises mainly anarchist materials produced the mid-2000s to the mid-2010s. The collection includes issues of the journals Shift Magazine and Turbulence, which contain important theoretical contributions on direct action in Britain, from the height of Climate Camp, through the financial crisis, through to the beginnings of the Student Movement and the anti-austerity protests that followed.</text>
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                <text>The Perspective of Caring</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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                <text>A Winnowing For Tomorrows World</text>
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                <text>Dead Trees Earth First!</text>
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                  <text>Politics of Organised Squatting</text>
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          <name>UID</name>
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              <text>Matt Salusbury</text>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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              <text>Howard Slater</text>
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              <text>HMP 1989-1992, Strangeways prison occupation</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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              <text>Becka Hudson</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>HS/HMP/0130</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>North East Thames Regional Health Authority</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>North East Thames Regional Health Authority</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>North East Thames Regional Health Authority</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Medication guide</text>
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            <description>A language of the resource</description>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>9.06.2023</text>
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        <name>Prison Resistance</name>
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