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                  <text>Psychogeography</text>
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                  <text>Our Psychogeography Collection is primarily composed of materials produced by the London Psychogeographical Association, which was first mooted in 1957 by the British artist Ralph Rumney, who was amicably expelled from the Situationist International for his failure to deliver a psychogeographical report on Venice. Just as the report eventually surfaced in accordance with its own timescale, this psychogeographic project was reinvoked in the early 1990s as the LPA East London Section by Fabian Tompsett. After 35 years of non-existence, a series of newsletters and pamphlets began to be issued to report on the persistences of ruling class power and on free associational drifts through history. With an open non-sectarian context and contributions from writers associated with the Luther Blissett multiple name, the LPA newsletters regularly displayed a humour reminiscent of Class War and added to this a parodic erudition to some degree aimed at exposing the pretensions and callousness of a western enlightenment tradition and how this persistently feeds into blunting the left opposition. LPA activities included trips to destinations of psychogeographic interest (including an American Civil War battlefield in London’s Globe Town), the organisation of three-sided football matches and the inauguration of bus stop competitions. Open Up The South East Passage!&#13;
&#13;
The collection also includes newsletters, leaflets and posters created by other groups from around the country, including the Poetry Field Club, Equi-Phallic Alliance, Manchester Area Psychogeographic and the Nottingham Psychogeographical Unit.&#13;
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                <text>Anon</text>
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                <text>London Psychogeographical Association</text>
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                <text>Archive Storage Room|Fabian Tompsett</text>
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                <text>LPA Souvenir Programme  Thomas The Tanist: An investigation into Ritual King Slaughter</text>
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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                <text>LRU - Join the Fight Build the Power</text>
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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                <text>LRU - London's Housing System is Great</text>
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              <description>An account of the resource</description>
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                  <text>More materials have been added to our Housing Struggles archive as part of our HLF-funded project. The collections include paper and digital archives from over 70 campaigns from all around London. Alongside this, a two box curated collection on the politics of organised squatting from the end of the 1960s through to the 1990s. &lt;br /&gt;&lt;br /&gt;Find the collection here: &lt;a href="https://housingstruggles.omeka.net/"&gt;https://housingstruggles.omeka.net/&lt;/a&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>London Renters Union</text>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>LRU - We all know that London's housing system is broken</text>
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                  <text>A small collection of materials mainly relating to the English situationists, ‘King Mob’, and the LSE occupation in early 1969. The collection includes original prints of King Mob journals, King Mob posters from the LSE occupation, copies of various situationist and anarchist periodicals from the late 1960s, a brochure for the Anti-University, press clippings and internal documents from the student movement including a draft constitution of the RSSF. Alongside a paper collection, Catherine has also contributed a number of photographs of situationist posters. The collection also includes a small number of press clippings and fliers from the Jake Prescott and Ian Purdie defence group.</text>
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              <text>Jacob Bard-Rosenberg</text>
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          <name>UID</name>
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                <text>Leaflet</text>
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            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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            <element elementId="50">
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                  <text>Lucas Plan</text>
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                  <text>In 1974 the management of Lucas Aerospace, an engineering firm that manufactured aircraft components for both military and civilian use, announced restructuring plans, which threatened to make many members of the workforce redundant. When shop stewards at the company lobbied the Secretary of State for Industry Tony Benn to request that the government nationalise the company, Benn instead suggested that they come up with their own strategy for the business’s future. This led the Lucas Aerospace Combine Shop Stewards Committee to produce an Alternative Corporate Plan, drawing upon hundreds of proposals for new products developed by their workmates. Alert to the threat of deskilling and conceived in terms of ‘socially useful’ technology, these ideas included plans to produce medical equipment, public transport vehicles and innovations to improve energy efficiency. While this initiative failed to influence Lucas management, it led directly to the formation of the Centre for Alternative Industrial Systems (CAITS) at North East London Polytechnic and Coventry Polytechnic’s Unit for the Development of Alternative Products (UDAP). MayDay Rooms holds a collection of material on the Lucas Plan.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Creator</name>
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                <text>Aerospace Combine Shop Stewards Committee</text>
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                <text>29/09/1976 - 04/06/1979</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Letters exchanged between the Aerospace Combine Shop Stewards Committee and trade unions (including the Trades Union Congress, Confederation of Shipbuilding and Engineering Unions and Amalgamated Union of Engineering Workers), news media (direct correspondence with the New Statesman and general press releases), company management and others.

Contents include discussion of trade union recognition, meeting reports and minutes, exchanges with Members of Parliament and distribution of the Lucas Briefing.</text>
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            <description>A name given to the resource</description>
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                <text>Lucas Aerospace Combine Shop Stewards Committee correspondences</text>
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                  <text>In 1974 the management of Lucas Aerospace, an engineering firm that manufactured aircraft components for both military and civilian use, announced restructuring plans, which threatened to make many members of the workforce redundant. When shop stewards at the company lobbied the Secretary of State for Industry Tony Benn to request that the government nationalise the company, Benn instead suggested that they come up with their own strategy for the business’s future. This led the Lucas Aerospace Combine Shop Stewards Committee to produce an Alternative Corporate Plan, drawing upon hundreds of proposals for new products developed by their workmates. Alert to the threat of deskilling and conceived in terms of ‘socially useful’ technology, these ideas included plans to produce medical equipment, public transport vehicles and innovations to improve energy efficiency. While this initiative failed to influence Lucas management, it led directly to the formation of the Centre for Alternative Industrial Systems (CAITS) at North East London Polytechnic and Coventry Polytechnic’s Unit for the Development of Alternative Products (UDAP). MayDay Rooms holds a collection of material on the Lucas Plan.</text>
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                <text>Lucas Aerospace Combine Shop Stewards' Committee</text>
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            <description>An account of the resource</description>
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                <text>An abridged version of the alternative Corporate Plan produced by the Lucas Aerospace Combine Shop Stewards' Committee. The pamphlet includes a description of Lucas Industries, current trends in industry, projected economic trends, and a summary of proposals for socially useful production at Lucas Aerospace.</text>
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                <text>Lucas: An Alternative Plan, IWC Pamphlet No. 55
</text>
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        <name>Technology</name>
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              <description>A name given to the resource</description>
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                  <text>Scratch Orchestra</text>
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              <description>An account of the resource</description>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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                <text>Anon</text>
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            <description>An account of the resource</description>
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                <text>Invitation</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Stefan Szczelkun</text>
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            <description>A name given to the resource</description>
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                <text>Luke Fowler</text>
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                  <text>Countering Education</text>
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              <description>An account of the resource</description>
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                  <text>As an educational charity MayDay Rooms is gathering material around experimental forms and countervailing notions of education. This includes material on the history of radical teaching practices as well as the more recent practical explorations of radical educators today. MayDay’s remit in this area spans primary and secondary education, universities, art schools and self-instituted projects. This collection has recently been supplemented by a loan of material from Libertarian Education that has been upholding the theme of “education as liberation” since its inception in 1966.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
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              <text>Terry Dennett</text>
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          <description>The location of the interview</description>
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              <text>HS</text>
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          <description>Unique ID</description>
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              <text>2451</text>
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                <text>Luther Blissett card</text>
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        <name>1990s</name>
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      <tag tagId="52">
        <name>Experimental Culture</name>
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        <name>Radical Arts</name>
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        <name>Situationist</name>
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        <name>Technology</name>
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          <name>UID</name>
          <description>Unique ID</description>
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          <description>The location of the interview</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <description>A name given to the resource</description>
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          <description>Unique ID</description>
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          <description>The location of the interview</description>
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          <name>Catalogued by</name>
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            <description>A name given to the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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                  <text>On the occasion of a new translation of Raoul Vaneigem’s Revolution of Everyday Life (PM Press, Oakland), translator and former member of King Mob, Donald Nicholson-Smith, deposited a sample of materials related to the Situationist milieu of the late 60s with MayDay Rooms. This material, which includes copies of publications assembled by King Mob as well as early English translations of Situationist material that featured in short lived publications such as Neon and HAPT, help chart the dissemination of Situationist ideas by means of the underground press and, later, the punk movement. These materials, contained in a single box, were unpacked by Donald on 30 March 2013 and an initial cartography was drawn up for the orientational use of those continuous younger generations.</text>
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          <description>Unique ID</description>
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                <text>Christine Faure</text>
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                <text>KMA/DNS/1#7</text>
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            <description>A name given to the resource</description>
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                <text>Mai 68-Jour et Nuit</text>
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              <name>Title</name>
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                  <text>Women's Labour History (USA)</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Shirley L. Woodward</text>
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                <text>Women's Labour History (USA)</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Pamphlet</text>
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            <description>A name given to the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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                  <text>a box of issues of Solidarity, as well as a number of items from the Swansea section of Solidarity, of which Milburn’s father was a member. The box also contains a number of anarchist pamphlets, zines, and newssheets chiefly from Wales, dating from the 1980s.</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                  <text>In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective.&#13;
&#13;
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