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                  <text>Scratch Orchestra</text>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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                <text>Peter Ellison</text>
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                <text>Scratch Orchestra</text>
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                <text>Archive Storage Room|Stefan Szczelkun</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Letter from Peter Ellison</text>
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              <description>A name given to the resource</description>
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                  <text>Scratch Orchestra</text>
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                  <text>The Scratch Orchestra grew out of a series of music composition classes held at London’s Morley College. The classes were instigated by Cornelius Cardew, Michael Parsons and Howard Skempton and were attended by avant-garde musicians and artists interested in exploring sound. From this, in July 1969, the Scratch Orchestra was formed; it was described, in its draft constitution, as “a large number of enthusiasts pooling their resources (not primarily material resources) and assembling for action (music making, performance, edification.)” The Scratch Orchestra, which drew together varying levels of musical ‘expertise’, performed its ‘music-from-scratch’, often based on written-instruction and graphic scores, in Town Halls, Village Halls, Universities, Youth Cubs, Parks and Theatres. The regularity of performance over its short life-span may well figure the Scratch Orchestra as a musical community; an intense experience of playing, travelling and living together. MayDay Rooms are grateful to Stefan Szczcelkun for depositing his Scratch Orchestra papers which includes documentation of the Richmond Journey and The Scratch Cottage as well as ephemera relating to the Slippery Merchants, a performance subgroup of the Scratch Orchestra that carried out “uninvited performative intrusions”. Stefan’s papers also provide materials relating to ongoing Scratch Orchestra gatherings, commemorations and concerts that have kept Scratch Music in the public eye.</text>
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            <name>Creator</name>
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              <elementText elementTextId="75403">
                <text>Peter Ellison</text>
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                <text>Scratch Orchestra</text>
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                <text>Archive Storage Room|Stefan Szczelkun</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>[Letter from Peter Ellison, including copy of a letter from Peter Ellison to Luke Fowler]</text>
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                  <text>Dissenting Ephemera- Black Struggle</text>
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              <description>An account of the resource</description>
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                  <text>A modest collection of material relating to Black Struggle in the UK includes copies of Race Today and Race &amp; Class which were both offshoots of a breakaway from the Institute of Race Relations in the early 70s. These have been supplemented by a donation of books from Newham Monitoring Project and documents that MDR is holding on behalf of Statewatch. The materials cross-referenced here include Community Defence Campaign newsletters, Deaths in Custody files, Police Monitoring Groups and cuttings and research into the 1981 Riots.</text>
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          <name>Depositor</name>
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            <elementText elementTextId="18453">
              <text>Howard Slater</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Reading Room</text>
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          <name>Catalogued by</name>
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              <text>HS</text>
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          <name>Comments</name>
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              <text>Reprinted from 'Staying Power: the History of Black People in Britain' by Peter Fryer.&#13;</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>3000</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="18454">
                <text>Pamphlet</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="18457">
                <text>Peter Fryer</text>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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                <text>2015-04-29</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2005-10-03</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="18462">
                <text>Past Tense Reprint</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>/HS</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>William Cuffay - Black Chartist</text>
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  <item itemId="6960" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="7">
                  <text>Miscellaneous Pamphlets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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      <name>Physical Object</name>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Peter Good</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="73465">
                <text>Pamphlet</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Tony Wood</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Something Should Be Done - Supplement to 'Occupational Hazards'</text>
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              <name>Title</name>
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                  <text>HMP</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <name>Depositor</name>
          <description/>
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              <text>Howard Slater</text>
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          <name>Folder</name>
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              <text>HMP 1989-1992, Strangeways prison occupation</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Archive Room</text>
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          <name>Catalogued by</name>
          <description/>
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              <text>Becka Hudson</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="48243">
                <text>HS/HMP/0112</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="48245">
                <text>Shotts prisoners surrender as barricade broken through</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="48246">
                <text>Peter Hetherington</text>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>4th September 1991</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48248">
                <text>Newspaper clipping</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="48250">
                <text>English</text>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="48253">
                <text>9.06.2023</text>
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    <tagContainer>
      <tag tagId="37">
        <name>1990s</name>
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      <tag tagId="69">
        <name>Prison Resistance</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>The Incomplete, True, Authentic And Wonderful History Of May Day</text>
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                  <text>The Zerowork publishing group was formed in 1974 and could be said to have been informed by an early take up of Italian autonomist theory. Writing in the general introduction to the Zerowork website, Harry Cleaver, says: “Each of us had long been involved in various political struggles in the United States, in Canada, in England, and in Italy. Those struggles, as usual, always included debates over theoretical issues and those debates continued within our collective during the preparation of the first issue of the journal.” The first issue was published in upstate New York in 1975 and at the outset declared: “The present capitalist crisis has made the problem or working class revolutionary organization more urgent. But any discussion of revolutionary action must be based upon an analysis of the present relation of the working class to capital.” The analysis, carried out over two issues of the journal, has the working class rejection of wage labour as an underlying catalyst. A full run of the Zerowork journal as well as primary documents and pamphlets found their way to Mayday Rooms courtesy of Peter Linebaugh.</text>
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                <text>Peter Linebaugh</text>
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                <text>Archive Storage Room|Peter Linebaugh</text>
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                <text>Letter Campus Tives of University of Rochester re: Peter Linebaugh's dismissal</text>
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                  <text>The Zerowork publishing group was formed in 1974 and could be said to have been informed by an early take up of Italian autonomist theory. Writing in the general introduction to the Zerowork website, Harry Cleaver, says: “Each of us had long been involved in various political struggles in the United States, in Canada, in England, and in Italy. Those struggles, as usual, always included debates over theoretical issues and those debates continued within our collective during the preparation of the first issue of the journal.” The first issue was published in upstate New York in 1975 and at the outset declared: “The present capitalist crisis has made the problem or working class revolutionary organization more urgent. But any discussion of revolutionary action must be based upon an analysis of the present relation of the working class to capital.” The analysis, carried out over two issues of the journal, has the working class rejection of wage labour as an underlying catalyst. A full run of the Zerowork journal as well as primary documents and pamphlets found their way to Mayday Rooms courtesy of Peter Linebaugh.</text>
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                <text>Letter to MDR re: second donation</text>
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  <item itemId="6954" public="1" featured="0">
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                  <text>Miscellaneous Pamphlets</text>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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                <text>Peter Linebaugh</text>
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                <text>Miscellaneous Pamphlets</text>
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                <text>Archive Storage Room|Iain Boal</text>
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                <text>Taking Liberties: Who? Whom?</text>
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                  <text>HMP</text>
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              <description>An account of the resource</description>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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          <name>Depositor</name>
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              <text>Howard Slater</text>
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              <text>HMP 1989-1992, Strangeways prison occupation</text>
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              <text>Becka Hudson</text>
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                <text>HS/HMP/0102</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Prisoners carry on jailtop protest</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="48130">
                <text>Peter Lomas</text>
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                <text>The Guardian</text>
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            <name>Date Created</name>
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                <text>9.06.2023</text>
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        <name>1980s</name>
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        <name>Prison Resistance</name>
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                  <text>Dissenting Ephemera – Alex Bird</text>
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                  <text>A collection of magazines and pamphlets. These include materials from the 1960s through to the 1990s, and range from communist and anarchist materials, to pamphlets from the left of the Labour Party. Of particular interest in this collection are Welsh materials. This includes a number of pamphlets and poetry chapbooks, and four issues of the magazine ‘Rebecca’, which covered many issues in Welsh radical politics in the mid-1970s. The collection also contains a run of ‘Unioneyes’, the news-sheet of Cardiff Trades Union Council, which Alex edited from the mid-1980s through to the early 1990s. This gives a unique and in depth view of rank and file struggles in the later years of the Thatcher administration, and in the wake of the crushing of the Miners’ Strike</text>
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              <text>Jacob Bard-Rosenberg</text>
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                <text>Pamphlet</text>
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              <elementText elementTextId="17917">
                <text>Peter Thornton, National Council for Civil Liberties</text>
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                <text>DEAB/ABI/1#33</text>
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                <text>The Civil Liberties of the Zircon Affair</text>
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  <item itemId="391" public="1" featured="0">
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                  <text>'A' Course</text>
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                  <text>In the late spring of 1969 four members of the teaching staff in the Sculpture Department at St. Martins School of Art in London began work on a project for students who would be entering the new three-year degree programme in the autumn. Their unique pedagogic experiment, which came to be known as the ‘A’ Course, was an extraordinary and inventive teaching programme that had a significant impact on what was taking place in British art education at the time. Because of its highly unorthodox nature the ‘A’ Course was widely known and largely misunderstood; it would not be unfair to say it was notorious. As part of a process of re-activating the past and involving original participants, MayDay Rooms has been in contact with former ‘A’ Course tutors/staff Garth Evans, Gareth Jones and Peter Kardia and students who have kindly participated, donated and loaned material. This ongoing ‘A’ Course Collection also opens onto other, less well known avenues taken by ‘A’ Course students in the 1970s including the Manydeed Group and the Poster Film Collective.&#13;
&#13;
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              <text>Peter Venn (Anthony Davies)</text>
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          <description>The location of the interview</description>
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                <text>Food for Thought: Play Fair Europe Newsletter, 1996, no. 3</text>
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                <text>Play Fair Europe, ASEED Europe</text>
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                <text>newsletter</text>
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                <text>16.05.2025</text>
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        <name>1990s</name>
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        <name>Anti/Alter-Globalisation</name>
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        <name>Environmentalism</name>
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        <name>Radical Ecology</name>
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              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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              <description>An account of the resource</description>
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                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Pleasure Tendency</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Archive Storage Room|Sam Monks</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Desire-Value And The Pleasure Tendency</text>
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              <description>An account of the resource</description>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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            <elementText elementTextId="149160">
              <text>GL/EA/0350</text>
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        <element elementId="96">
          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="149161">
              <text>Giles Lane</text>
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          <name>Comments</name>
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          <elementTextContainer>
            <elementText elementTextId="149168">
              <text>2 copies - one appears to be an American reprint. Subtitle: Text of PNR lecture during the Workers Education Association (Oxford Industrial Branch) Anarchism course, 24th November 1992</text>
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          <name>External Links</name>
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            <elementText elementTextId="149169">
              <text> </text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="149170">
              <text>Office Room</text>
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              <text>AJ</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Green Anarchism: Its Origins and Influences</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="149163">
                <text>PNR</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="149164">
                <text>Alder Valley As</text>
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            <name>Date</name>
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                <text>1992</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="149166">
                <text>pamphlet</text>
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            <description>A language of the resource</description>
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              <elementText elementTextId="149167">
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          <element elementId="59">
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            <elementTextContainer>
              <elementText elementTextId="149172">
                <text>2.05.2025</text>
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        <name>1990s</name>
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      <tag tagId="47">
        <name>Anarchism</name>
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      <tag tagId="46">
        <name>Direct Action</name>
      </tag>
      <tag tagId="50">
        <name>Environmentalism</name>
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      <tag tagId="56">
        <name>Radical Ecology</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="9">
                  <text>HMP</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2083">
                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="96">
          <name>Depositor</name>
          <description/>
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              <text>Edmund Baxter</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="77990">
              <text>Archive Room</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
          <elementTextContainer>
            <elementText elementTextId="77991">
              <text>EB/HMP/0002</text>
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          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
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            <elementText elementTextId="77992">
              <text>DW</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Policing London, 1986, vol. 4</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="77983">
                <text>Police Monitoring and Research Group </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="77984">
                <text>London Strategic Policy Unit</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1986</text>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>2/10/2025</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Women's Liberation Movement</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="30795">
                  <text>Jenny Earle</text>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>Jenny Earle</text>
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          <description>The location of the interview</description>
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              <text>Archive Room</text>
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              <text>LR</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>On the Political Economy of Women</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Political Economy of Women group</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1977</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>pamphlet</text>
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            <description>A language of the resource</description>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="29902">
                <text>23.09.2022</text>
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        <name>1970s</name>
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      <tag tagId="10">
        <name>Feminism</name>
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        <name>Political Economy</name>
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              <description>A name given to the resource</description>
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                  <text>Women's Liberation Movement</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="30795">
                  <text>Jenny Earle</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>Jenny Earle</text>
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              <text>excerpt from the Guardian</text>
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                <text>The poverty of a mean society</text>
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                <text>Polly Toynbee</text>
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                <text>1987</text>
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                <text>article clipping</text>
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                <text>Row Archive</text>
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                <text>23.09.2022</text>
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        <name>1980s</name>
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        <name>Feminism</name>
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        <name>Womens' Liberation Movement</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Radical and Militant Poetry</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Posie Rider</text>
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                <text>Radical and Militant Poetry</text>
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                <text>Chapbook</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Reading Room|Justin Katko</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>City Break Weekend Songs</text>
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              <description>A name given to the resource</description>
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                  <text>Radical and Militant Poetry</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Posie Rider, Joe Walton</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Radical and Militant Poetry</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Pamphlet</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Reading Room|Justin Katko</text>
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            <description>A name given to the resource</description>
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                <text>Cambridge Reading Series: 21 May 2010</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Poster Film Collective</text>
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              <description>An account of the resource</description>
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                  <text>Formed in the early 70s by ex-tutors and students from several London Art Colleges, the Poster Film Collective produced a series of hand-printed posters in support of political campaigns and a comprehensive series of educational posters that challenged hegemonic views of history. MayDay Rooms is pleased to be hosting a part of Andrew Darley’s collection which comprises of a set of posters titled “Between Future and Past” (aka ‘the feminist series’) and its attendant teaching handbook. Other material deposited by ex-participant Andy includes correspondence and documentation relating to many areas of the Poster Film Collective’s practice.</text>
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                <text>Poster Film Collective</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="73875">
                <text>Flyer</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|Andrew Darley</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Future Fictions</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Pamphlets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2100">
                  <text>Pamphlets have been in existence for as long as the printing press and are often associated with sedition and the distribution of censored and hard to get hold of material. With access to publishing more or less subject to monetary and professional control, the pamphlet has long been a means of subtly appropriating the means of publishing production and bringing ideas into circulation at a low cost. In these post internet times, MayDay Rooms is honouring this form through a growing collection of left libertarian pamphlets donated from many sources as well as by encouraging new publications through its Riso printer.</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="72958">
                <text>Pour Une Intervention Communiste</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Miscellaneous Pamphlets</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="72960">
                <text>Pamphlet</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Archive Storage Room|William Shankly</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>On Workers' Autonomy</text>
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                  <text>Eco Anarchist Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Seven boxes of materials including zines, magazines, newspapers, leaflets, pamphlets and ephemera donated by one of the editors of the journal 'Do or Die'. The collection is largely from from the mid-1990s to the early 2000s, representing the ecological direct action movement of the time, including movements like the campaign against the Criminal Justice Act, Earth First!, Reclaim The Streets, the anti-roads struggle, the beginnings of the anti-globalisation movement, animal liberation actions, and the campaign against genetic engineering. The collection also covers the ecological, primitivist and anti-civilization tendencies within anarchism that became prominent at the time. Although the primary focus is British, there is a significant amount of material from related American movements and publications. The collection includes internal discussion documents, gathering programmes and agendas as well as substantial runs of journals and newspapers from US and UK Earth First!</text>
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          <name>UID</name>
          <description>Unique ID</description>
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              <text>Giles Lane</text>
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          <name>Comments</name>
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              <text>Flyer advertising a mass protest</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="150738">
              <text>Office Room</text>
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          <name>Catalogued by</name>
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            <description>A name given to the resource</description>
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                <text>Save Titnore Woods! </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="150732">
                <text>POW! (Protect Our Woodland!)</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>POW! (Protect Our Woodland!)</text>
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                <text>2002</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>leaflet</text>
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            <elementTextContainer>
              <elementText elementTextId="150740">
                <text>6.06.25</text>
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        <name>2000s</name>
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        <name>Direct Action</name>
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        <name>Environmentalism</name>
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      <tag tagId="56">
        <name>Radical Ecology</name>
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              <description>A name given to the resource</description>
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                  <text>Big Flame – Internal Documents</text>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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              <text>Martin Yarnit</text>
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            <elementTextContainer>
              <elementText elementTextId="7378">
                <text>Power of Women Collective</text>
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            </elementTextContainer>
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            <name>Date Accepted</name>
            <description>Date of acceptance of the resource. Examples of resources to which a Date Accepted may be relevant are a thesis (accepted by a university department) or an article (accepted by a journal).</description>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Perspective Of Wages For Housework</text>
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              <description>An account of the resource</description>
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                  <text>A small collection of Republican ephemera from the late 1960s and 1970s during the first years of the troubles. These include an extremely rare nearly complete run of the newssheet ‘Free Citizen’, and its subsequent incarnation ‘Unfree Citizen’.  Also included in the collection are copies of the republican feminist journal ‘Banshee’, a number of copies of ‘An Phoblacht’, related ephemera including some materials from the Troops Out Movement, and a small number of posters.</text>
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                <text>27.10.2022</text>
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        <name>Republicanism</name>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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          <name>Depositor</name>
          <description/>
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              <text>Howard Slater</text>
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          <description/>
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            <name>Identifier</name>
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                <text>HS/HMP/0047</text>
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            <description>A name given to the resource</description>
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            <name>Creator</name>
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            </elementTextContainer>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="47513">
                <text>9.06.2023</text>
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        <name>1970s</name>
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      <tag tagId="69">
        <name>Prison Resistance</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>HMP</text>
                </elementText>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This collection gathered pace after the donation of a file of press cuttings and commentary around the Strangeways Prison Rebellion of April 1990 and has since been supplemented by copies of Taking Liberties, Inside Information and other newsletters, books and pamphlets. It is to be hoped that this collection can serve in bringing to light a lesser known area of activism that centres upon the repressive conditions inside prisons and prisoner resistance to these. Thanks to 56a Duplicates Committee and Mike Edinburgh.</text>
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              </elementTextContainer>
            </element>
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      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <element elementId="92">
          <name>UID</name>
          <description>Unique ID</description>
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              <text>RK/HMP/0002</text>
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          <name>Depositor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="78570">
              <text>Ros Kane</text>
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          </elementTextContainer>
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          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="78577">
              <text>Archive Room</text>
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          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Catalogued by</name>
          <description/>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Prison Briefing, 1982, no.1</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>PROP (The National Prisoners' Movement)</text>
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            <name>Date</name>
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            <name>Format</name>
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                <text>Pamphlet</text>
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            <description>A language of the resource</description>
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            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>19.11.2025</text>
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        <name>1980s</name>
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