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                  <text>Dissenting Ephemera- Black Struggle</text>
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                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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                <text>Donald Kenrick &amp; Colin Clark</text>
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                <text>2015-08-17</text>
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                <text>University of Hertfordshire Press</text>
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                <text>Moving On - The Gypsies and Travellers of Britain</text>
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                  <text>Committee For Academic Freedom in Africa (CAFA)</text>
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                  <text>Established in the Spring of 1991 by George Caffentzis and Silvia Federici, the Committee for Academic Freedom in Africa consisted of “people teaching and studying in North America and Europe who are concerned with the increasing violations of academic freedom that are taking place in African Universities.” Throughout its twelve year history they published a newsletter that featured “action alerts” about student struggles on African campuses and documented the impact of World Bank and IMF policies on African education. Amongst CAFA’s aims was to establish an “action-network” to respond to emergencies and to lobby often quietistic teachers’ unions. The comprehensive archive, lodged with MayDay Rooms by Silvia and George, contains, across three boxes, a full set of newsletters, correspondence, supporting documents, press-clippings from many African countries and a series of articles by writers who contributed to the CAFA project.</text>
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              <text>* Press Clippings
* Article by Silvia Federici: 'Suing the World Bank? Learning a Lesson from Mozambique' (n.d.)
* Article by Merle L. Bowen: 'Beyond Reform: Adjustment and Political Power in Contemporary Mozambique' (1992)
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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              <text>Howard Slater</text>
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              <text>HMP 1989-1992, Strangeways prison occupation</text>
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              <text>Becka Hudson</text>
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            <description>A name given to the resource</description>
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                <text>MP rejects SAS solution for siege</text>
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                <text>Michael Morris</text>
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                <text>9.06.2023</text>
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        <name>Prison Resistance</name>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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              <text>Sara Chambers</text>
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              <text>Bloody Sunday</text>
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                <text>MP's join Sinn Fein in debate in London</text>
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                <text>27.10.2022</text>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This transnational French journal relates to politics, art, and philosophy. At the intersect between social activism, policy, and theory, Multitudes analyses new forms of mobilization in the age of cognitive capitalism, focusing on digital cultures, intellectual property, guaranteed income, changes in working conditions, the ethics of care, political ecology, postcolonial theory, cities, and media activism.</text>
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              <text>Ed Emery </text>
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          <description>The location of the interview</description>
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            <name>Publisher</name>
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            <name>Format</name>
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                <text>journal</text>
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                <text>23.01.2025</text>
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        <name>2000s</name>
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        <name>Experimental Culture</name>
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        <name>Political Education</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Jubilee 2000 Afrika Campaign &amp; Associated</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2091">
                  <text>MayDay Rooms collection of materials related to the Committee for Academic Freedom in Africa and the group that has gathered around it has led to a deposit of activist materials based around de-coloniality, reparations campaigns and debt cancellation. Many of those UK-based activists involved with Jubilee 2000 gathered at MayDay Rooms in November 2015 for a consultative dialogue entitled ‘Afrika in Debt Bondage.’ Thanks to Kofi Klu for this assortment of flyers, posters, magazine and texts.</text>
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                <text>Flyer</text>
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                <text>Archive Storage Room|Kofi Klu</text>
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            <description>A name given to the resource</description>
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                <text>Mumia Abu-Jamal</text>
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              <description>An account of the resource</description>
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                  <text>The Troops Out Movement  was formed in West London in 1973 by Irish solidarity activists. A campaigning organisation committed to bringing an end to British rule in the North of Ireland,  Troops Out Movement has two aims: British Troops Out of Ireland and Self-determination for the Irish People as a Whole.</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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                <text>SC/TOM/0158</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mural on Falls Road</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photograph</text>
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            </elementTextContainer>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>27.10.2022</text>
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        <name>Migrant Organising</name>
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              <description>A name given to the resource</description>
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                  <text>Subvertising</text>
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              <description>An account of the resource</description>
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                  <text>A number of large and beautiful political posters, most of which have been flyposted in the advertising spaces on bus stops and on the tubes. The collection charts political projects ranging from the Junior Doctor’s Strike to the arms industry to critiques of advertising. Also in the collection are a small number of documents on how to flypost, and pamphlets on undermining the advertising. These materials supplement an older collection of issues of adbusters from the 1990s, and work alongside other parts of our collection that chart the long history of détournement.</text>
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              <text>Darren Cullen</text>
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              <text>includes Queen's Funeral sticker</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Office Room</text>
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          <name>Catalogued by</name>
          <description/>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Museum of Neoliberalism leaflet</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44168">
                <text>Spelling Mistakes Cost Lives</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2022</text>
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            <name>Language</name>
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                <text>11.01.2023</text>
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        <name>2010s</name>
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        <name>History from Below</name>
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      <tag tagId="45">
        <name>Radical Arts</name>
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                  <text>Scratch Orchestra</text>
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              <description>An account of the resource</description>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                <text>Archive Storage Room|Stefan Szczelkun</text>
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              <description>An account of the resource</description>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                  <text>As a mass popular movement involving and uniting many subcultures the rave scene soon gained self confidence as a counter-culture and became subject to Governmental attack via the Criminal Justice Act (CJA). The ephemera deposited at MayDay rooms by William Shankly focuses on a period from 1993 and the Dead By Dawn/TechNet/Alien Undergound/Datacide assemblage centred on Brixton’s 121 Centre. Amongst the papers are zines from the period, flyers, news cuttings, correspondence and typescripts and drafts of TechNet writings. Some of these materials, especially those generated at the time of resistance to the CJA, were activated in October 2014 in association with History Is Made At Night at an event called ‘The Revolt of the Ravers’.</text>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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      <tag tagId="52">
        <name>Experimental Culture</name>
      </tag>
      <tag tagId="45">
        <name>Radical Arts</name>
      </tag>
      <tag tagId="55">
        <name>Situationist</name>
      </tag>
      <tag tagId="48">
        <name>Technology</name>
      </tag>
    </tagContainer>
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  <item itemId="6116" public="1" featured="0">
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                  <text>Association of Autonomous Astronauts</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2034">
                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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      <elementContainer>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="65920">
              <text>JE/AAA/0029</text>
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          </elementTextContainer>
        </element>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="65921">
              <text>John Eden</text>
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          <elementTextContainer>
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              <text>Archive Room</text>
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          </elementTextContainer>
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        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
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              <text>LR</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="65922">
                <text>MUTE, 1999, no.14</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65923">
                <text>MUTE magazine</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65924">
                <text>1999</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65925">
                <text>magazine</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65926">
                <text>English</text>
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          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="65929">
                <text>4.09.2024</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="37">
        <name>1990s</name>
      </tag>
      <tag tagId="52">
        <name>Experimental Culture</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="6818" public="1" featured="0">
    <collection collectionId="7">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Miscellaneous Pamphlets</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
    </itemType>
    <elementSetContainer>
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        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="72753">
                <text>G. Maximoff</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="72754">
                <text>Miscellaneous Pamphlets</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="72755">
                <text>Pamphlet</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Ros Kane</text>
              </elementText>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="72757">
                <text>My Social Credo</text>
              </elementText>
            </elementTextContainer>
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  <item itemId="4449" public="1" featured="0">
    <collection collectionId="9">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9">
                  <text>HMP</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2083">
                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="47739">
              <text>Howard Slater</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="101">
          <name>Folder</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="47745">
              <text>HMP 1989-1992, Strangeways prison occupation</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="47747">
              <text>Archive Room</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="47748">
              <text>Becka Hudson</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47738">
                <text>HS/HMP/0068</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47740">
                <text>Mystery of the victims in E wing</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47741">
                <text>James Dalrymple, Helen Hague</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47742">
                <text>The Independent on Sunday</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47743">
                <text>8th April 1990</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47744">
                <text>Newspaper clipping</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47746">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="59">
            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="47749">
                <text>9.06.2023</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="37">
        <name>1990s</name>
      </tag>
      <tag tagId="69">
        <name>Prison Resistance</name>
      </tag>
      <tag tagId="83">
        <name>State Violence</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="2383" public="1" featured="0">
    <collection collectionId="38">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="38">
                  <text>History Workshop Journal &amp; Associated</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2082">
                  <text>Copies of the early issues of History Workshop: A Journal of Socialist Historians, donated by Anna Davin of the founding editorial collective. The history workshop movement emerged in the ferment of the 1960s, animated, according to its Ruskin-based presiding spirit Raphael Samuel, by the “the belief that history is or ought to be a collaborative enterprise, one in which the researcher, the archivist, the curator and the teacher, the ‘do-it-yourself’ enthusiast and the local historian, the family history societies and the individual archaeologist, should all be regarded as equally engaged.” (History Workshop: A Collecteana, 1967-1991, Documents, Memoirs, Critique and cumulative index to History Workshop Journal. Ruskin College. pp. 1V.) A brief history of the movement can be found at: http://www.historyworkshop.org.uk/the-history-of-history-workshop/, including a bibliography.</text>
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            </element>
          </elementContainer>
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    </collection>
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="26523">
              <text>Anna Davin</text>
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          </elementTextContainer>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="26525">
              <text>Archive Storage Room</text>
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          </elementTextContainer>
        </element>
        <element elementId="95">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="26526">
              <text>1</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="26532">
              <text>2339</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <elementContainer>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26524">
                <text>Journal</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26527">
                <text>Various</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="26528">
                <text>2014-07-28</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26529">
                <text>1980-02-27</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="26530">
                <text>HWJ/ADV/2#10</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26531">
                <text>NACLA Report on the Americas</text>
              </elementText>
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          </element>
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    </elementSetContainer>
  </item>
  <item itemId="597" public="1" featured="0">
    <collection collectionId="44">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="44">
                  <text>Association of Autonomous Astronauts</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2034">
                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="6861">
              <text>Fabian Tompsett</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="6863">
              <text>Archive Storage Room</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="95">
          <name>Number of Items</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="6864">
              <text>1</text>
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        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="6867">
              <text>HS</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="6871">
              <text>2607</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6862">
                <text>Flyer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6865">
                <text>Disconaut AAA</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="6866">
                <text>2015-05-11</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="6868">
                <text>Disconaut AAA</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="6869">
                <text>AAA/FT/1#15</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6870">
                <text>NASA Space Terrorists Send Nukes To Saturn</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="6166" public="1" featured="0">
    <collection collectionId="44">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
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                <text>Amilcar Cabral</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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                  <text>Jenny Earle</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Identifier</name>
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                <text>NGO/IS68/0066</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>National rights demand reaches the city centre article</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="45053">
                <text>Sean McKernan</text>
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                <text>13.01.2023</text>
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        <name>1990s</name>
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        <name>Republicanism</name>
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              <description>A name given to the resource</description>
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                  <text>Association of Autonomous Astronauts</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>Variously seen as a Situationist-inspired prank, an extended metaphor, a form of Exodus and a campaign to redistribute superwealth, the Association of Autonomous Astronauts conducted a five year propaganda mission (1995-2000) to make the experience of space travel an option for a variety of international communities. This collection is comprised of Annual reports, zines, flyers, calling cards, conference programmes and press clippings. Thanks to Fabian Tompsett and John Eden.</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>John Eden</text>
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          <name>Catalogued by</name>
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            <description>A name given to the resource</description>
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                <text>National Space Development Agency of Japan letter</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="66269">
                <text>Patrick Collins</text>
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            <name>Date</name>
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              <elementText elementTextId="66270">
                <text>1999</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>letter</text>
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            <name>Date Submitted</name>
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              <elementText elementTextId="66275">
                <text>4.09.2024</text>
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        <name>1990s</name>
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        <name>Experimental Culture</name>
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      <tag tagId="45">
        <name>Radical Arts</name>
      </tag>
      <tag tagId="55">
        <name>Situationist</name>
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      <tag tagId="48">
        <name>Technology</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissenting Ephemera – Alex Bird</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2045">
                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="96">
          <name>Depositor</name>
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              <text>Alex Bird</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="18131">
              <text>Archive Storage Room</text>
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              <text>1</text>
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          <name>Catalogued by</name>
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            <elementText elementTextId="18136">
              <text>Jacob Bard-Rosenberg</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="18139">
              <text>6348</text>
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          <element elementId="42">
            <name>Format</name>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18133">
                <text>National Union of Mineworkers</text>
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          </element>
          <element elementId="57">
            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="18134">
                <text>2020-12-31</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1965-01-01</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="18137">
                <text>DEAB/ABI/1#7</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>National Union of Mineworkers South Wales Area Council, Directory 1965</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="46">
                  <text>Schooling &amp; Culture 2015</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2113">
                  <text>Following a week long activation in July 2015 of the Schooling &amp; Culture Archive that included visits from schools and youth groups a collection of materials was assembled for the MayDay Rooms Archive. These materials include large format diagrams documenting the visits and debates, magazines, newspapers, notes, postcards, questionnaires and other materials that will feed into the process of producing a new issue of Schooling &amp; Culture.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="39">
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              <elementText elementTextId="76597">
                <text>Various</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="76598">
                <text>Schooling &amp; Culture 1977  1985</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Fanzine</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Andrew Dewdney</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>National Union of School Students Paper</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>Following a week long activation in July 2015 of the Schooling &amp; Culture Archive that included visits from schools and youth groups a collection of materials was assembled for the MayDay Rooms Archive. These materials include large format diagrams documenting the visits and debates, magazines, newspapers, notes, postcards, questionnaires and other materials that will feed into the process of producing a new issue of Schooling &amp; Culture.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Various</text>
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              <elementText elementTextId="76603">
                <text>Schooling &amp; Culture 1977  1985</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Fanzine</text>
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                <text>Archive Storage Room|Andrew Dewdney</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>National Union of School Students Paper No.2</text>
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              <description>An account of the resource</description>
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                  <text>Following a week long activation in July 2015 of the Schooling &amp; Culture Archive that included visits from schools and youth groups a collection of materials was assembled for the MayDay Rooms Archive. These materials include large format diagrams documenting the visits and debates, magazines, newspapers, notes, postcards, questionnaires and other materials that will feed into the process of producing a new issue of Schooling &amp; Culture.</text>
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                <text>Fanzine</text>
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                <text>Archive Storage Room|Anna Davin</text>
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                <text>National Women's History Week - Education Curriculum Guide</text>
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                  <text>These materials, dubbed ‘dissenting ephemera’, were delivered to Mayday Rooms as a contextual backdrop to the October 2014 reunion of East London Big Flame. The close connections this group had to the Women’s Liberation Movement is reflected in the documents, discussion papers, flyers and magazines (Red Rag, Spare Rib) collected here.</text>
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              <text>3750</text>
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              <description>An account of the resource</description>
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                  <text>The Wages for Housework campaign was launched in Padova at the International Feminist Conference of July 1972. Within two years it was holding its own international conference in Brooklyn, New York and issued a position statement: “Wages for Housework is the feminist perspective and therefore the class perspective.” Opening up both an exploration of the wage and presciently raising the issue of reproductive and affective labour, the Wages for Housework campaign maintained its momentum for the rest of the decade. The box of materials held by MayDay Rooms and kindly donated by Silvia Federici relate to the New York Wages For Housework collective and contain publications, posters, flyers, photographs, press cuttings and organisational documents. They span the period from the Padova Conference to the publication, in 1981, of the journal Tap Dance.</text>
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          <description>Unique ID</description>
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            <name>Format</name>
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                <text>Press Clipping</text>
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                <text>2013-01-27</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Greenwich Connector</text>
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                <text>WFH/SF/1#45</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Nationwide campaign: put housewives on Uncle Sam's payroll</text>
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              <description>An account of the resource</description>
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                  <text>Two collections comprising materials from Kevin Biderman and Nicola Kirkham. They include documents, ephemera, and film from the anti-globalisation movement from the mid-1990s to the early 2000s. A special collection is made of materials relating to the Carnival Against Capitalism, better known as “J18”, a riotous protest that took place in the City of London on 18 June 1999. It marked the first of a series of large anti-globalisation protests at international summits in the following years.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>Matt Salusbury</text>
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          <description>The location of the interview</description>
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                <text>Naturally, the common people don't want war...</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Card</text>
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            <description>A language of the resource</description>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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              <elementText elementTextId="32445">
                <text>20.10.2022</text>
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      <tag tagId="43">
        <name>Peace Movement</name>
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